Have I told you this already? Stories I don't want to forget to remember

Lauren Graham, 1967-

Book - 2022

"Candid, insightful, and wildly entertaining essays about life, love, and lessons learned as an actress in Hollywood, from the beloved star of Gilmore Girls and New York Times bestselling author of Talking as Fast as I Can. With her signature sense of humor and down-to-earth storytelling, Lauren Graham opens up about her years working in the entertainment business--from the sublime to the ridiculous--and shares personal stories about everything from family and friendship to the challenges of aging gracefully in Hollywood. In "RIP Barneys New York," she writes about an early job as a salesperson at the legendary department store--and the time she inadvertently shoplifted; in "Ne Oublie" she warns us about the perils ...of coming from an extremely forgetful family; and in "Actor-y Factory" she recounts what a day in the life of an actor looks like (unless you're Brad Pitt). Filled with surprising anecdotes, sage advice, and laugh-out-loud observations, Graham's latest collection of all-new, original essays showcases the winning charm and wit that she's known for"--

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Subjects
Genres
Autobiographies
Published
New York : Ballantine Books [2022]
Language
English
Main Author
Lauren Graham, 1967- (author)
Edition
First edition
Physical Description
xiv, 186 pages ; 21 cm
ISBN
9780593355428
  • Introduction
  • 1. Ne Oublie
  • 2. Boobs of the '90s
  • 3. Ryan Gosling Cannot Confirm
  • 4. R.I.P. Barneys New York
  • 5. But I've Played One on TV
  • 6. Old Lady Jackson Takes You to Dinner at 5 P.M.
  • 7. Actor-y Factory
  • 8. Health Camps I Have Hated (Yet in Most Cases Returned To)
  • 9. Forever 32
  • 10. Squirrel Signs
  • 11. Red Hat, Blue Hat
  • 12. I Feel Bad About Nora Ephron's Neck
  • 13. Marmalade
  • 14. Mochi
  • 15. New York Is a Person
  • Acknowledgments
Review by Booklist Review

Graham is back and once again seems to be talking as fast as she can in her latest book of essays. Her breezy, stream-of-consciousness style allows her to tell stories as if she's talking to a friend, and for fans of the actress, it probably feels that way. Whether she's making Daniel Craig laugh backstage at the Golden Globes, planning a podcast with her bestie and Parenthood costar Mae Whitman, or reminiscing about the time she accidentally stole a sweater from Barney's, Graham keeps a self-deprecating but not overly modest tone, poking fun at the things in her life that deserve poking fun at, and treating serious topics with both humor and pathos. A must-read for Graham fans interested in what she's been up to since Talking as Fast as I Can (2016), and a good pick for anyone who likes behind-the-scenes Hollywood stories. Recommended for those who enjoyed Sharon Gless' Apparently There Were Complaints (2021) or Carrie Fisher's memoirs.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

Beloved Gilmore Girls actress Graham (Talking as Fast as I Can; In Conclusion, Don't Worry About It) returns to the publishing world with another fun collection of humorous essays chronicling her career, wellness camps, puppies, aging, and more. This collection is narrated by the actress herself, who is known for her fast-talking humor, candor, and comical view of the world. Filled with anecdotes, directing advice, shoplifting stories, eyebrow woes, and more, this isn't the average celebrity memoir, although there is some fun name-dropping and Hollywood stories. Readers are in for a treat with Graham's comedic timing, jovial voice, and candid "we could be friends" attitude. Graham's lively, warm narration makes this effervescent essay collection shine. VERDICT A lighthearted look behind the curtain into the life and mind of one of today's most down-to-earth celebrities. Highly recommended; share with fans of smart and funny celebrity memoirs such as Amy Schumer's The Girl with the Lower Back Tattoo or Mindy Kaling's Is Everyone Hanging Out Without Me? (And Other Concerns).--Erin Cataldi

