Review by Booklist Review
The epigraph of Booker Prize--winner Catton's fine new novel is a quote from Shakespeare's Macbeth, which is appropriate given that the spirit of the Bard is mightily present. Mira Bunting is a young Kiwi horticulturalist and founder of a New Zealander activist collective called Birnam Wood. Bunting has a habit of assuming false identities to look at listings of land she cannot afford to buy and plants crops without permission on overlooked patches of land. In essence, Birnam Wood is a guerrilla gardening group, a combination of environmental anarchists and direct-action protesters. "Birnam Wood was . . . a pop-up, the brainchild of 'creatives'; it was organic, it was local; it was a bit like Uber; it was a bit like Airbnb," writes Catton. Bunting herself turns trespassing into a type of performance art. But when she inadvertently meets an American billionaire, Robert Lemoine, her world and the future of the collective change in ways she could not imagine. Catton's filmic novel features vivid characters, not all of them likable, and sharp, sizzling dialogue. Themes in the intricate plot include identity politics, national identity, and exploitation by the -super-rich. Birnam Wood is tightly wound and psychologically thrilling, and Catton's fans and readers new to her powers will savor it to the end. HIGH-DEMAND BACKSTORY: Admirers of Catton's award-winning best-seller, The Luminaries (2013), will flock to her third novel.
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Booker winner Catton (The Luminaries) returns with a tragic eco-thriller of betrayed ideals and compromised loyalties involving a collective of guerilla gardeners in New Zealand. The group, Birnam Wood, sets its sights on a farm in Korowai National Park after a landslide maroons the isolated township of Thorndike, and three personalities vie for control. As matriarch Mira Bunting, 29, uses a series of aliases to scout and buy the land, her duplicity brings her into conflict with the younger Shelley Noakes, whose own beliefs are further strained by the return of ex-member Tony Gallo, a would-be journalist with an ax to grind regarding some of Birnam's rhetoric (in a scene of stellar dialogue, a group of members, all white and economically privileged, object to Tony's claims that intersectionality and polyamory are capitalist concepts). Mira's and Shelly's designs on the farm are complicated as they run afoul of Robert Lemoine, an amoral American billionaire suspected of murdering his wife, who has secretly purchased the land and agrees to fund Birnam Wood's occupation as a cover for his mining operation (Robert's work had caused the landslide, a detail he's trying to keep under wraps). As Mira plays into Robert's hands, Tony goes on the warpath, and their various schemes collide in a shocking crime. Catton injects granular details into her depiction of mining's impact on the land and those who tend to it, and she pulls a taut, suspenseful story from the tangle of vivid characters. Thanks to a convincing backdrop of ecological peril, Catton's human drama is made even more acute. Agent: Caroline Dawnay, United Agents. (Mar.)
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Review by Library Journal Review
Founder of the guerrilla gardening group Birnam Wood, which plants crops in neglected spots like roadsides and untended parks, Mira Bunting sees an opportunity following a major landslide; beyond the rumble, they can create a huge, sustainable farm on abandoned land. The only problem: billionaire Robert Lemoine wants the land to build a bunker. From the author of Luminaries, winner of Man Booker and Governor General's honors; with a 250,000-copy first printing.
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Review by Kirkus Book Review
An eco-activist group in New Zealand becomes entangled with an American billionaire in Catton's first novel since the Booker Prize--winning The Luminaries (2013). Mira Bunting is the brainchild behind Birnam Wood, an "activist collective" of guerrilla gardeners who plant on unused land (sometimes with permission) and scavenge (or steal) materials to grow food. Mira is a "self-mythologising rebel" whose passions are tempered only somewhat by Shelley Noakes, who sees herself as Mira's "sensible, dependable, predictable sidekick." This role is starting to chafe--as is the lack of money--and Shelley plans to leave Birnam Wood. Just as Shelley's about to cut ties, Mira makes an announcement: On a recent scouting trip near Korowai National Park, she located a farming property owned by a Kiwi farmer named Owen Darvish, temporarily abandoned due to a recent earthquake. This land is soon to transfer ownership from Darvish to an uber-rich tech CEO looking for a spot to doomstead. When the businessman, Robert Lemoine, catches Mira scouting on the land, he offers to bankroll the group to the tune of $100,000 since the act will help his bid for New Zealand citizenship. What could go wrong? Catton swirls among perspectives, including those of Mira, Shelley, Lemoine, Darvish and his wife, and a former Birnam Wood member called Tony, whose aspirations to fame look within reach as he suspects he's got a major scoop concerning Lemoine's real motives. In many ways, the novel is as saturated with moral scrutiny and propulsive plotting as 19th-century greats; it's a twisty thriller via Charles Dickens, only with drones. But where Dickens, say, revels in exposing moral bankruptcy, Catton is more interested in the ways everyone is cloudy-eyed with their own hubris in different ways. The result is a story that's suspended on a tightrope just above nihilism, and readers will hold their breath until the last page to see whether Catton will fall. This blistering look at the horrors of late capitalism manages to also be a wildly fun read. Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
