Thirst

Varsha Bajaj

Book - 2022

"A heroic girl in Mumbai fights for her belief that water should be for everyone"--

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jFICTION/Bajaj Varsha
0 / 1 copies available
Location Call Number   Status
Children's Room jFICTION/Bajaj Varsha Due Nov 15, 2024
Subjects
Genres
Fiction
Social problem fiction
Novels
Published
New York : Nancy Paulsen Books 2022.
Language
English
Main Author
Varsha Bajaj (author)
Physical Description
179 pages ; 22 cm
Audience
Ages 10
Grades 4-6
ISBN
9780593354391
Contents unavailable.
Review by Booklist Review

For Minni, Sanjay, and their friends, life is a daily balance of chores, school, and trips to the community tap for water. They live in a poor part of Mumbai, in the shadow of gleaming high-rises, where their realities could not be further removed from those of the rich. The kids are smart and savvy, and their friendship is strong, so when a series of calamities adds layers of danger, they support one another through the worst of it. This fast-paced adventure story includes a vivid portrayal of life in a place where income disparities are glaring, education is a hard-won privilege, and a lot hangs in the balance when you take a risk. The main plot involves the kids' accidental encounter with the water mafia, thieves who steal and sell fresh water illegally. This is a real and perilous fact in Mumbai and, despite some improbable events, is convincingly portrayed. There's a lot to learn about and to like here: the characters, the humor, the emotional roller-coaster ride, and more.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

A 12-year-old investigates water stolen from her Mumbai neighborhood in this clear look at resource access and wealth disparity. Minni and her brother Sanjay live with their affectionate parents in a small, laughter-filled home crammed alongside other residences. Authorities severely limit water to the low-income neighborhood's local tap, and when a fight at the tap hits close to home, Minni wonders what she can do to mitigate her community's water crisis. Things take a turn for the worse after she, her brother, and their friends inadvertently witness water being stolen, and Sanjay and another friend are soon sent away to avoid potential retaliation by the culprits. When their mother becomes ill, and Minni takes her place working as a servant at a wealthy Mumbai apartment building, she sees firsthand the difference that privilege makes in garnering basic necessities ("Money, not prayers, makes the water flow")--and is surprised to learn more about the local water-related injustice. Aptly describing variations between rich and the poor and alternating Minni's first-person telling with the child's observant journal entries, Bajaj (Count Me In) writes an engaging literary mystery. Ages 10--up. Agent: Caryn Wiseman, Andrea Brown Literary. (July)

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 3--6--Versatile narrator Dutt imbues protagonist Minni with affecting tenacity as the 12-year-old faces a barrage of challenges. Her older brother is sent away from their Mumbai shack for his safety after witnessing--with Minni and another friend--water thieves depleting their already reduced neighborhood supply. Her ill mother leaves next, hoping to recover away from the city with her sister, leaving Minni to be a rich family's servant in Ma's stead. Minni's exams are imminent, but her study time dwindles. When Minni recognizes the powerful thief, she must decide how much she's willing to risk for justice. Dutt expertly channels Minni's contagious wonder at discovering what might seem quotidian to privileged readers: the computer class her mother made possible; her teacher's similarly difficult growing up; the wealth of her mother's employers, including taps that instantly spout fresh water. VERDICT Dutt effortlessly embodies Minni's thirst to know, learn, and grow.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

Growing up in the slums around Mumbai, India, seventh grader Minni has been raised to follow the rules and stay out of trouble, but she can't keep quiet when she spots injustice. She dreams of going to college but keeps bumping up against the realities of poverty that make that nearly impossible. The narrative focus is on Mumbai's unstable, often non-potable water supply and the lack of indoor plumbing in Minni's neighborhood. When her brother spies the "water mafia" siphoning water illegally, he is sent away for his safety, while their mother goes to the country to recover from a serious illness. This leaves Minni to obtain water and boil it, take on her mother's job as a maid, and struggle to attend school full time. Her own sleuthing leads to a shocking conclusion about corruption and Mumbai's water resources. Bajaj's suspenseful novel peels back the curtain on modern-day class and caste inequities and how they create a cycle of poverty that spirals through generations. Minni's thirst for what's right steers the novel toward an optimistic conclusion in which one person can bring about big changes. Julie Hakim Azzam November/December 2022 p.79(c) Copyright 2022. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A girl from a Mumbai slum defends the right to water. Minni may only be 12, but she's already well aware of how water issues in her neighborhood affect the health and safety of the people around her. While her brother, Sanjay, left school after 10th grade in order to work in a restaurant, Minni dreams of finishing school and getting a good job. But when Minni, Sanjay, and two of their friends witness water being stolen from their community, their families are terrified that the thieves will retaliate against the children. After Minni's mother comes down with an illness that leaves her unable to go to work as a servant in one of the city's high-rise buildings, she suggests Minni take her place while she recovers. Minni is thrust into a world of wealth and privilege and develops an uneasy friendship with the daughter of the house. It comes as a shock when she discovers the source of the water thefts is closer than she could have imagined. In this poignant, relatable work, Bajaj expertly depicts class and wealth differences; Minni's worries for her mother and anger at the injustices inflicted on her community are especially moving. A valiant call for justice. (author's note) (Realistic fiction. 8-12) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

