Our share of night

Mariana Enriquez

Book - 2023

"In 1981, a young father and son set out on a road trip across Argentina, devastated by the mysterious death of the wife and mother they both loved. United in grief, the pair travels to her family home near Iguazú Falls, where they must confront the horrific legacy she has bequeathed. For the woman they are grieving came from a family like no other--a centuries-old secret society called the Order that pursues eternal life through ghastly rituals. For Gaspar, the son, this cult is his destiny. As Gaspar grows up he must learn to harness his developing supernatural powers, while struggling to understand what kind of man his mother wanted him to be. Meanwhile Gaspar's father tries to protect his son from his wife's violent fami...ly while still honoring the woman he loved so desperately"--

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Subjects
Genres
Paranormal fiction
Historical fiction
Novels
Published
London ; New York : Hogarth [2023]
Language
English
Spanish
Main Author
Mariana Enriquez (author)
Other Authors
Megan McDowell (translator)
Physical Description
588 pages ; 25 cm
ISBN
9780451495150
9780451495143
Contents unavailable.
Review by Booklist Review

Argentine author Enriquez (Dangers of Smoking in Bed, 2021) builds this literary horror tour de force, ably translated by McDowell, in that liminal place between artifice and reality. Juan is the powerful yet reluctant medium for the Darkness, a brutal, godlike creature revered by a secret cabal called the Order, and he seeks to protect his son, Gaspar, from inheriting his dreadful fate. Perspectives and time periods jump around, keeping readers off-kilter. The story begins with Juan's point of view as a seemingly average dad on a road trip with his son to visit grandparents in Buenos Aires. This comfortable scenario soon vanishes after Gaspar sees a ghost, and Juan teaches him how to block these recurring apparitions. Thereafter, routine gives way to horrific fantasy. The other characters include a Dr. Bradford, a journalist, Olga Gallardo, and Gaspar's mother, Rosario, who tells her story and that of the Order. While the shadow of Argentina's Dirty War looms over this novel, Enriquez implicates us all, summoning such images as children in cages and bodies hanging from trees, visceral reminders and warnings.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Enriquez (The Dangers of Smoking in Bed) twines sinister flights of occult imagination through the harsh realities of history in this decades-spanning masterpiece of literary horror. After Juan's wife dies in 1981, a grieving Juan and his young son, Gaspar, embark on a road trip to her familial estate in Argentina, which Gaspar will inherit. The loss is made more fraught when Gaspar begins to manifest Juan's ability to see and summon beings from the afterlife and beyond. Juan, a powerful but terminally ill medium, has long been in the grip of the Order, a cult controlled by his late wife's family that strives for immortality while worshipping a mad and distant god. He knows that if Gaspar inherits his abilities, the cult will seize the boy to shape and use him for its own purposes. But if Gaspar hasn't inherited, the Order plans to enact a ritual to keep Juan alive at the cost of Gaspar's life. Juan launches a yearslong deception to save his son from the Order's vampiric grasp, but the Order's roots are far deeper than even Juan realizes--and its grip much harder to slither out of. Enriquez's lush epic pulls no punches, probing the complex intimacies of familial bonds, the draw of darkness, and brutal Argentinian history. This unsettling gothic tale will leave readers shaken. Agent: María Lynch, Casanovas Lynch. (Feb.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Following her short story collection The Dangers of Smoking in Bed, Enriquez presents a multigenerational tale of supernatural evil, translated into English and now available in audio. The story introduces the Order, an Argentinian cult that communes with an entity known as the Darkness. Juan Peterson is one of their most gifted mediums, able to summon the Darkness for the Order's nefarious ends. However, Juan realizes that the Order has its eye on his son Gaspar. Juan fears for his son, knowing what the Order is capable of and knowing too what he himself can wreak. At a whopping 27 hours, this novel isn't something to devour in a day or even a weekend. It spans generations, jumps to different points in time, swells with moments of beauty and creativity, and is full of characters, like the aforementioned father and son, who are intriguing to watch even as they make bad choices. Frankie Corzo's subdued narration adds a dreamlike quality to the story's mystical and realistic elements. VERDICT Set against the backdrop of Argentina's 1970s Dirty War and dripping with atmospheric horror, this novel will reward listeners' patience, revealing beauty among supernatural and all-too-human terrors.--James Gardner

