Other side of the tracks

Charity Alyse

Book - 2022

When Zach, a white boy from Philly, moves to a racially divided town, he befriends Black siblings Capri and Justin, but when the police murder one of their friends, the town erupts into an all-out war, with Capri, Justin, and Zach caught in the middle.

Saved in:
Subjects
Genres
Novels
Social problem fiction
Published
New York : Simon & Schuster Books for Young Readers 2022.
Language
English
Main Author
Charity Alyse (author)
Edition
First edition
Item Description
"A Denene Millner Book."
Physical Description
435 pages ; 22 cm
Audience
Ages 12 and up.
Grades 7-9.
ISBN
9781534497719
Contents unavailable.
Review by Booklist Review

Capri and her brother, Justin, have lived in Hamilton all of their lives. They were raised by their grandparents when their mother ran off to New York to become a beloved Broadway star. Secretly, Capri and Justin have made plans to leave Hamilton, each wanting to see their name in lights. When Zach, a white teenager, moves to the all-white neighboring town of Bayside, everything changes for Capri and Justin. Capri and Zach fall in love despite the deeply segregated and racist history between Hamilton and Bayside, and Justin is forced to make life-altering decisions regarding his future. When a tragedy shakes Hamilton and Bayside, Capri, Justin, and Zach find their lives turned upside down. Alyse's debut novel holds the perfect elements to create a fresh spin on star-crossed romances, while still offering sharp commentary on relevant social issues. Though the multiple-character points of view can sometimes be a bit clunky and repetitive, each of Alyse's characters has a distinct, original voice.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The violent, racist shared history between largely white Bayside and predominantly Black Hamilton--two New York towns separated by train tracks--reverberates into three teens' lives in Alyse's stirring debut. Black siblings Capri and Justin, whose relationship became strained following their mother's death, want to leave Hamilton to pursue their dreams: Capri as a dancer in N.Y.C. and Justin as a college basketball player. White musician Zach, a New Bayside resident and Philly native, is appalled by his neighbors' overt racism toward a Black Bayside resident. While visiting Hamilton, Zach befriends Capri and they support each other in their endeavors; Zach accompanies Capri to a dance school audition, and she helps him secure an opportunity to open for a local jazz legend. Meanwhile, Justin's athletic goals are derailed when he finds out that his longtime girlfriend is pregnant. The shooting of an unarmed Black Hamilton teen by a white Bayside police officer brings the towns' existing tensions to a boiling point, triggering a fallout that imperils the trio's futures. Through the characters' distinct and lingering alternating perspectives, this emotionally raw volume juggles interracial dynamics and themes of appropriation, identity, and systemic racism. Ages 12--up. Agent: Marlo Berliner, Jennifer De Chiara Literary. (Nov.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 9 Up--In this mash-up of West Side Story and The Hate U Give, debut author Alyse writes from the perspectives of two teens who live on opposite sides of the tracks, creating a physical divide for the racism of this community. Alyse realistically portrays the language of teens with lines such as "Yo, you thirsty? You catch dehydration or something?" Through capturing teens' language, the author showcases their lived experiences. Readers meet Capri, a Black aspiring dancer, and Zach, a white musician, who meet unexpectedly and begin a whirlwind romance. The teens know they are up against the odds, but this becomes even more clear when a local Black teen--and Capri's brother's friend--is murdered by a white police officer. Suddenly, the divide becomes more visible and the two must fight for each other and their respective dreams. Capturing the emotions of first love with the roller-coaster of current events, this book delivers intense scenes that are all too common. VERDICT This excellent narration encapsulates teen love, the harsh realities of racism, and peeks into the world of teens today. Both heartbreaking and inspiring, this stunning debut will give readers much to discuss and debate.--Tracey S. Hodges

