Divine blue light (for John Coltrane)

Will Alexander

Book - 2022

"Divine Blue Light is anchored by three major works: the opening 'Condoned to Disappearance,' a meditation on the heteronymic exploits of Portuguese modernist Fernando Pessoa (1888-1935), the closing 'Imprecation as Mirage,' a poem channeling an apparently real Indonesian man, Taroon Kampoor, whose name spontaneously appeared in the poet's mind, and the title poem, an anthemic ode to the deconstructive maximalism of jazz saxophonist John Coltrane (1926-1967). Other key pieces include 'Accessing Gertrude Bell,' a critique of its titular subject (1868-1926), one of the architects of British Middle East policy and designers of the modern state of Iraq, 'Deficits: Chaïm Soutine & Joan Miró,...9; in homage to two Jewish artists forced to flee the Nazi Invasion of France, and 'According to Stellar Scale,' a compact lyric brought to and read in orbital space by astronaut Sian Proctor on the 2021 Inspiration4 mission. A kinetic explosion of language that emanates from the intersection between surrealism and afro-futurism, where Césaire meets Sun Ra, Divine Blue Light further affirms Alexander's status as one of the most unique and important voices in contemporary poetry, as well as highlighting his connection to his Pocket Poet predecessors and inspirations, Philip Lamantia and Bob Kaufman"--

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Subjects
Genres
Poetry
Published
San Francisco : City Lights Books [2022]
Language
English
Main Author
Will Alexander (author)
Physical Description
xiii, 93 pages ; 16 cm
ISBN
9780872868700
  • Preface
  • Condoned to Disappearance
  • Gargantuan Origination: Inscription for the Collages of Dean Smith
  • A Blaze of Riddles
  • Ravenous Spectral Pores
  • Oneiric Liminal Memo
  • In a Pitch Dark Sailing House
  • Re-Extolling Barbarism
  • Neo-Rulership
  • A Series of Sub-Particulates
  • Anterior Cartography
  • Anterior Speculation
  • Phantom Inter-Dimensional Activity
  • Transitional Sub-Weavings
  • The Raven as Incantatory Nuclei
  • Peripheral Terminology
  • Fragment: Blaze as Unknowable Drift
  • Original Language
  • Borderless Hyporactic
  • Divine Blue Light: Sudden Ungraspable Nomadics
  • Human Presence That Lingers as Disrorted Molecule
  • According to Stellar Scale
  • Nervous Incompatable Dictation
  • Accessing Gertrude Bell
  • Sans Phantom Neurotic Yield
  • Grammars from Other Suns
  • Mantric Blizzard as Space
  • Darkened Solar Implication
  • Language: Replete with Transformative Monsters
  • The Mind as Quantum Quintessence
  • Ghostly Bonding by Kinetic
  • Nervous Electrical Compounding
  • Deficits: Chaïm Soutine & Joan Miró
  • Under Corporate Worship
  • Hierarchy as Oblivion
  • The Death Support System
  • Inner Palpability
  • The Alchemical Androgyne
  • Hierarchical Lightning
  • Quaking Interior Haven
  • Pluperfect Aural Fatigue
  • On Philosophical Audition
  • Living Detritus
  • On Stellar Origination
  • On Eroded Solar Masses
  • Imprecation as Mirage: Taroon Kampoor in Belgium
Review by Publisher's Weekly Review

Drawing from the arts and sciences, the ambitious latest from Alexander (after Refractive Africa) operates with a cosmic energy. Adopting a surrealist approach to making sense of the universe, Alexander plumbs language for its limits, often with dazzling results. The first poem is an artistic homage to fellow surrealist poet Fernando Pessoa, whose practice of using heteronyms intrigues Alexander as a way to transcend the singular and static self: "to you Fernando all tenets interacted & kinetics remained oceanic/ because at present you survive the particle that was yourself." Indeed, Alexander's interest in the plural self, unmoored in time, permeates these poems: "I am both sans & simultaneous/ concerning billions & billions/ of curious antecedents." He also writes of jazz luminary John Coltrane, honoring the musician with the title poem, while depicting the animating power of the musical genius in terms that might also describe the origins of the universe: "I am thinking of your sound alive as chronic pre-character/ as limitless pre-clusters & fragments." Pondering the mysteries of existence and artistic influence, this engrossing work turns the quest for self-knowledge into a choral act. (Nov.)

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