Pineapple Street A novel

Jenny Jackson

Large print - 2023

"A deliciously funny, sharply observed novel of family, wealth, love and tennis, this zeitgeisty debut follows three women in an old Brooklyn Heights clan: one who was born with money, one who married into it, and one, the millennial conscience of the family, who wants to give it all away. Rife with the indulgent pleasures of affluent WASPS in New York and full of recognizable if fallible characters (and a couple of appalling ones!), it's about the peculiar unknowability of someone else's family, about the haves and have-nots and the nuances in between, and the insanity of first love--Pineapple Street is a scintillating, wryly comic novel of race, class, wealth and privilege in an age that disdains all of it"--

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Subjects
Genres
Domestic fiction
Novels
Large print books
Published
New York : Random House Large Print [2023]
Language
English
Main Author
Jenny Jackson (author)
Edition
First large print edition
Physical Description
381 pages (large print) ; 24 cm
ISBN
9780593676714
Contents unavailable.
Review by Booklist Review

This family drama gives readers a look inside the lives of the affluent Stockton family, who reside in a historic brownstone in Brooklyn. Sasha has recently married into the family and just can't seem to navigate the upper-class waters of her new in-laws. Loving Cord has always been easy, but loving his tight-knit family is another story. Cord and his two sisters, Darley and Georgina, have grown up and lived around the fruit-named streets of Brooklyn most of their lives. The family's wealth and status have sheltered the Stocktons for generations and informed many of their habits and perceptions of life; letting an outsider in will prove to be tricky. Each family member's first-person narration offers a glimpse into their thoughts, unique perspectives, and experiences, allowing the reader to examine the same situation through many eyes. Filled with humor, love, the ups and downs of marriage, and tennis whites, this family's story is both endearing and exasperating. Readers will enjoy the author's exploration of both the perks and downsides of generational wealth.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Jackson's clever if tepid debut chronicles the struggles of three women born or married into an old-monied New York City family. Cord Stockton, the family's middle child, marries Sasha, and the couple takes over the family's Brooklyn Heights house. Sasha, who comes from a middle-class Rhode Island family, is referred to as "the GD" (gold digger) by Cord's sisters. Darley Stockton, the oldest, gives up her banking career to be a full-time mom. Georgiana, the youngest, is mainly a directionless party girl with a gig at a nonprofit, where she's sleeping with her married boss. Tensions come to a head as Darley's and Georgiana's fortunes shift and Sasha decides to beat it for Rhode Island. Unfortunately, most of the characters aside from Sasha are underdeveloped (Stockton matriarch Tilda delivers predictably cartoonish lines, like "Sasha, would you like to tell us what it was like growing up poor?"), though Jackson shines in her incisive observations about the ravages of contemporary real estate developments (at the former Hotel St. George, "ghosts of the original remained, the green balconies that once overlooked the swimming pool... now home to a series of elliptical machines where old people and college students climbed to nowhere"). Despite the dusty feeling, this has its moments. Agent: Brettne Bloom, Book Group. (Mar.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Jackson's debut provides an intimate window into the lives of the uber-wealthy Stockton family and their refined Brooklyn Heights's neighborhood whose streets are named after fruits. Narrator Marin Ireland gives voice to three of the Stockton women--Sasha, an outsider from Rhode Island who has married eldest son Cord and is referred to as the "Gold Digger" by Cord's casually catty sisters; eldest sister Darley, a mother of two and wife to Malcolm, a Korean American aviation-industry analyst; and youngest sister Georgiana, who is single but involved in a potentially explosive workplace relationship. With chameleon-like skill, Ireland reveals the nuances of each woman's personality, capturing Georgiana's cautious forays into independence, Darley's distress when Malcolm loses his job, and Sasha's struggles to be accepted by the impossibly snooty Stocktons. The Stocktons are a hard group to like--self-centered, exasperatingly out of touch, and consumed with the entitled minutiae of their everyday lives. Ireland allows their excess to show but deftly hints at the sorrow, insecurity, and deep love beneath their shiny facades. VERDICT While the Stocktons' shenanigans may have some rolling their eyes, listeners will likely be captivated by this expertly narrated and often surprising tale. Perfect for fans of Cynthia D'Aprix Sweeney's The Nest.--Sarah Hashimoto

