Review by New York Times Review
Great picture books can teach kids things - sometimes things they thought they knew already 32 pp. First Second. $17.99. (Ages 2 to 6) VROOM! Written and illustrated by Barbara McClintock A girl and her racecar are at the center of this satisfying book, gorgeously illustrated as always by McClintock ("Adele & Simon"). "It was a fine evening for a drive," so our heroine zooms right out her window, bushy red hair streaming out of her helmet. She goes through mountains, a desert, a forest and a city, ending up back at her own house, where she settles in for story time with Dad (a book called "Cars," of course). The tone is marvelously matter of fact, about both the girl's feats of driving and her automotive passion. 32 pp. Farrar, Straus & Giroux. $17.99. (Ages 3 to 7) HOLD HANDS Written and illustrated by Sara Varon Varon's singular visual style - bright, friendly and completely zany - and her deft, economical writing make this simple ode to holding hands burst with originality and charm. The book's goggle-eyed creatures are identifiable as rabbits, elephants, ducks and so on, but they wear clothes, ride the bus, go to play dates and day care. All the while they demonstrate the many uses of hand-holding: helping when you're scared, keeping you safe when you cross the street, showing your mom you love her. This world is funny and askew enough to grab and hold a toddler or preschooler's interest, and orderly and reassuring enough to make that same kid feel protected and cared for. WHEN SADNESS IS AT YOUR DOOR Written and illustrated by Eva Eland "Sometimes sadness arrives unexpectedly," this wise, spare book announces. Eland draws sadness as a pale blue blob, rather gentle looking, that shadows a little girl. Lots of white space on each page keeps the mood soothing and thoughtful as the girl tries to figure out what to do. Hiding it doesn't work, but she soon sees sadness as nothing to be afraid of - sadness can't help itself, and means no harm. There's lots of useful advice for sad days: going for a walk through the trees, or just sitting quietly together. Best of all, there's the calm reminder that tomorrow, "when you wake up it might be gone." 32 pp. Random Flouse. $17.99. (Ages 3 to 7) MONTY AND THE POODLES Written and illustrated by Katie Harnett As any owner of a beloved, breed-indeterminate rescue mutt knows, dogs can be a good entree into stories about inequality and prejudice. In this beguilingly written and illustrated tale, Monty is a scraggly blackand-white street creature who stumbles upon some poodles living in luxury at Poodle Mansions. Friendship ensues, against the wishes of the snooty Miss Lillabet. Monty gets a blowout and passes as a poodle, but that just feels wrong. So justice and friendship prevail: The pooches turn an old movie theater into a place where "everyone was welcome." 40 pp. Flying Eye. $17.95. (Ages 4 to 8) HOME IS A WINDOW By Stephanie Parsley Ledyard. Illustrated by Chris Sasaki. Halfway through this tribute to all that makes a place home, like "a table with something good and the people gathered there," it becomes clear that the family in its pages is moving to a new house. New definitions for home follow - "the shirt that smells like your old room" - as we see the family singing in the car, and eating takeout picnic-style at their new place. Ledyard's ("Pie Is for Sharing") words hit every right note; Sasaki's illustrations are earthy and enchanting. 32 pp. Neal Porter/Holiday House. $18.99. (Ages 4 to 8) YOU ARE HOME: AN ODE TO THE NATIONAL PARKS Written and illustrated by Evan Turk Invoking herds of elk and forests of aspen as well as a kid living in a city, Turk captures the grandness of the very idea of our national parks. With bold, freewheeling painting and equally bold, concise poetry, plus informational pages, he has made a book as majestic and inclusive as its subject. 56 pp. Atheneum. $18.99. (Ages 4 and up) LITTLE TACO TRUCK By Tanya Valentine. Illustrated by Jorge Martin. It's about time food trucks took their rightful places in the pantheon of picture-book vehicles. In this whimsically illustrated story an innocent taco truck is dismayed to find there's competition for his usual spot: a falafel truck, oblivious to her trespass! Rest assured, Valentine's story is about making space for everyone, even if it's a bit of a squeeze, and enjoying all the goodness the world has to offer. 32 pp. Schwartz & Wade. $17.99. (Ages 4 to 8) HOW TO READ A BOOK By Kwame Alexander. Illustrated by Melissa Sweet. Alexander's lush poem captures and pays tribute to the sensual pleasures of reading: finding the right comfortable spot, opening your book "like you would a clementine," savoring the beauty and richness of its words. Sweet's colorful multilayered collages and artful lettering do justice to the message, inviting readers of all ages to linger in these lovely pages. "Don't rush through," Alexander reminds us. "Your eyes need time to taste. Your soul needs room to bloom." 32 pp. HarperCollins. $17.99. (Ages 4 to 8) MARIA RUSSO is the children's books editor of the Book Review.
