The British surrealists

Following up on his Lives of the Surrealists (2018), famed surrealist (and zoologist) Desmond Morris (b. 1928) offers an entertaining and eye-opening work highlighting the British surrealists. Including both the famous and those nearly forgotten by time, the 34 artists featured include true surrealists, those who exhibited with the surrealists, and artists who refused to be labeled. Morris looks at all his subjects as individuals, examining how the artists' background influenced their art and revealing more about the lives they led and the people they were. This insight gives the reader a better understanding of how each artist thought and why each rejected the traditional art world. Morris's approach is almost chatty--as if he is a friend talking about mutual friends. The volume abounds with stories and anecdotes, sometimes leaving readers feeling as if they have been privy to gossip or insider knowledge. Although art historians may find it too lacking in depth for academic purposes, the book is an easy, fun, and refreshing read for nonspecialists. Summing Up: Recommended. Lower- and upper-division undergraduates; general readers. --April Sheppard, Arkansas State University

Contending that Surrealists "dislike having their work analysed," painter Morris (The Artistic Ape) presents instead a delightful series of chatty "pen portraits" that highlights the lives of 34 prominent British artists working "in the period between the two great wars." Through effervescent biographical sketches, personal anecdotes, and reproductions of their work, Morris, a notable Surrealist in his own right, reveals how each artist's background and personality influenced their rejection of "the strict rules of the established art world" and pursuit of Surrealism as a way of life. Surrealist outlier John Tunnard (who detested the "bitchy in-fighting" of the St Ives's school's artistic scene), for example, expressed his "out-and-out" embrace of the movement through his "bizarre costumes" and theatrics. Eileen Agar, meanwhile, spent her days "revolt against convention" via such antics as "making love standing up in a hammock." The influence of wartime is also felt: Francis Bacon incorporated images of the "tormented flesh" he witnessed in the London blitz into his paintings, while Edward Wadsworth hoarded his wartime egg rations for his preferred egg tempera technique. Throughout, Morris's irreverent tone is balanced by serious and insightful details, making each profile feel at once indulgent and informative. Bringing his own knowledge to bear on his fascinating subjects, Morris offers a sweeping survey that's surprisingly intimate. (June)