Black diamond A mystery of the French countryside

Martin Walker, 1947 January 23-

Book - 2012

In the wake of attacks on local Asian vendors and an increase in black-market ingredients that threaten the Dordogne's lucrative truffle trade, Chief of Police Bruno finds the case taking a personal turn when one of his hunting partners, a former high-profile intelligence agent, is murdered.

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Subjects
Genres
Mystery fiction
Detective and mystery fiction
Published
New York : Vintage Books 2012.
Language
English
Main Author
Martin Walker, 1947 January 23- (-)
Edition
First Vintage Books edition
Item Description
Series numeration from www.goodreads.com.
Contains excerpt from The Crowded Grave by Martin Walker.
Physical Description
298, 9 pages : map ; 21 cm
ISBN
9780307744630
Contents unavailable.
Review by New York Times Review

The big question left hanging at the end of THE CUT (Reagan Arthur/Little, Brown, $25.99), George Pelecanos's latest Washington, D.C., crime novel, is whether he can keep his cocky new hero from flaming out. At 29, Spero Lucas, an unlicensed investigator for a criminal defense attorney (and anyone else who'll give him a cut of the action), is considerably younger and friskier than the heavy-lidded private eyes who have imprinted their world-weary stamp on this genre. His values are also different, shaped by the street culture of his tough neighborhood and by his experiences as a Marine in Iraq. Even his musical tastes are more contemporary. (No moody blues for this guy, who prefers reggae, ska and dub.) "There are certain bars I don't hang in," Lucas explains. "I'm not gonna sit around and have drinks with people who are, you know, ironic." He's also man enough to put flowers on his father's grave and pay regular visits to his mother. Lucas is a terrific character, uncorrupted by cynicism and boyishly eager to catch up on the recreational adventures he sacrificed for military service. But, as a young man with appetites, he's also hotheaded and dangerously reckless. Moonlighting for an imprisoned mobster who agrees to his hefty cut for retrieving some stolen shipments of marijuana, Lucas becomes trapped in a gang war that quickly turns brutal and bloody. Before he knows it, he's aiming to kill. The novel's story is O.K., but nowhere near as heart-racing as the storytelling. Although Pelecanos writes in the third person, he seems to be inside Lucas's head, looking out at the world with the omnivorous vision of someone savoring and recording every precious detail. Street scenes are studied as if they were treasures, with individual shops and buildings identified by name and history. Favorite bars are defined by their posters and jukeboxes, diners by their menus and the conversations of their clientele, guns by their make and caliber. People are examined in the same meticulous detail, from their choice of footwear to the murderous thoughts in their heads. What emerges is a magnificent collage of a city loved with a passion by someone ravenous for life. Childhood is a terrifying place in Laura Lippman's psychological thrillers, but that never stops her characters from revisiting this dark country once they've grown up. By mutual consent, the five young friends in THE MOST DANGEROUS THING (Morrow/Harper-Collins, $25.99) went their separate ways in the fall of 1979 after "something bad" happened in the woods. ("They couldn't talk about it, and they couldn't not talk about it, so they stayed away from each other.") Thirty-two years later, the violent death of one of their number - a manic, reckless boy they called "Go-Go" - brings the rest of the clique back home to the neighborhood that once gave them unsupervised access to the wild forest where they lost their innocence. A mysterious childhood secret is standard fare in suspense novels, but Lippman keeps this device fresh with a complex narrative structure of shifting timelines and multiple points of view. These changes in perspective allow her to circle the secret in a way that broadens the mystery and deepens the characters, without ever distracting us from the nagging question of where their parents were when these kids were romping in the woods. The residents of the quiet town where Martin Walker sets his enchanting village mysteries relish all the good things about life in the Périgord region of France: the food, the wine, the friendships and the black truffles that grow among the white oaks in its dense forests. But all it takes is a murder to stir up the animosities of people who, while still fighting old wars, are quick to take up new ones. There's actually too much intrigue in BLACK DIAMOND (Knopf, $24.95), much of it (like the Asian gang wars and human smuggling ring) tangential to more interesting local matters, like the criminal hanky-panky at the great truffle market of Ste. Alvère and the impact of ecological activism on homegrown industries. Happily, Bruno Courrèges, the charming chief of police of St. Denis, doesn't completely lose his head. There are truffles to gather and market days to attend, as well as a sumptuous funeral banquet for a murdered truffle master that surpasses any meal cooked up thus far in a series that always makes your mouth water. Reading Sebastian Rotella's remarkable first novel, TRIPLE CROSSING (Mulholland/Little, Brown, $24.99) is like putting on night goggles: you see things you never knew were there. Rotella, who has covered crime in Latin America as a journalist, sets this thriller in the borderlands of San Diego and Tijuana, but takes the plot beyond the well-traveled fictional territory of Mexican drug cartels and beleaguered customs agents - all the way to the lawless "triple border" of Argentina, Brazil and Paraguay where international smugglers and terrorists meet to do business. Valentine Pescatore, an extremely likable young agent with the Border Patrol, represents the good guys for the United States. Leobardo Méndez, commander of an elite law-enforcement unit known as the Diogenes Group, carries the colors for the Mexicans. The pounding action scenes are driven by Rotella's ferocious prose style, but it takes the night vision of a couple of decent cops to expose the scale of the violence, the level of the corruption, the sheer audacity of the criminals. Can George Pelecanos keep the hero of his latest Washington, D.C., crime series from flaming out?

