The only one left A novel

Review by Booklist Review

The author of Home before Dark (2020) and Survive the Night (2021) goes full-on Gothic in this tale of an in-home nurse who's hired to take care of a wheelchair-bound woman. But this is no typical patient: the woman is Lenora Hope, who, according to public opinion, slaughtered her family six decades ago. Her new caregiver, Kit McDeere, also believes her client is guilty until Lenora begins to reveal secrets she's kept nearly all her life. After a slight misstep with last year's The House across the Lake, in which the supernatural elements didn't quite work, Sager is back on form here. The writing is compelling, the story captivating, and the characters nicely rendered. The novel is set in the early 1980s, but it has a timeless feel: it could have taken place a century ago, or it could be happening today. Claustrophobic and haunting, this is Sager at the top of his game.

From Booklist, Copyright (c) American Library Association. Used with permission.

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Review by Publisher's Weekly Review

Sager (The House Across the Lake) again creatively toys with thriller mainstays in this gothic riff on the sinister caretaker trope. It's 1983, and home health aide Kit McDeere is desperate for work after her previous client overdosed on fentanyl from a bottle Kit left within reach. While McDeere avoided prosecution, she's still suspected by many--including the police--of having deliberately killed the woman. Broke, Kit has no choice but to accept a new assignment that her boss warns is especially difficult: serving as the caregiver for the paralyzed 71-year-old Lenora Hope. Like Kit, Lenora is considered a murderer by many in their small Maine community: when she was 17, Lenora's parents and sister were killed in the family's mansion, leaving her as the sole survivor. As Kit bonds with Lenora, she becomes obsessed with uncovering the truth about her family's deaths, and increasingly unsure of her client's innocence. Sager offers his usual array of jaw-dropping twists, which startle despite being fairly clued. Fans of Daphne du Maurier will enjoy this superior nail-biter. Agent: Michelle Brower, Trellis Literary. (June)

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Review by Kirkus Book Review

Sager returns with his take on a gothic whodunit set on the coast of Maine. The year is 1983. Kit McDeere is a disgraced home caregiver who has one chance to redeem herself: She's assigned to look after the ailing, elderly Lenora Hope, a local Lizzie Borden figure. Back in 1929, Lenora allegedly murdered her parents and sister, and now, along with her remaining staff, she resides at Hope's End, the Gothic mansion on Maine's crumbling cliffs where the murders took place. Lenora can't speak following a series of strokes, but with Kit's help, she can type, and she wants to tell her story once and for all, confiding in Kit what happened on the night of the infamous murders. The novel moves between Kit's narration in the present and Lenora's typewritten account of her life leading up to the incident. Early on, the novel evokes such genre classics as "The Fall of the House of Usher" and Rebecca, establishing a moody atmosphere and intriguingly suspicious characters. However, this novel lacks the psychological realism of its influences. Sager doesn't play with gothic tropes so much as he simply traffics in them. The first half of the book is tense and propulsive, but in later chapters the narrative takes so many outlandish turns so quickly that it borders on camp. Characters act in ways that are clichéd and implausible, and they are given cartoonish dialogue to match their behavior. Villains confess easily, in long speeches that strain credulity, and a subplot around paternity takes on the flavor of a telenovela. Multiple scenes involve characters emerging from doorways to reveal they were there all along. (Gasp!) That said, the novel reads quickly and provides a thrilling, if goofy, ride for those with a high tolerance for plot hijinks and a fondness for Guillermo del Toro's Crimson Peak. An entertaining thriller if you can give yourself over to its sillier plot devices. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

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