The protagonist's journey An introduction to character-driven screenwriting and storytelling
Book - 2022
Character drives plot. Based on this principle, this book walks aspiring writers through the fascinating world of character-driven screenwriting. When a writer engages their characters, they start a process which naturally leads to the storys structure and everything else that makes for a well-written narrative. Exploring the protagonists journey and their "unity arc", Myers explains how a family of characters surrounds the protagonist and influences their transformation process. This ...easy-to-follow guide features activities that will help writers of any level develop their stories from concept to scene-by-scene outline. Based upon a popular workshop Myers has led with over a thousand writers at all levels of experience, this book is a must-have for screenwriting students, both undergraduate and graduate, and those looking at advanced story development.
- Subjects
- Published
-
Cham, Switzerland :
Palgrave Macmillan
[2022]
- Language
- English
- Physical Description
- xxxvi, 339 pages : illustrations (chiefly color) ; 24 cm
- Bibliography
- Includes bibliographical references and index.
- ISBN
- 9783030796815
- Main Author
- Part I: The Protagonists Journey as Narrative Imperative.
- Chapter One:
- The Protagonists Journey Due to their central role, engaging the Protagonist is the most important aspect of the story-crafting process
- Chapter Two:
- Character Arc In movies, there exists a recurring variety of character arcs including the most popular: positive transformation
- Chapter Three:
- Disunity The Protagonist needs to change as reflected in their initial state of disunity
- Chapter Four:
- Deconstruction Entering the New World, a series of challenges and trials deconstructs the Protagonists old ways of being
- Chapter Five:
- Reconstruction Freed from their old ways of being, the Protagonist is reconstructed by embracing heretofore untapped inner potential
- Chapter Six:
- Unity The Protagonist brings together all they have learned in the storys final struggle and in doing so achieves unity
- Chapter Seven:
- The Protagonists Place Within the Screenplay Universe The Protagonists journey interweaves between the External World and the Internal World
- Part II: The Protagonists Journey as Family of Characters
- Chapter Eight:
- Primary Character Archetypes Five narrative dynamics common to movies represented by these archetypes: Protagonist, Nemesis, Attractor, Mentor, Trickster
- Chapter Nine:
- Nemesis By providing opposition to the Protagonist, the Nemesis generates sustained conflict which creates the central drama of the story
- Chapter Ten:
- Attractor During their journey, the Protagonist intersects with Attractor characters who connect with the Protagonists emotional development
- Chapter Eleven:
- Mentor The Protagonist meets another type of ally, the Mentor who provides wisdom and contributes to the Protagonists intellectual growth
- Chapter Twelve:
- Trickster A shapeshifter tests the will of the Protagonist by switching from ally to enemy, enemy to ally, and generating complications
- Chapter Thirteen:
- Subplots Each Protagonist relationship with key characters is a mini-story with its own arc, theme, and contribution to the overall narrative
- Chapter Fourteen:
- Character Map There is a structure to the Protagonists relationships with the storys major characters
- Part III: The Protagonists Journey as Screenplay
- Chapter Fifteen:
- Breaking the Story I Begin the story-crafting process by engaging the storys central character with a Protagonist Character Treatment
- Chapter Sixteen:
- Breaking the Story II Use a series of brainstorming exercises to explore the story universe and develop its characters
- Chapter Seventeen:
- Breaking the Story III A first pass at wrangling the plot by working with Four Primary Plotline Points
- Chapter Eighteen:
- Breaking the Story IV Track the Protagonists transformation arc through Four Themeline Movements
- Chapter Nineteen:
- Breaking the Story V Expand the framework of the plot by identifying Ten Major Plotline Points
- Chapter Twenty:
- Breaking the Story VI Construct the final story structure, both Plotline and Themeline into a Narrative Throughline
- Chapter Twenty-One:
- Writing the First Draft Break down the writing process into sets of scenes from one Plotline Point to another all the way through the Denouement. .