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Money makes the world go round, particularly the world of an elite Brooklyn family. "On good days, Sasha could acknowledge how incredibly lucky she was to live in her house. It was a four-story Brooklyn limestone, a massive, formal palace that could have held ten of the one-bedroom apartments Sasha had lived in before. But on bad days...." As Sasha finally admits in a gloves-off monologue following a gender reveal party gone awry, on bad days, it's "a janky Grey Gardens full of old toothbrushes and moldy baskets." A wealthier cousin of Cynthia D'Aprix Sweeney's The Nest, Knopf editor Jackson's fiction debut is a comedy of manners charting the fates of the Stockton siblings and their spouses, circling around the house where they grew up in Brooklyn Heights, now inhabited by Cord and his wife, Sasha, who is referred to as the Gold Digger by Cord's sisters, Darley and Georgiana. That's unfair, though: Sasha signed a prenup. Meanwhile, Darley and her husband, Malcolm, a Korean American aviation-industry analyst who did not sign a prenup, are living off their own money as Darley fights the tedium of the entitled mommy lifestyle. Georgiana, much younger than her siblings, still single, is considered the do-gooder of the family because she works for a nonprofit, where she becomes involved in a passionate and very ill-advised relationship. From the opening scene, where Sasha's mother-in-law shows up to dinner with an entire replacement menu and a revised "tablescape," Jackson has a deft hand with all the passive-aggressive interactions that are so common in family life, perhaps particularly in this socio-economic stratum. She knows her party themes, her tennis clubs, her silent auctions, and her WASP family dynamics. Rich-people jokes, cultural acuity, and entertaining banter keep this novel moving at a sprightly pace as the characters learn their lessons about money and morals, though some of the virtuous reform seems a little much. A remarkably enjoyable visit with the annoying one percent, as close to crazy rich WASPs as WASPs can get. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Prelude Curtis McCoy was early for his ten o'clock meeting so he carried his coffee to a table by the window, where he could feel the watery April sun. It was a Saturday, Joe Coffee was crowded, and Brooklyn Heights was alive, women in running tights pushing strollers along Hicks Street, dog walkers congregating at the benches on Pineapple Street, families dashing to soccer games, swimming lessons, birthday parties down at Jane's Carousel. At the next table, a mother sat with her two adult daughters, drinking from blue-and-white paper cups, peering at the same phone. "Oh, here's one! This guy's profile says he likes running, making his own kimchi, and 'dismantling capitalism.'" Curtis tried not to listen but couldn't help himself. "Darley, he's twice my age. No. Do you even understand how the app works?" The name Darley rang a bell, but Curtis couldn't quite place her. Brooklyn Heights was a small neighborhood, she was probably just someone he'd seen in line ordering sandwiches at Lassen, or someone he'd crossed paths with at the gym on Clark Street. "Fine, fine. Okay, this guy says, 'Cis male vegan seeks fellow steward of the Earth. Never eat anything with a face. Except the rich.'" "You can't date a vegan. The footwear is ghastly!" the mother interrupted. "Give me that phone! Hmm. The whiffy here is terrible." "Mom, it's pronounced 'wai-fai.'" Curtis risked a quick peek at the table. The three women were dressed in tennis whites, the mother a blonde with gold earrings and a notable array of rings on her fingers, the daughters both brunette, one lanky with straight hair cut to her shoulders, the other softer, with long wavy hair loosely tied in a knot. Curtis ducked his head back down and broke off a crumbly bite of poppyseed scone. "'Bi and nonmonogamous looking for a Commie Mommy to help me smash the patriarchy. Hit me up to go dancing!' Am I having a stroke?" the older woman murmured. "I don't understand a word of this." Curtis fought back a snicker. "Mom, give me the phone." The wavy-haired daughter snatched back the iPhone and tossed it in her bag. With a start Curtis realized he knew her. It was Georgiana Stockton; she had