Copyright (c) The New York Times Company [September 4, 2011]

Chapter 1 There were not many times that Bruno Courrèges disliked his job. But today was certainly one of them. The weather was not to blame, a crisp day in late November with thin, high clouds trailing feebly across a sky that was determined to be blue. And even this early in the morning the sun was warm on his face and lending a rich gold to the few remaining leaves on the line of old oaks that fringed the town's rugby field. It gave warmth to the aged stone of the mairie across the river and to the red tile roofs of the houses that climbed the hillside. The season was still mild enough, he noticed, for the women to have thrown open their windows and the blue wooden shutters. Splashes of white and blue, stripes and floral patterns, adorned the townscape where they had heaped out bedding to air on the balconies, as their mothers and grandmothers had done before them. It might be the last day of the year that would be possible. A touch of frost had silvered the grass outside his cottage when Bruno walked his dog just after dawn that morning, and he had heard the first of the Christmas Muzak in the supermarket over the weekend. Bruno turned back to the scene before him, the small crowd waiting outside the silent sawmill, its chimney no longer sending plumes of smoke into the clear sky. The forklift trucks that usually scurried like beetles around the warehouses under their loads of timber were all parked neatly in their garage. The air still carried the wholesome scent of fresh-cut wood. But the memory would soon fade, since this was the day that the sawmill, one of the biggest and oldest employers in St. Denis, was to close its doors. Bruno himself, acting under orders, had two weeks earlier delivered the formal notice of closure from the prefecture, citing the legal judgment against Scièrie Pons and its owner for breach of the new rules on pollution in urban areas. As the town's only policeman, Bruno had tied a copy of the order, wrapped in plastic against the weather, to the sawmill gates. Now he had to stand watch as the law took its solemn course and the court ruling was carried out. And of course he was obliged to deal with whatever ill feeling followed from this long- running feud between the jubilant Green Party and the man they called "the arch-polluter of St. Denis." "Pons out, Pons out," chanted the crowd, led into a chorus by a handsome man with a bullhorn, an expensive leather jacket and a white silk scarf. His long blond hair was tucked into a neat ponytail, and he wore a large Green Party button on his lapel. The posters the crowd carried explained the closure. There had been no economic calamity, no financial embarrassment, no sudden shortage of timber that the woods and forests of the Dordogne region had produced for centuries. There was no shortage of demand for the oak and chestnut, pine and hemlock. Indeed it was known that Boniface Pons, the owner of the sawmill that had been in his family for generations, was simply shifting his entire enterprise to another commune with wide forests and fewer than two hundred voters, where he had been assured there would be none of the angry demonstrations and the endless lawsuits that had driven him from St. Denis. At last, our children can breathe, read one of the posters, which made Bruno roll his eyes at the exaggeration. He had played countless hours of rugby on the nearby playing field and endured dozens of training sessions while the chimney still spouted and never felt out of breath. Environment 1-pons 0, read another poster, which for Bruno was closer to the truth. Pons's sawmill had, over the decade of Bruno's time as the town's policeman, installed two separate sets of scrubbing equipment for the steam and smoke that belched from the tall chimney. Each installation was supposed to be the latest in clean-air technology, yet within a few years each had been overtaken by new pollution directives from the European Union in Brussels. The most recent directive, which required any business with a polluting chimney to be a minimum distance from the nearest housing, had been the final straw for Boniface Pons. It was not his fault, Pons maintained, that the commune of St. Denis had decided, years before the latest directive had been thought of, to erect a block of cheap flats for public housing just one hundred and fifty feet from the fence around his sawmill. But with the new regulation, that meant his business was twenty-five feet inside the limit required by the EU. "I've