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

The lovable actor returns with another lively set of personal essays. Best known for her role as Lorelai Gilmore on Gilmore Girls, Graham writes with humor, authenticity, and humility. She gracefully tackles topics ranging from her first car in Los Angeles--a rusty, "1991 lime-green Honda Civic" with "a spot on the driver's side where you could see through to the ground below"--to the nuances of talking about emotionally difficult subjects, like growing up without her mother present. Graham, the author of a novel and two previous essay collections, presents a charming and candid depiction of life as a celebrity that reminds us they are, in fact, just like us, with their own struggles, triumphs, and insecurities. Recounting one interview with a magazine journalist, she writes, "I talked about the years I spent studying acting, what it was like to leave New York, my hopes and dreams for the show. At the end, I asked her if she had gotten what she needed and she said she had, but she also seemed a little disappointed. 'I guess--I thought you'd be funnier,' she said." Graham doesn't shy away from seemingly taboo topics, including aging in Hollywood, which she discusses with her characteristic humor and warmth: "This change sneaks up on you, and like any sneak, it gives you a bit of a scare." When discussing her early attempts to land an acting gig and her job as a Barney's sales clerk, where she occasionally saw famous people, she is equally charming. "These…sightings," she writes, "taught me that famous people are always much tinier and even more depressingly beautiful in person, and it seemed impossible that I'd ever go from demonstrating a family card game or recommending an appropriate level of workplace blouse sheerness to becoming one of them." Graham's own celebrity status feels incidental in a collection that can stand on its own wit. Fun, candid tales of Hollywood make for entertaining reading. (n/a) (n/a) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Ne Oublie I'm certain I graduated from college, but I haven't seen my diploma in over twenty years. I can't find the parking ticket I got yesterday. It's probably sitting in the same drawer alongside the one I can't find from last week. At age 14, I remember holding my social security card for approximately five minutes before I misplaced it and never saw it again. Last week, I found a watch I thought I'd lost months ago inside of a shoe. Perhaps that's why I'm pretty good at memorizing lines of dialogue and people's phone numbers--I can't be counted on to save the paper I wrote them on, and even if I put the info into my phone, it might take me a while to remember where I left it. I lose my phone, my wallet, and my keys multiple times a day. Sometimes, I'll go into the kitchen to find that book I've been reading and two hours later I have organized the silverware drawer but have zero recollection of what I came into the kitchen for. "One fish goes this way, the other fish goes that way," is how a friend once described these absentminded tendencies. I am a Pisces, after all. Possibly, I got it from my dad. Growing up, I didn't own a set of house keys. He probably lost his own set too many times before he gave up and decided it was easier just to leave the front door open (please don't break into my dad's house). As a teen, I was taught to leave car keys in the ignition, because how else was anyone supposed to find them? (Please don't steal my dad's car.) To this day, my father is well known for driving away with a coffee mug still on the roof of his car, and even though everyone in the family has bought him countless pairs of nicer sunglasses, the only ones he seems unable to lose are the neon-green mirrored ones intended for road biking. But what my dad has lost in sets of keys, he's made up for with his ability to paint vivid pictures of the past. As a keeper of the objects and details of the present, his record may be spotty, but as a minder of memories, he excels. My father is an excellent storyteller with a tight repertoire. If his stories were songs, he wouldn't have a ton of deep cuts, but he could fill an entire album of Greatest Hits. As a kid, I lived for the rotation of stories from his own childhood: the time he got separated from his mom in the grocery store and a neighbor found him and brought him home; the day his family became the first on the block to own a television; racing on the beaches of Long Island with his collie, King. Then there was an entire spinoff series about Dad and his childhood friend Georgie. Dad and Georgie taking the train to Coney Island to ride the Ferris wheel; Dad and Georgie dressing in trench coats and fedoras for their secret club in which they pretended to be Al Capone's henchmen; Dad and Georgie going to the soda shop, where they'd sit at the counter after football practice and order an egg cream or a "suicide" (an ice cream sundae involving a scoop of every available flavor). As I got older, the stories matured as well. There was the one about his senior prom date, Angela, who'd fallen asleep under the sunlamp that day and came to the door beet red and puffy from crying, my father reassuring her he couldn't tell at all (he could tell). And the day he met my mom as she was moving into his same apartment building, and she asked if he wouldn't mind letting her make a call because her phone hadn't been hooked up yet. The year he spent after college in Vietnam working for the Agency for International Development, where the local kids would sometimes crawl under a cafe table where he was having lunch and pull at his leg hair, fascinated because they'd never seen such a thing. One of my favorites, one I'd heard over and over since