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A widower burdened with paranormal abilities tries to protect his son from a dangerous cult. After two well-received story collections, most recently The Dangers of Smoking in Bed (2021), Enríquez presents a sprawling gothic novel holding a black mirror toward Argentina's history of corruption and political violence and dosed with the conventions of horror fiction. Roughly told from the point of view of a father, a mother, and their son at different stages of their lives, the story can feel aimless, but the sheer dread and paranoia the author delivers are palpable, too. When we first meet Juan Peterson and his son, Gaspar, they're trying to stay under the radar of the Cult of the Shadow. This dangerous, child-murdering religious order is led by the family of Juan's wife, Rosario, who recently died in a car accident. Rosario's creepy family discovered early on that Juan is a medium who can control "the Darkness," a preternatural force that hungers for human flesh, during occult rites. Juan has always grudgingly gone along with his in-laws' wishes, participating in these ceremonies despite the terrible physical toll they take on him. But now, the cult wants to (somehow?) move his consciousness into his son's body before the Darkness takes him completely, and he's furtively trying to undermine them. He has secret allies in his sister-in-law, Tali, and Stephen, the son of the order's leader, who are helping to mask Gaspar's innate abilities. Later, a flashback to Rosario's work as an anthropologist demonstrates how mythology comes into play, while later, a grown-up Gaspar struggles with his dark inheritance. It's awkward and exhausting by turns, often by design. Somehow the shock of such violence delivered upon children and the inevitable fatigue generated by unrelenting horror also mirror the author's mistrust of reality as we know it. A strange, arcane journey into South American horror with roots in the real evil that men do. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