had enough of this green crap," Pons had announced at the last, heated council meeting. "If you don't want the jobs I bring and the two hundred thousand euros I pay in taxes to this town's budget every year, then fine. I'll go where my jobs are wanted." Bruno had hoped to avoid trouble this morning, wishing that Pons would leave his building, lock his gates and make a dignified departure while the crowd of écolos, the town's environmental activists, calmly relished their victory. But from the gossip in the cafés and the grumbling around the market stalls, he had known that the closure might not go so smoothly. He had discussed with the mayor, Gérard Mangin, whether they should call on the gendarmes for reinforcements. But the moment they envisaged Capitaine Duroc blundering his way in, they had dropped the idea. Had Duroc been away on a course, and the gendarmes under the experienced command of Sergeant Jules, their presence might have been a sensible precaution. As it was, the mayor and Bruno knew they could count only on themselves and on the years of trust they had built with their neighbors. The crowd was bigger than Bruno had expected, swollen by curiosity and perhaps also by a sense that an era was passing and that history was finally overtaking the timber industry that had sustained St. Denis for centuries. Through wars and revolution, through boom times and recessions, the trees had always provided wine barrels and the boats that carried them; beams and floorboards and furniture for half the homes of France; desks in the schoolrooms and fires in the grates. Walnut trees provided oil and food and the young green fruit that produced the local vin de noix. Within living memory, in the hard times of Vichy and the German occupation, chestnut trees had even provided flour to make a kind of bread. So the closure of a sawmill was much more than simply a matter of jobs for the people of St. Denis, Bruno reflected, as he watched knots of pensioners shuffle up the road from the retirement home. The oldest, Rosalie Prarial, the last inhabitant of the town who claimed to remember seeing young men going off to the final battles of the Grande Guerre in 1918, was being helped along by Father Sentout. Like many of the other pensioners, Rosalie had worked at the sawmill all her life, starting under Boniface's grandfather. Montsouris, the town's only Communist councillor, must have taken the day off from his job as a train driver, for he and his even more radical wife were approaching, followed by a delegation from the town's chamber of commerce. Bruno raised his eyebrows; it was a rare event that brought the left and the town's small businessmen together in common cause. Half the town appeared to be gathering for the event, and Bruno suspected that most of them would be unhappy at this triumph of the Greens. But he knew his townsfolk to be on the whole levelheaded and law abiding, and while any such assembly brought the prospect of trouble, they were not lined up in opposition but gathered in separate knots and groups. A bit like a funeral, thought Bruno, when people hung back on the outskirts in deference to the family. The mayor stood under the trees that guarded the rugby field, deliberately keeping his distance from the crowd and the sawmill gates. Beside him stood the baron, the main landowner in the district who was also Bruno's tennis partner. Albert, the chief of the town's fire brigade, was out of his customary uniform and smoking a pipe. A pickup truck lumbered around the corner from the public housing block, and Lespinasse, the local garage owner, clambered out with his sister from the florist's shop and his cousin from the tabac. They all shook hands with the mayor and his party and waved at Bruno. Then the unmistakable clatter of an elderly Citroën deux chevaux signaled the arrival of Pamela, the woman with whom Bruno was sometimes privileged to spend his nights. Few people now called her the Mad Englishwoman as they had at first, at least in Bruno's hearing. Indeed, now that residents from other European countries had been given the right to vote in France's local elections, the mayor had talked of running her for a council seat at the next election. The mayor hoped to secure the foreigners' votes, but it was a sign that Pamela was accepted as a daughter of St. Denis. Despite his pleasure at seeing her and the bright smile she beamed at him, Bruno bit back a surge of irritation at Pamela's arrival. It was less that her presence would be a distraction, and more that he felt self-conscious