The family fortuna

Lindsay Eagar

Book - 2023

Beaked. Feathered. Monstrous. Avita was born to be a star. Her tent sells out nightly, and every performance incites bloodcurdling screams. She's the most lucrative circus act from Texas to Tacoma, the crown jewel of the Family Fortuna, and Avita feeds on the shrieks, the gasps, the fear. But when a handsome young artist arrives to create posters of the performers, she's appalled by his rendering of Bird Girl. Is that all he sees? A hideous monster--all sharp beak and razor teeth, obsidian eyes and ruffled feathers? Determined to be more, Avita devises a plan to snatch freedom out from under the greased mustache of her charismatic father, the domineering proprietor and ringmaster. But will their fragile circus family survive the s...howdown she has in mind? By turns delightful and disturbing, bawdy and breathtaking, horrific and heartfelt, this electric and exquisitely crafted story about a family like no other challenges our every notion of what it means to be different--subject to an earful of screams--and to step out of the shadows and shine anyway.

Saved in:
Subjects
Genres
Fantasy fiction
Published
Sommerville, Massachusetts : Candlewick Press 2023.
Language
English
Main Author
Lindsay Eagar (author)
Edition
First edition
Physical Description
389 pages ; 22 cm
Audience
930L
ISBN
9780763692353
Contents unavailable.
Review by Booklist Review

In her YA debut, Eagar (The Patron Thief of Bread, 2022) conjures up a fantastical historical novel featuring the Family Fortuna traveling circus, famed "from Texas to Tacoma." By 1889, Avita, 16, is the star attraction. Twice a night, "Bird Girl" stands in the spotlight and allows the audience to stare and scream. Ethereal eldest sister Luna mesmerizes as duchess of the kootchie tent, brother Ren keeps the books, and their fervently religious mother reigns over the pig races. Arturo is father and ringmaster, a monster of manipulation and verbal abuse. The precarious status quo is upended by a mysterious boy who looks at Avita's face without fear and by a detour into the cursed town of Peculiar. Rich language envelops the reader in layers of sensory detail. At times nearly poetic, it can also be crass, anachronistic, and even funny. While momentum is constantly interrupted by flashbacks and repetitive world building, this story of a family coming undone is just odd enough to draw its ideal readers, who are rewarded with a compelling finale.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Eagar (The Patron Thief of Bread) presents a resplendent family saga set against the backdrop of a traveling circus. In 1889 Texas, 16-year-old Avita Fortuna is the showstopper of her family's circus. Born with feathers and a beak, she performs a grotesque live-chicken-eating act as the Bird Girl. Her father, the circus's fast-talking proprietor, dotes on her; her older brother, who was born with dwarfism, is their bookkeeper; her mother is a deeply devout former sharpshooter; and her older sister reigns as the "duchess of the kootchie tent, the red-hot queen of the circus nightlife." An unplanned stop in Peculiar, Tex., turns taxing when the Fortunas discover that their arch-rival circus, Le Cirque Americana, is also in town, setting the stage for a brutal contest of attractions. As her father grows more frantic in his ringmaster duties and butts heads with her brother, Avita dreams of a life beyond the circus, especially when a young artist's portrait of her prompts reexamination of her role in the family. By combining a beguiling premise with sinister ambiance, complex characterizations, and arresting, literary-leaning language, Eagar presents an absorbing read that examines the effect of familial pressures and conflict on one's mental health and self-perception. Ages 14--up. Agent: Victoria Marini, Irene Goodman Literary. (Mar.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

An 1880s traveling circus star wishes to be more than a monster on display. Born with feathers, a beak, and solid black eyes, Avita is the apple of her father's eye and his circus's most profitable act, biting the heads off live chickens for crowds. The book's opening lavishly sets the stage, including the circus's garish delights--such as star stripper Luna, Avita's beautiful, icy older sister, described as being "sex itself" even at 14 and working the "kootchie tent" since before her first period. Her brother--"born with dwarfism" but too many physical ailments to perform--is the circus's brainy manager and their father's punching bag. Avita's first-person, past-tense narration vacillates wildly between being a true believer in her ringmaster father's vision and a more jaded view; the end result is jarring. Other characters' viewpoints include both the past and present tenses. Most interesting about Avita's characterization is how she views her "hideous" face as a blessing even as she wishes people would look past it; less interesting is her leaning into self-objectification. Avita's first crush kick-starts her quest to be seen as more than a monster as her family travels to a portentous city--and a showdown with their greatest rival. Surprisingly humanizing at heart is the unraveling family's dynamic, set amid a coarse, exploitative environment run by a charismatic, tyrannical showman. Unfortunately, Avita's eventual triumphant ending rings hollow and pat. Central characters are cued White; there is diversity in the supporting cast. Intense but uneven. (Fabulism. 17-adult) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