- 1 - Sanjay and I sit on the top of the hill and stare out at the huge, never-ending Arabian Sea. The salty breeze brings a little relief from the heat. "It feels like the world is made of water from up here," I say. "That there's enough of it for everyone." But I know there isn't. In the distance, the flyover bridge soars into the sky and snakes across the bay. Its lights twinkle and outshine the stars in the night sky. "The sea link bridge looks like an M ," I say. "It does," my brother says. " M for Mumbai?" "M for me--Minni," I say. "And for Monsoon. I hope this year we have a good one." Lately the monsoon season comes later and later, which means less and less water. Although water surrounds my island city, most of the people I know are always struggling to get enough. We don't have running water in our house. We just have a tap outside that we share with our neighbors. Ma has to wake up at the crack of dawn to fill our buckets because the authorities only supply water for two hours every morning and for an hour in the evening when the shortages aren't too bad. The rest of the day, the tap is dry. Every home has a big barrel outside the house, to store collected water for the day. "Remember when Ma and the other women draped our leaky old tap with a marigold garland as if it was a god they could charm with flowers?" Sanjay says. I do remember, and we laugh, although it's sad to think it was probably a frustrating day when the water trickled rather than flowed I look out at the ocean. Part of our view is blocked by bill- boards with glamorous Bollywood movie stars--billboards that are larger than our house. The houses in our neighborhood are small and crammed on top of each other, but they do face the sea. Rich people who live in skyscrapers pay millions for the same ocean view. Last year, a charity helped paint our homes and fix our leaking tin roofs. Some said it was because the people whizzing past in their air-conditioned cars on the flyover bridge didn't want to see decaying, moldy "slums." I chose yellow for our house. I helped to sand down the years of moss and mold from our old tin and concrete walls. Baba, Ma, Sanjay, and I dipped our brushes in yellow, and the first coat of paint was like a ray of bright sunshine getting rid of the darkness. My neighbors chose purple and blue, and red and orange. Our street looks like a rainbow. "Sanjay," I ask, "will we have to worry about water when we are grown up?" For a long moment, he is silent. So I answer myself. "No. No, we won't." I point at the cluster of tall buildings shimmering in the distance where Ma works in the afternoons. I say, "One day, we'll live in one of those tall shiny buildings, where water runs from taps." "Okay," he says, and links his arm in mine, as if I'm predicting the future. "Like the boy who was born here and studied computers and now has an office in a building and employs sixty people." I nod. "Can you imagine," I say, "that on top of some of those high-rise buildings they have a swimming pool full of water? Enough for our whole neighborhood to bathe. How do you think they built a pool on top of a building? Wouldn't you love to see it?" Sanjay laughs. "You and your questions!" "Well, they are awfully lucky to have so much water to spare . . ." "Minni," he says, "I wish there was a way to make all this seawater drinkable. Then there'd be enough for us all." "There is a way!" I say. "Our teacher told us it's possible--she said it's called desalination. But it's expensive, and you need a huge factory to strain the salt out." "Look how smart you are," he says. "You will live in a fancy building!" "You too," I say. Sanjay is fifteen, and after he graduated from tenth grade last year, he got a job in a restaurant. He dreams of being a chef, but for now he does food prep. It's good he likes what he's doing, because we didn't have money for college anyway. I dream for him too. Chef Sanjay. I pretend to be a palmist and study both our hands. "Could I be like Meena Aunty?" I ask. "Why not? Knowing you, you can do anything you set your mind on doing," he says. "And plus you're even named after Ma's sister." "Like her, I will finish school and get a good job," I wish aloud. "Hmmm, Minni Meow, banker," he says, teasing me with my childhood nickname. "But I think I see you more as a scientist." "That'd be cool--or maybe a builder," I say dreamily. "I bet those high-rise roofs don't leak like ours after the monsoon. Wouldn't it be great if ours didn't? And if they didn't get so hot?" We head home as the sun starts to dip. There is a line for the water tap on the main street. Water pressure must be weak today. When it doesn't get through the web of makeshift hoses, people must line up at the main source. The water line snakes around the block, and we hear the sounds of insults being hurled and see some men shoving one another. There are shrieks. Women scatter. Angry noises fill my ears. Another fight's breaking out. We don't wait to see what happens. Sanjay grabs my hand, and we turn around and away from the scene and find our way home through alleys and side streets. My heart thumps along with my running feet. Our father has told us a million times over the years, If you invite trouble, it will come. It will stay for chai and for dinner. We definitely don't want to invite trouble. - 2 - Ma makes the most delicious daal in the world, and my father has eaten two bowls of it. "I might make the best tea and pakodas, but your ma is the greatest at everything else," he says, and sighs in contentment. Ma blushes whenever Baba praises her cooking. Ma's potatoes melt in your mouth too, and I've saved a few for the last bite of my meal. Sanjay's right hand hovers over