Review by Booklist Review
This stunning first effort is destined for fast-track cult status. A photographer decides to create a film document of his family moving into a new home. The project runs smoothly until the interior dimensions of the house turn out to be larger than the exterior. Over time, a maze of passageways appear and disappear, perhaps inhabited by an unseen malevolent creature. Equipped with cameras, a team tries to explore the shifting labyrinth, but they are forced out after the expedition proves deadly. But what they have managed to film is a critical success, generating thousands of pages of analysis. Years later, a trunk of these documents fall into the hands of a young man after the curious death of a neighbor. He finds that the dimensions of his own life may not be as fixed as he once imagined, and that he might also be pursued by an unknown entity. This work is a kaleidoscopically layered and deconstructed H. P. Lovecraft^-style horror story. It hums and resonates with wonder, dread, and insight. --Eric Robbins
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Danielewski's eccentric and sometimes brilliant debut novel is really two novels, hooked together by the Nabokovian trick of running one narrative in footnotes to the other. One-the horror story-is a tour-de-force. Zampano, a blind Angelino recluse, dies, leaving behind the notes to a manuscript that's an account of a film called The Navidson Report. In the Report, Pulitzer Prize-winning news photographer Will Navidson and his girlfriend move with their two children to a house in an unnamed Virginia town in an attempt to save their relationship. One day, Will discovers that the interior of the house measures more than its exterior. More ominously, a closet appears, then a hallway. Out of this intellectual paradox, Danielewski constructs a viscerally frightening experience. Will contacts a number of people, including explorer Holloway Roberts, who mounts an expedition with his two-man crew. They discover a vast stairway and countless halls. The whole structure occasionally groans, and the space reconfigures, driving Holloway into a murderous frenzy. The story of the house is stitched together from disparate accounts, until the experience becomes somewhat like stumbling into Borges's Library of Babel. This potentially cumbersome device actually enhances the horror of the tale, rather than distracting from it. Less successful, however, is the second story unfolding in footnotes, that of the manuscript's editor, (and the novel's narrator), Johnny Truant. Johnny, who discovered Zampano's body and took his papers, works in a tattoo parlor. He tracks down and beds most of the women who assisted Zampano in preparing his manuscript. But soon Johnny is crippled by panic attacks, bringing him close to psychosis. In the Truant sections, Danielewski attempts an Infinite Jest-like feat of ventriloquism, but where Wallace is a master of voices, Danielewski is not. His strength is parodying a certain academic tone and harnessing that to pop culture tropes. Nevertheless, the novel is a surreal palimpsest of terror and erudition, surely destined for cult status. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
When Johnny Truant attempts to organize the many fragments of a strange manuscript by a dead blind man, it gains possession of his very soul. The manuscript is a complex commentary on a documentary film (The Navidson Record) about a house that defies all the laws of physics. Navidson's exploration of a seemingly endless, totally dark, and constantly changing labyrinth in the house becomes an examination of truth, perception, and darkness itself. The book interweaves the manuscript with over 400 footnotes to works real and imagined, thus illuminating both the text and Truant's mental disintegration. First novelist Danielewski employs avant-garde page layouts that are occasionally a bit too clever but are generally highly effective. Although it may be consigned to the "horror" genre, this novel is also a psychological thriller, a quest, a literary hoax, a dark comedy, and a work of cultural criticism. It is simultaneously a highly literary work and an absolute hoot. This powerful and extremely original novel is strongly recommended for all public and academic libraries.--Jim Dwyer, California State Univ. Lib., Chico (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
