Dancing down the barricades Sammy Davis Jr. and the long civil rights era : a cultural history

Matthew Frye Jacobson, 1958-

Book - 2023

"Through the lens of Sammy Davis Jr.'s six-decade career in show business-from vaudeville to Vegas to Broadway, Hollywood, and network TV-Dancing Down the Barricades examines the workings of race in American culture. The title phrase holds two contradictory meanings regarding Davis's cultural politics: did he dance the barricades down, as he liked to think, or did he simply dance down them, as his more radical critics would have it? Sammy Davis Jr. was at once a pioneering, barrier-busting, anti-Jim Crow activist and someone who was widely associated with accommodationism and wannabe whiteness. Historian Matthew Jacobson attends to both threads, analyzing how industry norms, productions, scripts, roles, and audience expectati...ons and responses were all framed by race, against a backdrop of a changing America. In the spirit of better understanding Davis's life and career, Dancing Down the Barricades examines the complexities of his constraints, freedoms, and choices for what they reveal about Black history and American political culture"--

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Subjects
Genres
Biographies
History
Published
Oakland, California : University of California Press [2023]
Language
English
Main Author
Matthew Frye Jacobson, 1958- (author)
Physical Description
xxviii, 314 pages : illustrations (black and white) ; 24 cm
Bibliography
Includes bibliographical references and index.
ISBN
9780520391802
  • List of Illustrations
  • Acknowledgments
  • Author's Note
  • Preface: The Long Civil Rights Era
  • 1. Star Rising at Twilight: A Childhood in Vaudeville
  • 2. "A Concentrated Bunch of Haters": War Time in Wyoming
  • 3. The All-Negro Cast, and Other Black Spaces
  • 4. The Vegas Strip, Network TV, and Other White Spaces
  • 5. "Division Is Not Our Destiny": Interracial Romance and Golden Boy
  • 6. Writing Wrongs in Yes I Can
  • 7. "The Skin Commits You": Civil Rights Itinerary
  • Coda: What Is the "Post" of "Post-Civil Rights"?
  • Notes
  • Index
Review by Publisher's Weekly Review

In this intriguing deep dive, Yale University historian Jacobson (Roots Too) places singer and actor Sammy Davis Jr. (1925--1990) at the center of the intersection between race, culture, and politics in America. Tracking Davis's career from his earliest days in vaudeville as a young man to his later years on television, Jacobson provides a deeper understanding of the racial tightrope Davis had to walk. While the Rat Pack's cringeworthy racial banter was meant to signal their relative progressivism, Jacobson writes, Davis's participation "embodied neither resistance nor defiance nor critique nor self-definition." Jacobson also contextualizes the "popular obsession" over Davis's "predilection for dating white women" within the history of efforts to police interracial relationships in the U.S. and takes a deep dive into Davis's star turn in the 1964 revival of Golden Boy, which featured Broadway's first interracial kiss. Later chapters offer a close reading of Davis's autobiography Yes I Can and chart his changing fortunes as the Black Power era dawned. Nuanced, incisive, and frequently surprising, this is a worthy reconsideration of a divisive public figure. (Feb.)

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Review by Library Journal Review

With Sinatra's Rat Pack, Sammy Davis Jr. could claim that, by talent alone, he'd raised himself to inclusion in the great American melting pot. Throughout his career, he headlined in Las Vegas, integrated venues, and appeared on many television shows. But a younger Black generation wanted recognition for their differences; to them, Davis was a sellout. Yet in the '60s, Martin Luther King Jr. relied on Davis's star power for fundraisers, with Davis eventually traveling to the South to protest in person. Still, this book shows that Davis was caught between warring views of what it meant to be Black in a racist U.S. Jacobson (history, Yale Univ.; The Historian's Eye) is one of the subtlest commentators on what it means to be caught in such a cultural bind. VERDICT A subtle, insightful book likely to be on many readers' radar for its nuanced look at the consequences of a racial divide with roots that, as Jacobson makes clear, are longstanding, systemic, and institutional.--David Keymer

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