Review by New York Times Review
ISABEL ALLENDE Says that RIPPER (Harper, $28.99) is her first murder mystery, and that it was a lot of fun to write. It's probably more accurate to say that this ungainly but thoroughly charming book is the author's own eccentric notion of a murder mystery, and that it's a lot of fun to read. Also, it features a teenage sleuth - "idiosyncratic of appearance, timorous of character, but magnificent of mind," according to her besotted grandfather - who is pretty much irresistible. When Amanda Martin was 13 years old, she was bundled off to a Roman Catholic boarding school run by progressive nuns ("feminists in pants") who taught the girls the proper use of condoms in science class. To supplement her formal schooling, Amanda draws on lessons learned from her divorced mother, a gifted "healer" who practices the curative arts of Reiki, lymphatic drainage and aromatherapy at the Holistic Clinic; her father, a homicide detective on the San Francisco police force; her godmother, "the most famous astrologer in California"; and unofficial guardians like Ryan Miller, a former Navy SEAL, and his "war dog," a brute named Attila. Amanda is a senior in high school and headed for M.I.T. when a security guard at a local elementary school is murdered, the first in a string of gruesome, but seemingly unrelated killings. With the resilience of youth, she seizes on the occasion to rethink the strategy of Ripper, the interactive mystery game she plays online with "a select group of freaks and geeks from around the world." Instead of solving 19th-century crimes in gaslight London, the brainy players - including a paralyzed boy in New Zealand, a Canadian girl with an eating disorder and Amanda's grandfather - will match wits with a real killer. In this breezy translation by Ollie Brock and Frank Wynne, Allende blithely dispenses with the more restrictive genre conventions to get to the fun parts - narrative timeouts in which she lingers on the romantic adventures of Amanda's free-spirited mother, the delectable Indiana Jackson, or stops to construct detailed back stories for colorful secondary characters like Doña Encarnación, Amanda's formidable grandmother, and Danny D'Angelo, a chatty drag queen who waits table at Cafe Rossini. One by one, they take their places on a canvas so crowded with life that even death seems to melt into the background. JOHN STRALEY writes sweet crime novels about sad people, of whom there are plenty in COLD STORAGE, ALASKA (Soho Crime, $26.95), a book that takes its title from a fished-out fishing village in the Far North. "Most of the people in this town are drunks or depressives," according to one resident, "but we have our funny moments." Straley strikes the perfect balance of humor and pathos in this story about the McCahon brothers: Miles, a medical assistant who dispenses care and kindness to just about everyone in this sorry town, and Clive, who comes home from prison with enough drug money sewed into his clothes to open what he calls a "bar slash church." Clive seems content to give up his wild ways and settle down to preach love on Sundays and tend bar the rest of the week. And that's the way things might have gone if Billy Cox hadn't set out to paddle his kayak 800 miles to Seattle to meet the Dalai Lama and Jake Shoemaker hadn't come roaring into town looking for that drug money. But they do, and that means trouble for the hard-luck town that clings to life the way Miles clings to his hope of someday catching a king salmon. OF ALL THE places where Inspector Ian Rutledge's Scotland Yard assignments have taken him, the desolate Fen country must surely be the eeriest, HUNTING SHADOWS (Morrow/HarperCollins, $25.99), the latest book in Charles Todd's excellent historical series set in the aftermath of World War I, finds Rutledge in this watery land of cold and mist when a sniper picks off a guest at a society wedding. A second murder, executed with the same coldblooded precision, takes the life of a Tory politician. Rutledge recognizes the handiwork of an expert marksman and seeks out men who fought in the war. Sensitive to the internalized wounds of these traumatized veterans, he proceeds cautiously, earning the trust of the locals and eventually, if reluctantly, finding his man. THERE'S NO LITERARY law prohibiting genre authors from inventing personal lives for the cops in a police procedural. But there ought to be some kind of restraining order to keep them from letting hero worship get out of hand. The German crime writer Nele Neuhaus shows no such restraint in Steven T. Murray's translation Of BAD WOLF (Minotaur, $25.99), in which a vile case of child abuse is squeezed into a far more elaborate narrative about the Frankfurt homicide detectives investigating the crimes. Detective Superintendent Pia Kirchhoff and Inspector Oliver von Bodenstein seem like competent officers, but it's a miracle they're able to put in a day's work, considering the time they spend handling their domestic affairs, which encompass not only their past and current spouses and potential lovers but their bratty kids and troubled stepchildren, their equally busy friends (the pregnant ones, especially) and all the professional enemies who are (perhaps understandably) out to get them.