"Avita, my kitten," my father would say, twirling a licorice root in that damned bone-­white smile of his, "any girl can be beautiful. But it takes a special girl to be as ugly as you." On sold-­out nights he waxed magnanimous, the heat from hundreds of mouth-­breathing patrons making his head swell beyond its usual juglike proportions. Despite its size, there was room for little in those meaty swirls of brain -- ​my mama was allotted a tiny corner, as were my siblings and I, though we all knew our father's love for us ran only as deep as puddles. Compared to his beloved circus, we were inconsequential. So when he pried his gaze away from the lusty white lights of the midway to look at my face and purr, "Yes, my angel, what a monster you are!" I swilled his words, drunk on his rare attention. Every time he said this, it was like hearing it for the first time . . . I was only a winkling, three or four years old. The sons of our grunts, the migrant workers my father paid in pennies and bitch beer, paraded a group of local kids through our village of parked wagons and took turns boosting one another up to peek through my window. "Monster," they whispered, terrified, delighted. "I saw her eat a live piglet once," one of the sons curated, the red Texan dirt smeared across his cheeks like a burn. "Held it by the tail and dangled it over her mouth, then chomped its head clean off." When I glanced up, they shrieked and ran, laughing and rolling in the yucca. My father insisted he punished the boys, yelled at the grunts to keep a tighter leash on their little bastards, but that's cow pie. He saw the way those boys gawked at me, and a thrill shot through his stomach. An opportunity. Alone in the wagon, I climbed onto my sister's vanity and stared at the girl in the mirror. I lit a lamp, I looked, and I saw -- ​ I saw the freckles of blood, dried into blackened scabs where barbed feathers grew from my shoulders and back. Mama plucked them out of me on Sundays like I was roast chicken dinner. A fresh garden of feathers had already started nosing up through my skin, which meant that tonight when I curled up in bed, my skin would itch like I had the scabies. I saw the teeth that burst from my oddly formed mouth -- ​two rows of black triangular razors, fragile as glass. A bearded lizard's smile. I saw a pair of eyes that blinked when I blinked -- ​no pupils, no color, not even when the sunshine hit them. Just holes, deep and dark as abandoned gold mines, hauntingly empty, like you might trip and fall into them if you stared too long. I saw my beak. Home was the Family Fortuna, traveling circus and midway, the pinnacle of tented spectacle in the southwestern states of the land of the free. And my father was Papa Fortuna, owner, ring­master, and asshole extraordinaire. Being raised in a circus was a very particular kind of life. By the time I could toddle, I'd seen stranger things than most adults could fathom. Our needle man, for instance, who pushed wires and nails into his pasty, spongy flesh as though he were a pincushion. He was Uncle Myron to us even though we did not share blood. Papa expected his offspring to embrace all our fellow comrades in exhibition as family, nothing less. Or the woman we hired in South Bend who grew snarls of hair on her face, her chest, and the tops of her knuckles -- ​we called her La Loba and took money from customers who wanted to hear her howl and scratch for her long-­dead lover. Or Graciela, our adored grotesque, seven feet tall and heavy as a train car, who let her audiences watch while she ate a cake large enough to bury a pharaoh inside, then swirled around to a Strauss waltz, wiggling her cloudlike backside. There were many other sights both dazzling and disturbing, sights that would make a priest's skin crawl. But nothing was as unsettling as that little girl in the mirror. I'd glanced at my own reflection plenty of times with a toddler's fascination, but I had never truly looked until that day. I looked not with my own peepers but through the eyes of those boys who had ogled me. I looked, and I saw a monster. It would be weeks before I had a nightmare about anything but myself. Later that same evening, the screams and cackles of the boys still percussing in my ears, my father squatted on the porch steps of our wagon and pulled me onto his knee. He tucked a dahlia behind my ear the way I'd seen him do to his dancing girls from the kootchie tent. "Gorgeous women make the world go 'round, my sweet," he said. "People will pay good money to see a pair of pretty ankles, pretty thighs, a flash of tit . . . anything a girl is willing to show for a buck. But you, Avita -- ​in our line of work, you're worth a thousand whores." And so my father spoiled me with presents and drowned me in compliments. He flattered my glossy black hair, my porcelain hands, my quiet nature, my non-­hideous features, all to make me forget that my ugliness was his profit. Excerpted from The Family Fortuna by Lindsay Eagar All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.