my plate, and I slap it away. "Minni Meow won't even give me a potato!" he says dramatically. "Ma," I complain, "tell him to stop calling me that--I'm not five anymore." But I can't help giggling and give him the bite anyway. I've never been able to resist his goofy ways. We're seated on the floor in the center of our living space. Curtains separate this from our parents' sleeping area, and Sanjay and I sleep up in a small loft. Never-ending sounds of honking horns and smells of cooking food and the citronella that keeps away mosquitoes fill the air in our home. "Something happened today in the water line, and there was another fight," my father tells us. Baba runs a tea shop named Jai Ho, which means "victory." It's where everybody in our neighborhood hangs out, so he hears everything that goes on. Sanjay and I exchange a look because we know a little too well what Baba is talking about. We don't mention it because our father also believes in the proverb illustrated by the three monkeys--one with his hands over his eyes, the second with them over his ears, and the third covering his mouth--symbolizing "See no evil, hear no evil, and say no evil." Ma kisses her Ganesh locket. "I hope no one got hurt." "The water pressure is too low already," Baba says. "Someone said they might have to order a water tanker. That usually doesn't happen till May." Ma looks worried. Buying water means money. Money that we don't have Then she pulls a flyer from her bag. "This was on the bulletin board at the clinic." Baba's sitting back in his worn-out wicker chair, but now he straightens up, alert. "Why were you at the clinic?" "That's not important," she says. "Yes, it is," Sanjay and I say together. "My stomach hurt," Ma says. "So I went to see the new doctor, but the line was too long, so I couldn't wait." I had noticed that Ma didn't seem to have much of an appetite lately. "It's probably nothing. A little bug probably, like last year. Remember the doctor said we should always boil our water," she says. "We almost always do," Sanjay says. "Are you feeling better?" "I feel tired, but I'm okay. Now forget about me. I'm glad I went, because otherwise I might not have heard about the computer class," says Ma. What? Computer class! My eyes are wide. The small room suddenly feels spacious. It's as if the word computer , spoken aloud, has magically created windows in the walls where none existed. Baba, who is usually a quiet listener, has so many questions. Who is running the class? Where will it be held and when? Who decides who'll get in? What will they teach? Then Sanjay asks the important question: "Ma, how much does it cost?" The room shrinks down to size again. Money: It rules everything. "I don't know," said Ma, "but before leaving for work tomorrow, I will go back and find out." Ma works hard. Every day, she cooks and cleans not only for our family, but also for a family that lives in one of the expensive high-rise buildings not far from where we live. "One of my friends said her son learned computers right after school and got a job in a big office." Ma tousles Sanjay's hair. "Maybe our Sanjay could get a job like that." "It will be Minni," Sanjay says. "She's the smart one. She's always first in her class. Plus I've got a job already." "Perhaps you both will," says Ma. Sanjay is downcast whenever Ma dreams of him getting another job. She doesn't believe in his chef dream like me. I wish she did. "You'll be a star chef on TV with your own show, Sanjay," I say. "And I'll be in the audience and clap the loudest. They'll name dishes after you. Sanjay's bhindi masala." Baba laughs affectionately at me. "Minni and her dreams," he says. Ma jumps up, a big smile on her face. "I almost forgot. I have a surprise. Pinky gave me a mango. An Alphonso mango." "Those are so expensive!" I say. "Yes, they are," says Ma. "And the season has barely started." Ma takes the mango out of her cloth bag and places it on a plate. It isn't overripe. It doesn't have any black or brown spots. It's golden yellow, with streaks of red. Firm to the touch and perfectly ripe, shaped like a kidney. The mango gleams. Three pairs of eyes turn toward Ma. We need to know. Ma giggles like a schoolgirl. Her smile lifts her cheekbones. "Pinky's hair was all in tangles, and it hurt too much when her mother tried to comb it, so I offered to help." Pinky is the daughter of the family Ma works for, and she's about my age. I imagine Ma's gentle hand combing through Pinky's hair and braiding it like she does mine. "And for that she gave you an Alphonso mango?" Sanjay says Mama laughs. "You didn't hear how loud Pinky was yelling at her mom. Anita Ma'am said Pinky was giving her a headache." Ma cuts the juicy fruit into four portions. I notice Ma's portion is smaller than the others, and Sanjay's is just a bit bigger than mine. "Ma," Sanjay says, "you should comb Pinky's hair every day through the mango season." "I would do it anytime," Ma says. "Pinky is a sweet girl. And Anita Ma'am's always been good to us, even paying Minni's school fees this year." I stop mid-bite. "You never told me that," I say. "I didn't? It was back in December when I needed to send some money to your grandmother and was worried about being able to pay your fees. She offered." I wrestle with this knowledge. What would we have done if Ma's boss hadn't offered? Would I have been sent to the free government-run school instead of my current school, which is run by an educational charity? How could Ma not tell me something that important? It's troubling to think my future was in the hands of someone else and I didn't even know. Excerpted from Thirst by Varsha Bajaj All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.