been in his high school class at Henry Street ten years ago. He contemplated saying hello, but then it would be obvious he'd overheard their entire conversation. "In my day, things were so much simpler," Georgiana's mother tutted. "You just went out with your deb ball escort or maybe your brother's roommate from Princeton." "Right, Mom, but people my generation aren't giant elitist snobs," Georgiana said and rolled her eyes. Curtis smiled to himself. He could imagine having the same exact conversation with his own mother, trying to explain why he wasn't going to marry her friend's daughter just because they owned adjoining properties on Martha's Vineyard. As Curtis watched Georgiana out of the corner of his eye, she suddenly jumped up from her chair. "Oh, no! I left my Cartier bracelet in Lena's BMW and she's leaving soon for her grandmother's house in Southampton!" Georgiana tossed her bag over her shoulder, grabbed her tennis racket off the floor, planted quick kisses on both her mother and sister, and clattered past Curtis to the door. As she swept by, her tennis racket banged Curtis's table, sloshing his coffee, dousing his poppyseed scone, and leaving him frowning in her wake. One Sasha There was a room in Sasha's house that was a portal to another dimension, and that dimension was 1997. Here, Sasha discovered an egg-shaped iMac computer with a blue plastic shell, a ski jacket with a stack of hardened paper lift tags still affixed to the zipper, a wrinkled pile of airline boarding passes, and a one-hitter with an old yellow lighter hidden in the back of a drawer. Every time Sasha mentioned to her husband that she'd love to put her sister-in-law's high school ephemera in a box, he rolled his eyes and told her to be patient. "She'll get her stuff when she has time." But Sasha had her doubts, and it was weird living in a home where one bedroom was entirely closed off, like a preserved shrine to a lost child. On good days, Sasha could acknowledge how incredibly lucky she was to live in her house. It was a four-story Brooklyn limestone, a massive, formal palace that could have held ten of the one-bedroom apartments Sasha had lived in before. But on bad days, Sasha felt she was living in a time capsule, the home her husband had grown up in and never left, filled with his memories, his childhood stories, but mostly his family's shit. When Sasha and Cord had been in the house for three weeks, Sasha invited her in-laws to dinner. "I'll make mushroom tarts and a goat cheese salad," she said in the email. She spent all morning rolling pie dough and even walked to the fancy market on Montague for pomegranate seeds to sprinkle over baby lettuces. She vacuumed the dining room, dusted the bookshelves, and put a Sancerre in the fridge. When her in-laws arrived, they had three L.L.Bean canvas bags in tow. "Oh, you didn't have to bring any- thing!" Sasha exclaimed, dismayed. "Sasha," her mother-in-law trilled, opening the closet to hang her Chanel bouclé jacket. "We can't wait to hear all about your honeymoon." She carried the bags into the kitchen and proceeded to pull out a bottle of white Burgundy, two flower arrangements in low vases, a tablecloth with fleurs-de-lis on it, and three scalloped Williams Sonoma baking dishes with lids. She lined them up on the counter and, like a woman at home in her kitchen of forty years, opened up the cabinet to take down a glass for her wine. "I've made mushroom tarts," Sasha tried, suddenly feeling like the lady at the Costco free sample table, trying to sell warm cubes of processed cheese. "Oh, I saw in your email, darling. I gathered that meant it was a French-themed dinner. You just let me know when you're ten minutes away and I'll pop my coq au vin in the oven. I also have endives Provençal, and I brought plenty, so we might not need your salad. The candlesticks are in the drawer there, now let's go take a look at your tabletop arrangement and I'll see what else we need." Out of solidarity, Cord ate the tart and the salad, but when Sasha caught him looking longingly at the endives, she gave him a thin smile that said, "You can eat the damned vegetables, but you might have to sleep on the couch." Excerpted from Pineapple Street: A GMA Book Club Pick (a Novel) by Jenny Jackson All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.