John Constable A portrait

James Hamilton, 1948-

Book - 2022

John Constable, the revolutionary nineteenth-century painter of the landscapes and skies of southern England, is Britain's best-loved but perhaps least understood artist. His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of colour. What we learn from his landscapes is that Constable had sharp local knowledge of Suffolk, a clarity of expression of the skyscapes above Hampstead, an understanding of the human tides in London and Brighton, and a rare ability in his late paintings of Salisbury Cathedral to transform silent suppressed passion into paint. Yet Constable was also an active and energetic correspondent. His letters and diaries ...- there are over one thousand letters from and to him - reveal a man of passion, opinion and discord, while his character and personality is concealed behind the high shimmering colour of his paintings. They reveal too the lives and circumstances of his brothers and his sisters, his cousins and his aunts, who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter. James Hamilton's biography reveals a complex, troubled man, and explodes previous mythologies about this timeless artist, and establishes him in his proper context as a giant of European art.

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Subjects
Genres
Biography
Biographies
Personal correspondence
Published
New York : Pegasus Books 2022.
Language
English
Main Author
James Hamilton, 1948- (author)
Edition
First Pegasus Books cloth edition
Physical Description
xx, 471 pages, 16 unnumbered pages of plates : illustrations (chiefly color), maps ; 24 cm
Bibliography
Includes bibliographical references (pages 447-449) and index.
ISBN
9781639362721
  • Illustrations
  • Maps
  • Acknowledgements
  • Author's Note
  • Introduction
  • I. Overture
  • 1. Golden Constable
  • 2. Family Album
  • 3. East Bergholt
  • II. Operetta: 1783-1816
  • 4. The Don and the Friday
  • 5. The Grand Caesar
  • 6. Young Baronet and Bishop-in-Waiting
  • 7. This cardinal purpose
  • 8. Smith and Gainsborough
  • 9. A lusty young man
  • 10. Devoted to art
  • 11. Boldness, care and patience
  • 12. Constable's Seven Articles
  • 13. Portraits prevail too much
  • 14. Through the walls we flew
  • 15. Industrious, temperate and plainly dressed
  • 16. Pray be careful of yourself
  • 17. Seven years since I avowed my love for you
  • 18. An artist unprovided for
  • 19. Hearts so united
  • 20. Entirely and forever yours
  • III. Opera: 1816-1828
  • 21. The real cause of your want of popularity
  • 22. Our little house in Keppel Street
  • 23. The humming top friendship
  • 24. On Hampstead Heath
  • 25. I think it promises well
  • 26. Landscape: Noon
  • 27. A superior sort of workpeople
  • 28. I must go into Suffolk soon
  • 29. The French man
  • 30. I shall ... throw them all out of the window
  • 31. Brighton and home
  • 32. My ambition is on fire
  • 33. The rubs and ragged edges of the world
  • 34. The life in common things
  • 35. Gentlemen can never afford to buy pictures
  • 36. But still they tell me she does mend
  • IV. Unfinished Symphony: 1828-1837
  • 37. Rude ruins glitter
  • 38. Life slips
  • 39. David Lucas
  • 40. Brother labourer
  • 41. Yes Sir - this is Constable's country
  • 42. Charles Boner
  • 43. Lecturer: novel, instructive and entertaining
  • 44. Papa, remember how happy you were
  • 45. As regular as a clock
  • 46. Time
  • 47. I knew Mr Constable
  • Cast of Characters
  • Abbreviations to Notes
  • Notes
  • Select Bibliography
  • Index
Review by Kirkus Book Review

A biography of the pioneering English landscape painter. In this vibrant text, cultural historian Hamilton, author of a biography of J.M.W. Turner, paints a unique portrait of John Constable (1776-1837). Born in Suffolk, Constable is renowned for his landscape paintings, particularly those inspired by the countryside where he spent his youth, now commonly known as "Constable Country." As the author writes, "from innumerable boyhood walks in the country John began to bring home drawings. This was ominous, and began to cast its shadow." While his parents wished for him to become a parson or perhaps carry on the family business, Constable had other aspirations. In his painting, he was "attentive to detail, spontaneous in gesture, brave in his use of colour, and so powerful an advocate for his native landscape that even after two hundred years his work is scrutinised for social and agricultural information." As his skills developed, Constable became increasingly conflicted between painting portraits and painting landscapes. "There could be money in portraits; but for a young man drawn to landscape painting there was only struggle," writes Hamilton, who also examines Constable's experiences as an art student at the Royal Academy in London. While his time in London made an impression, he felt "artistic talent, his own and that in others, should be nurtured in tranquility," further strengthening his connection to home. In addition to exploring elements of Constable's personal life, Hamilton describes the rapid rise of his reputation in France and the effects this recognition had on his career. Through skillful use and analysis of Constable's writings, Hamilton takes a deep look into his subject's life, including his influences, challenges, and tragedies, as well as the misconceptions that have followed the man behind the paintings. The book includes a selection of four-color photos of Constable's work. An intimate, enlightening look at an indispensable painter. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.