at playing his public role under her gaze. Usually he rather enjoyed Pamela's teasing and the slightly mocking attitude the British seemed to adopt toward their police, but he was beginning to feel nervous about the way the crowd was building. He sized up the situation. Other than scattered knots of spectators, the crowd was splitting into two camps. Opposite the main gates of the sawmill were the écolos, and at the front of the crowd that flanked them were young women with carriages and strollers. Some of them Bruno knew well, the wives and infants of the men who worked at the sawmill, men who now faced unemployment until Pons's new plant was ready. The women, glaring at the chanting écolos, had gathered by the small side gate their husbands used. Touching the peak of his cap, Bruno strolled across to greet them and to tousle the hair of the toddlers. He'd danced with the mothers at the feast of St. Jean and taught the younger ones to play tennis; he had attended their weddings and the baptisms of their children, hunted and played rugby with their fathers. "A sad day," he said to Axelle as her twin daughters peeked out at Bruno from behind her skirts. "Bloody écolos, always putting their noses into other people's business," she snapped. "How come the law doesn't look after people like us for a change?" "Emile will be back at work soon," Bruno said, hoping to sound reassuring. "And I hear you got a job at the infants' school. I suppose Emile's mother can look after the kids." "Lucky for some," sniffed another of the mothers. "There's no job for me, and whatever Pierre gets today will be the last money we see for a while. It's going to be a pretty thin Christmas." "I hope you're satisfied, you bastards!" Axelle shouted at the écolos. "Our kids will be going hungry because you keep whining over a whiff of smoke." "Pons out, Pons out," the Greens chanted back, led by the dashing man with the bullhorn. To Bruno, he was the strangest feature of this drama, a long-lost son of St. Denis, home from his years of travel with a brand-new Porsche convertible, enough money to buy an old farm and convert it into a restaurant and exotic tales of life in Hong Kong, Bangkok and Singapore. And he had returned with an evident interest in local politics, a passionate commitment to the Green cause and an eagerness to fund the lawsuit that had finally succeeded in winning an order for the closure of his father's sawmill. For the young man was Guillaume Pons, who insisted that everyone should call him Bill, and seemed intent on pursuing his family feud against his estranged father by any available means. Bruno wandered back to the crowd of chanting écolos and tapped Guillaume's shoulder. "Do you think you could stop the chanting for a while? The women over there are worried about their men losing their jobs and they're getting upset. It won't help if you rub their noses in it." "I know, it's not their fault. But it's not ours either," Guillaume said pleasantly. As he put down the bullhorn to answer Bruno the chanting died away. "We just want clean air, and we could create clean jobs as well, if we put our minds to it." Bruno nodded and thanked him for the pause in the chanting. "Let's keep this calm and dignified. It's a sad day for some, and we don't want tempers raised when the men come out." "Perhaps the mairie should have thought of that when this campaign began, instead of using our tax money to subsidize the sawmill," Guillaume countered. "We can all be wise after the fact," Bruno said. The last time Pons had threatened to close his sawmill, Bruno and the mayor had managed to scrape up some funds from the town's budget to help pay for the scrubbing equipment. It had gained them four years, until the new directive came in. The sawmill's four extra years of taxes had more than repaid the modest subsidy. "Right now, I'm just concerned that we don't have an angry shouting match," Bruno added. "You're the one with the bullhorn, so I'm holding you responsible." "Don't worry," Guillaume replied with a smile that in other circumstances Bruno might have found charming. He put a hand on Bruno's arm. "I can also use the bullhorn to calm them down. They'll listen to me." "Let's hope so, monsieur." Bruno moved on to greet Alphonse, the elderly hippie from the commune in the hills above the town, and the first Green to have been elected to the town council. From the Hardcover edition. Excerpted from Black Diamond: A Mystery of the French Countryside by Martin Walker All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.