Copyright (c) The New York Times Company [June 23, 2019]
Review by Booklist Review
Come, let your fingers wonder as they wander through this engaging and mesmerizing ode to reading. Beginning with the captivating front endpapers that contain a poem and letters of the alphabet, this title is a treat to ears and eyes with its lyrical language and visual metaphors. Newbery medalist Alexander instructs the reader on how to best go about devouring a book, likening it to peeling a piece of fruit and savoring its goodness. First, pick a comfortable place to sit, open a book, and open your mind to all that volume has to offer. Caldecott Honor Book illustrator Sweet's intricate collage art uses an array of materials, including text and images from Bambi, old book covers, watercolors, and gouache paintings. Popping pink, orange, yellow, and purple leap from the artwork, creating an energy and optimism that will keep readers glued to the pages. Books take on the shape of a bookmobile, a guitar, a record player, and a toaster that spews forth letters spelling Once upon a Time. One gatefold and a die-cut page continue to enthrall and expand enthusiasm. The author admonishes readers: Don't rush though: Your eyes need time to taste. Your soul needs room to bloom. Endnotes by the author and illustrator describe how they came to create this delightful and appealing instruction manual.HIGH-DEMAND BACKSTORY: Newbery medalist Alexander is popular across genres, and Caldecott Honoree Sweet's illustratrions enhance any project; together, they make an irresistible (and multi-award-winning) team--Maryann Owen Copyright 2019 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Newbery Medalist Alexander's love poem to literacy conjures up startling, luscious images: to begin reading a book, he tells readers, "peel its gentle skin,/ like you would/ a clementine..../ Dig your thumb/ at the bottom/ of each juicy section." Caldecott Honor artist Sweet (Some Writer!) riffs on his verse, line by line, imbuing spreads with the feel of a continually evolving, handmade Valentine (as the copyright page pointedly notes, "no computer was used in making this art"). By turns dreamy and ecstatic, the images include portraits of blissed-out readers in a variety of settings, all constructed from swaths of saturated neon color and literary-themed ephemera (pages from Bambi are used throughout). One gatefold transforms a book into an electric orange triple-decker party bus, with 18 windows revealing allusive scenes made from cut paper and collage. The text, set in hand-lettered capitals, sprawls and stacks energetically as it proclaims its bibliophilia-sometimes whispering and cooing, sometimes shouting from the rooftops that it's got it bad for books. And why not? As Alexander writes, "Now, sleep./ dream./ hope./ (you never reach)/ the end." Ages 4-8. (June) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
PreS-Gr 2--Award-winning poet Alexander compares reading a book to peeling the gentle skin of a clementine, digging in to its juiciness, enjoying it "piece by piece, part by part," until you can "watch a novel world unfurl right before your eyes." And who better to illustrate this delicious poem than Caldecott Honoree Sweet. The artwork is done in watercolor, gouache, mixed media, handmade and vintage papers, found objects including old book covers, and a paint can lid. Not a splash of color, a piece of paper, or a line is out of place. Starting with the initial collage that incorporates the building blocks of reading (the letters A to Z) and the lines from a poem by Nikki Giovanni that careful readers will have to pay attention to see, the tone is set. "So get/real cozy/between/the covers/And let your/fingers wonder/as they wander…" for there is much to relish in this poem and its exuberant images. "Squeeze/every morsel/of each plump line/until the last/drop of magic/drips from the infinite sky." The book includes a note from both the poet and the artist. VERDICT A beautiful book not to be rushed through, but to be enjoyed morsel by tasty morsel.--Lucia Acosta, Children's Literature Specialist, Princeton, NJ
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Review by Kirkus Book Review
A linguistic and visual feast awaits in Alexander and Sweet's debut collaboration.If the mechanics of deciphering words on a page is a well-covered topic, the orchestration of finding magic between pages is an art emphasized but unexplaineduntil now. First things are first: "find a treea black tupelo or dawn redwood will doand plant yourself." Once settled, take the book in hand and "dig your thumb at the bottom of each juicy section and pop the words out[then] // Squeeze every morsel of each plump line until the last drop of magic / drips from the infinite sky." Reading, captured here in both content and form, is hailed as the unassailably individual, creative act it is. The prosody and rhythm and multimodal sensuousness of Alexander's poetic text is made playfully material in Sweet's mixed-media collage-and-watercolor illustrations. Not only does the book explain how to read, but it also demonstrates the elegant and emotive chaos awaiting readers in an intricate partnership of text and image. Despite the engaging physicality of gatefolds and almost three-dimensional spreads, readers with lower contrast sensitivity or readers less experienced at differentiating shapes and letters may initially find some of the more complex collage spreads difficult to parse. Children depicted are typically kraft-paper brown.New readers will be eager to follow such unconventional instructions, and experienced readers will recognize every single step. (Picture book. 4-7) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
