The censor's notebook A novel

Liliana Corobca

Book - 2022

"A fascinating narrative of life in communist Romania, and a thought-provoking meditation on the nature of literature and censorship. The Censor's Notebook opens with an exchange of letters between "Liliana Corobca" and Emilia Codrescu, long the female chief of the Secret Documents Office in Romania's feared State Directorate of Media and Printing-the government branch responsible for Censorship. Codrescu had been responsible for the burning and shredding of the censors' notebooks, viewed as State secrets but prior to fleeing the country in 1974 she had stolen one such notebook. Now, forty years later, she makes the notebook available to Liliana for the newly instituted Museum of Communism. The work of a censor...-a job about which it is forbidden to talk-is revealed in this notebook, which discloses not only the structures of the institution of censorship but also the life behind the scenes for one of those deciding the fate of books, with their distress, outrage, humor and guilt. It's just five months in the life of censor Filofteia Moldovean, but they are so tightly packed with events that they give a sense of this mysterious institution as a world unto itself"--

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Subjects
Genres
Historical fiction
Novels
Fiction
Published
New York : Seven Stories Press [2022]
Language
English
Romanian
Main Author
Liliana Corobca (author)
Other Authors
Monica Cure (translator)
Physical Description
1 volume ; 21 cm
ISBN
9781644211502
9781838415938
Contents unavailable.
Review by Publisher's Weekly Review

Corobca frames her hilarious and poignant English-language debut as a series of letters regarding a notebook kept over the course of five months in 1974 by a Romanian bureaucrat. A fictional Liliana Corobca specializes in censorship at the Museum of Communism, where she acquires Filoftiea Moldovean's notebook from Emilia Codrescu, another official who saved it from destruction, thus providing insights into what a censor thought of their work. What follows in Filoftiea's pages is a chronicle of acerbic, witty opinions of the literature she suppresses, not merely commenting on its subversive qualities but the politics of literature: its aesthetics, production, and relationship to readers. "Some book editors," Filoftiea writes, "are also envious authors and they block their fellow writers, but blame ." In another entry, Filoftiea carps, "not one person's capable of creating an essential book anymore. A book that's necessary." In the hands of a lesser writer, a book composed mostly of complaints by a thoroughly indoctrinated bureaucrat against government-sanctioned samizdat might get old quickly--not so here. Filoftiea's railings are as funny as they are complex, a character study of personal and political repression brimming with sharp observations that say as much about the intellectual mechanics of an authoritarian state as they do the ways readers and texts work upon one another. Even a censor would have to agree this makes for essential reading. (Oct.)

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