I was little, was about the day I was born. What kid isn't fascinated by their own origin story? My mom was in labor all through the night, it began. In those days, the dads sat in the waiting room and smoked cigars through the whole thing, Mad Men-style, so it wasn't until right after I was born that my dad visited my mom in her hospital room and saw me for the very first time through the glass of that weird baby holding area you've probably seen in old movies. After a nurse pointed out which blob was his, my proud dad headed out to get my mom something to eat. Outside, the sun was just coming up, and maybe because it was so early, there were hardly any cars in the parking lot yet. My dad got into his brand-new red VW Beetle, and somehow, even though he was driving very slowly, and even though there was plenty of space to navigate around it, plowed directly into a lamppost. As a kid, I found this hilarious. As an adult, it occurred to me this was a story of a very young, new dad, who was probably deeply freaked out. But I still found it funny and sweet, and marveled that a half-hour search for his car keys was not also part of the plot. But I could never have predicted how the story of the day of the lamppost would impact my future. Last year, my friend Jane Levy gave me a reading with an astrologer named Kitty Hatcher as a Zoey's Extraordinary Playlist Season One wrap gift. Jane is one of those people who knows who all the best people for everything are. We all need a friend like this. If you're looking for a therapist, a landscaper, a facialist, just ask Jane. I'd never had my chart done before, but because the person was recommended by Jane, I knew she'd be excellent. Obviously, because it involved keeping track of a piece of paper, no one in my family had seen my birth certificate for decades, and I was worried about not being able to tell Kitty Hatcher the exact time I was born, which I knew was an important detail when getting your astrological chart done. But "the sun was just coming up," as my dad had told me a thousand times, and when I told Kitty that, she said it was good enough for her. Dawn is dawn, even in Honolulu, Hawaii, where I was born. Kitty Hatcher said she'd just do my chart using an estimate of between 5 and 6 a.m., and that would be accurate enough. When Kitty called me with the results of my reading, I could tell she was excited. She kept saying she'd seen things in my chart that were very rare. She said that in the new year, I'd be given a major position of power. She envisioned me working as a film director, or even running my own television show. She even said I'd been some sort of powerful warrior in a past life. She told me I'd always had some psychic abilities, but that soon I'd be feeling them stronger than ever before, and these abilities were going to help me achieve new levels of success. She told me that the next two years were going to be some of my best, that there were promising planetary convergences in my chart that only happened once in a lifetime, if at all. The fact that all this good fortune had to do with my third house of Taurus being in the fourth sun of Saturn or whatever pretty much went over my head, but the headlines were undeniably fantastic. I was excited about my now dazzling future and bragged about it to whomever would listen. "I thought you didn't believe in astrology," one of my friends said. I told her that, duh, I believed in it now because how could you not when the predictions were so fantastic? It's the same way I "don't believe" in awards unless I'm getting one, and I "don't believe" in reading reviews unless someone tells me they're glowing. And anyway, even if astrology isn't valid, two years from now I'll likely have forgotten that anyone told me I was supposed to be having the best two years of my life because they will just be the two years I've been living in. In fact, I've found that one of the most fun things about getting any kind of reading of the future is that it's usually only deeply important for the one day. I've been to a few psychics over the years, and I couldn't tell you one thing they said to me. Good or bad, it goes right out of my head. I'm sure the details would have stuck with me if I'd written more of them down, but even if I had, I'd probably have lost whatever I'd written them on. A few weeks after I'd been told that--according to the stars--I was headed for greatness, my stepmother called. She and my dad were moving from their large house in the suburbs to a town house closer to my sister Maggie and her family. "I found a bunch of old notebooks of yours in the attic," she said. "Do you think there's anything in there you might want?" I almost told her to just throw the pile away, since I hadn't used a pile of notebooks for anything since undergrad, and it was doubtful I'd find anything illuminating in the notes I'd taken for my Victorian literature class, but I asked her to send them anyway. I forgot about our call until a week or so later when a medium-sized box arrived. In it were some of my notebooks from acting class containing deep thoughts about what my various characters ate for breakfast (Note to actors: this kind of research has never helped me. But in case you're curious, always oatmeal.); some photos of me in bad '90s jeans (so starchy, so puffy, why did you guys bring those back?); and a curious cardboard folder with a black-and-white printed drawing of a regal-looking woman. On the cover below her picture in an ornate font read the words: "Certificate of Birth." Jackpot! Better than a notebook full of oatmeal for sure. Excerpted from Have I Told You This Already?: Stories I Don't Want to Forget to Remember by Lauren Graham All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.