There was so much light that morning and the sky was so clear, its warm blue marred by a single white smirch, more like a plume of smoke than a cloud. It was already late and he needed to go and that hot day was going to be just like the next: if it rained and he was hit with the river's humidity and the stifling Buenos Aires heat, he would never be able to leave the city. Juan swallowed a pill dry to stave off the headache he wasn't feeling yet and went into the house to wake up his son, who was sleeping under a sheet. We're leaving, he said as he shook him gently. The boy woke up right away. Do other children have such shallow, vigilant sleep? Wash your face, he said, and carefully cleared sleep from the boy's eyes. There was no time for breakfast, they could stop on the way. He loaded the already-­packed bags, and debated a while among various books until he decided to add two more. He saw the airplane tickets on the table: they were still a possibility. He could lie down and wait for the date of the flight, some days later. To ward off inertia, he tore up the tickets and threw them in the trash. His long hair made his neck sweat: it was going to be unbearable under the sun. He didn't have time to cut it now, but he got the scissors from the kitchen drawer and stashed them in the same plastic box where he kept his pills, the blood-­pressure monitor, the syringe, and some bandages, basic first aid for the trip. Also, his sharpest knife, and the bag full of ashes he would use later. He packed the oxygen tank: he was going to need it. The car was cool; its leather hadn't absorbed too much heat during the night. He loaded the picnic cooler, filled with ice and two bottles of cold soda, into the front seat. His son had to ride in the back; Juan would have preferred to have the boy beside him, but it was illegal, and he couldn't risk any problems with the police or the army, who kept a brutal watch over the highways. A single man alone with a child could be suspicious. The repressive forces were unpredictable, and Juan wanted to avoid any incidents. Gaspar, he called, without raising his voice too much. When he received no answer, he went inside to look for the boy. He found Gaspar trying to tie the shoelaces of his sneakers. "You're making a mess of it," he said, kneeling down to help. His son was crying, but Juan couldn't console him. Gaspar missed his mother--­she had done these things automatically: trimmed his nails, sewn his buttons, washed behind his ears and between his toes, asked if he'd peed before leaving, taught him how to tie his shoelaces in a perfect bow. Juan missed her too, but he didn't want to cry with his son that morning. You have everything you want? he asked. We're not going to come back for anything, I'm warning you. He hadn't driven so far in a long time. Rosario always insisted that he drive at least once a week, just so he didn't get out of practice. The car was too small for Juan, like almost everything: pants were too short, shirts too tight, chairs uncomfortable. He checked to be sure the Auto Club's guide was in the glove box, and they set off. "I'm hungry," said Gaspar. "Me too, but we're going to stop for breakfast at this great place I know. In a while, okay?" "If I don't eat, I'll throw up." "And my head hurts when I don't eat. Be strong. It's just a little while. Don't look out the window or you'll get even dizzier." He himself felt worse than he wanted to admit. His fingers were tingling, and he recognized the erratic palpitations of arrhythmia in his chest. He adjusted his sunglasses and asked Gaspar to tell him the story he'd read the night before. At six years old, the boy already knew how to read quite well. "I don't remember it." "Yes, you do. I'm in a bad mood, too. Let's try to change it together. Or are we going to be all pissy for the whole trip?" Gaspar laughed at Juan's use of the word "pissy." Then he recounted the story of the jungle queen who sang while she walked through the trees. Everyone liked to listen to her. One day some soldiers came and she stopped singing and became a warrior. The soldiers caught her and she spent a night locked up, and then she escaped, but to escape she had to kill the guard keeping watch over her. No one could believe she was strong enough to have killed him because she was very thin, so she was accused of being a witch and they burned her at the stake--­tied her to a tree and set fire to it. But in the morning, instead of a body, they found a red flower. "A tree of red flowers." "Yeah, a tree." "Did you like the story?" "I don't know, it scared me." "That tree is called a ceiba. There aren't many around here, but when I see one, I'll show you. There are a lot of them near your grandparents' house." In the rearview mirror he saw Gaspar frown. "What do you mean there are a lot?" "That story is a legend. I've explained what a legend is." "So the girl isn't real?" "Her name is Anahí. Maybe she did exist, but the story about the flowers is told to remember her, not because it really happened." "So did it really happen or not?" "Both. Yes and no." He liked to see how Gaspar got serious and even angry, how he bit the side of his lip and opened and closed a hand. "Do they burn witches now, too?" "No, not anymore. But there aren't very many witches now." It was easy to get out of the city on a Sunday morning in January. Before he knew it the tall buildings were behind them, and then so were the low houses and tin lean-­tos of the shantytowns on the city's outskirts. And suddenly the trees of the countryside appeared. Gaspar was asleep by then, and Juan's arm burned in the sun just like any regular father's on a weekend of pools and picnics. But he wasn't a regular father, and people could tell just by looking into his eyes or by talking to him for a while. Somehow, they recognized the danger: he couldn't hide what he was. It wasn't possible to hide something like that, at least not for long. He parked in front of a café advertising hot chocolate and croissants. Time for breakfast, he told Gaspar, who woke up immediately and rubbed his enormous, slightly distant blue eyes. The woman who was cleaning the tables gave the impression she owned the place, and of being friendly and gossipy. She shot them a curious look when they sat down far from the window and near the fridge. A boy with his little toy car and his father, who was two meters tall and had long blond hair down to his shoulders. She wiped their table with a cloth and wrote their order on a notepad, as if the café were crowded with customers whose orders she had to keep straight. Gaspar wanted a hot chocolate and croissants with dulce de leche; Juan ordered a glass of water and a cheese sandwich. He took off his dark glasses and opened the newspaper that was on the table, though he knew the important news never appeared in the papers. There were no articles about clandestine detention centers or nighttime clashes, no pieces on abductions or stolen children. Just stories about the "Little World Cup" being held in Uruguay, which didn't interest him at all. Sometimes he had a hard time faking normalcy when he was distracted, when he was so hopelessly sad and worried. The night before, he'd tried to communicate, yet again, with Rosario. He couldn't. She wasn't anywhere, he couldn't sense her; she was gone in a way that he found impossible to understand or accept. "It's hot," said Gaspar. The boy was sweating, his hair wet and his cheeks flushed. Juan touched his back. His shirt was soaked. "Wait here," he said, and went out to the car to get a dry shirt. Then he led Gaspar to the café's restroom to wet his head, dry his sweat, and change his shirt, which smelled a little like diesel. When they got back to the table, their breakfast and the woman were waiting for them; Juan asked for another glass of water for Gaspar. "There's a lovely campground near here, if you want to cool off in the river." "Thanks, but we don't have time," said Juan, trying to sound friendly. He unbuttoned the top buttons of his shirt. "You boys traveling alone? My goodness, the eyes on this child! What's your name, son?" Juan wanted to say, Gaspar, don't answer, but the boy told her his name and the woman pounced, asking in an insincere, childish voice: "And where's your mommy?" Juan felt the boy's pain in his entire body. It was primitive and wordless, raw and vertiginous. He had to clutch onto the table and make an effort to break away from his son and that pain. Gaspar couldn't answer and looked to his father for help. He'd only eaten half a croissant. Juan thought he would need to teach the boy not to cling like that, not to him or to anyone else. Excerpted from Our Share of Night: A Novel by Mariana Enriquez All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.