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

An African American teen finds the courage to step into the spotlight and fight for her dreams despite divided loyalties. Aspiring Broadway dancer Capri Collins longs to attend an exclusive performing arts camp but lacks the courage to oppose her grandmother, who wants her to stay close to home. Capri finds support in her relationship with Zach Whitman, a White boy from Philadelphia who has moved to the town on the other side of the train tracks. He's shocked by his new White peers' overt racism. Bayside and Hamilton, located outside New York City, have intertwined histories: With the influx of African American families from the South, Bayside's White residents established Hamilton to maintain racial segregation. Zach's love for jazz brings him to Hamilton, where he meets Capri. Meanwhile Capri's older brother, Justin, aims to attend college on a basketball scholarship, an ambition complicated by his girlfriend's pregnancy. The siblings' fears of being trapped in their hometown are heightened when their friend Tyree Thompson, an aspiring doctor on his way to New York University, is killed by a Bayside police officer. The aftershocks ripple through the relationships of residents of both towns. The narrative alternates among the first-person perspectives of Capri, Justin, and Zach. The siblings' complex relationship is a particular strength. Interracial tension is a main driving force within the narrative, but Zach's role in this conflict is less well developed. An interesting look at the many forms activism can take. (Fiction. 14-18) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1. Capri Capri IT'S FUNNY HOW A PERSON can live in new york their whole lives and never travel to the city. I've only been there once, when I was eight years old. The night sky was painted with dark oil and hid the glittering stars I usually saw shining in Hamilton. My grandmother, who we called Ma, held my hand tight, and Justin, my older brother, held the other. Our mama, who we called by her first name, Essie, was making her way quickly ahead of us in her white peacoat with a matching fur band wrapped around her cropped hair. She seemed to dance with the crowds, weaving in and out of them expertly, with a careless smile, making sure not to shove nobody, gracefully leaping and spinning around each person she passed. She was like a young child, giggling and laughing the whole way to the theatre. "Come on, slowpokes , this is the city. You have to move ," she called to us over her shoulder. Ma, hushing her, mumbled things under her breath that I couldn't hear over the noise of the traffic, but even she was smirking the whole while. Essie was a real beauty. Careless. I wanted to be just like her. Essie had Justin when she was fifteen and me, just one year later. We all lived with Ma in Hamilton at first, but after Essie started her acting career, she was almost never home. Now, Essie was bringing us into her adopted home. Broadway didn't smell like magic and new opportunities as Essie described; it was more like hot pretzels and perfume wrapped in a cloud of stale cigarette smoke. She said New York's streets was paved with gold that glimmered brighter than the stones on the yellow brick road. I only found graying sidewalks with blackened gum and a few people wrapped in old blankets. But the lights--the lights she didn't get wrong. They did outshine the fireflies we caught behind Ma's house in the summertime. Each theatre was playing, as Essie said, a different world for us to peek into; worlds of sadness turned happy, stories of love, music, and dancing. Essie said it was like visiting a magical library that opened its books for us to travel through, and it was. Each book lined the streets, illuminated with bright lights. Something Rotten!, The King and I, Hamilton, and Wicked! Some of the names from the shows wasn't familiar; others I'd already watched Essie act out for me in her bedroom, putting on different hats for the characters, singing their songs and proclaiming their lines like she was born into them. Even though I never been on the streets of Broadway before, I felt like I knew just as much about theatre as anyone else, including the old women I overheard talking about the different versions of Essie's show they'd seen when Ma, Justin, and me sat in the theatre. They said they couldn't wait to judge and see if it was better than the one in London that they'd saw that summer. That night, I didn't need to see no show in London to compare to Essie's. I knew hers would be the greatest of all. Essie told us we had great seats, but she didn't tell us how great they actually were. We didn't have nobody sitting in front of us but the orchestra. Ma even smiled when she saw the three reserved seats with our names written on them. It made me feel real important, like a star on television or something. The conductor of the orchestra winked at me and told me my dress was the most beautiful thing he ever saw. I did feel beautiful in the bright blue dress Ma got from the charity store downtown. It was used, but Essie said used dresses wasn't ever really old. My dress was new because it was the first time I wore it. She said it was my turn to create an adventure in the dress--that new adventures for an old dress was like retellings of old stories to ears that never heard them. When the curtain lifted and the lights dimmed, Essie ran across the stage in tears, and I wanted to run up on stage and hug her. Ma could tell I was agitated and assured me Essie was only doing her job to entertain. Still, I believed everything Essie was saying under them bright lights. I believed her when she cried after burying her lover in the play, when she danced across the stage with the chorus, when she fell in love again, and when she died in the end. I believed it all and stood with the audience when they clapped. I agreed when the old ladies said this was the best version of the show they'd seen, even though I didn't see no other one. My Essie truly was a star. Only three months later, when I found out Essie's heart stopped onstage, I assured Ma that she was probably just acting. When her open casket sat in front of me at the church on Sixth Street later that week, I told Essie it wasn't funny anymore. I told her she had to wake up now. Her skin was blotchy and the blush they put on her was too bright. She always told me the right shade of blush for her complexion was hard for people to find. That's why she always did her own makeup before her performances. They forced her eyes shut; no one was able to see the light that flew from them when she acted, sang, danced, or told her stories. Her lips were glued shut, hiding the smile that kept my heart believing in miracles. Her hands that once brushed my hair were frozen and stiffly folded over her thin body. I couldn't look away. "The show is over. Wake up," I whispered, nudging her rock-hard shoulder. "She's dead," Justin said, standing next to me. He was staring at her too, frozen just like me. "She not coming back, Capri." I looked around the church. It was small and cold. The sweater Ma made me wear was tight around my shoulders and didn't shield my arms from the goose bumps that ran up and down them in waves. The pale gray paint on the walls was peeling, and the Black Jesus on the stained-glass windows turned ashy with dust. It smelled like mold. Flower spreads were scattered around with condolence messages on them, and everyone was wearing black, even Essie. This wasn't the way her shows were. The theatre always had beautiful gold lights above. The seats were burgundy and comfortable, not hard like the brown pews we sat on. I looked again at Essie. How could someone who had so much life look so... imprisoned? Ma didn't think it was a good idea for Justin and me to ever go back to the city. It was because Essie was everywhere. The pictures from the shows she was in still littered the walls of almost all the theatres. A theatre in New York City decided to keep a billboard of Essie plastered to their side wall, in her memory. I only saw it that one time we went. Essie rushed us to look at what they'd done for her. In the picture, she was wearing a white dress with a crown of many colors, her legs stretched into a split leap. She was smiling wide, soaring across the sky like a rainbow. Essie lived her life the way she wanted and died doing what she loved. I always vowed somewhere inside of me, to do the same. Excerpted from Other Side of the Tracks by Charity Alyse All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.