Copyright (c) The New York Times Company [June 30, 2019]
Review by Booklist Review
It's the summer of 1920, and Scotland Yard's Inspector Ian Rutledge has a tricky case on his hands. Someone has murdered two men in the city of Ely in Cambridgeshire. Try as he might, Rutledge can't seem to find any connection between the victims a military man from out of town and a local political candidate although it does appear that the killer is a sharpshooter, a fact that does not sit well with Rutledge, a war veteran himself, or with Hamish, Rutledge's interior companion (the manifestation, series fans know, of Rutledge's guilt over the death of a friend in the war). There are a lot of questions, but perhaps the most pressing is whether Rutledge's memories of war, sparked by these recent murders, are distracting annoyances or the key to solving the case? Another well-written, well-plotted entry in this always engaging mystery series.--Pitt, David Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Tricky plotting and rich atmospherics ("the Fen country, where water had separated everyone and made foreigners of people ten miles distant") distinguish bestseller Todd's 16th novel featuring Scotland Yard's Insp. Ian Rutledge (after 2013's Proof of Guilt). In September 1920, Rutledge has a real baffler on his hands: a sniper has just killed two seemingly unrelated men in the Fen country of East Anglia. Captain Hutchinson was gunned down as he was about to enter a church for a wedding, and Tory candidate for Parliament Herbert Swift's head was blown off as he began a stump speech. The initial inquiries yielded little and resulted in the locals calling in the Yard, but apart from a woman who claims she saw a monster just as Swift was shot, there isn't much for Rutledge to go on. Todd (the pen name of a mother-son writing team) has rarely been better. Agent: Jane Chelius, Jane Chelius Literary Agency. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
War memories always filter through Inspector Rutledge's consciousness, but World War I rears up again when a sniper ruins a wedding in Ely Cathedral-and the killer doesn't stop at one. This is number 16 for the popular 1920s set series (after Proof of Guilt). [See Prepub Alert, 7/15/13.] (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Inspector Rutledge returns for another painstaking investigation of murders in the aftermath of World War I. When a sharpshooter kills Capt. Gordon Hutchinson at a wedding in Ely, Cambridgeshire, no one in the panicked crowd can tell precisely where the bullet came from. A similar shooting in the neighboring town of Wriston that kills the popular Tory candidate Herbert Swift draws Inspector Ian Rutledge from Scotland Yard. When he first arrives, Rutledge is nearly lost in the marshy Fens until a mysterious man emerges from the mist to steer him toward the hearth of Marcella Trowbridge. Even after Rutledge is able to find his way around by daylight, he's still enshrouded in fog in his attempts to discover if the two murders are related. Reports of a monster behind the rifle that killed the two men, a haunted mill and the mythical Green Man painted on the ceiling of Ely Cathedral lead Rutledge, in a blend of dogged research and intuitive leaps, to a case of two wronged women. But is more than one man exacting revenge? The mother-and-son team Todd (Proof of Guilt, 2013, etc.) may be letting up on their tortured hero: The ghostly voice of Hamish MacLeod, the soldier whom Rutledge had to shoot in the Great War, is a bit less prominent than in earlier installments. Less from ghost Hamish? That change may be as welcome to some fans as to the inspector himself, though others may miss the inspector's invisible partner and conscience.]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
