If you read this

Kereen Getten

Book - 2022

"When Brie was younger, her mama used to surprise her with treasure hunts around their island town. After she died three years ago, these became Brie's favorite memories. Now, on her twelfth birthday, her mama has another surprise: a series of letters leading Brie on one last treasure hunt. The first letter guides Brie to a special place. The next urges her to unlock a secret. And the last letter will change life as she knows it"--Provided by publisher.

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Subjects
Genres
Bildungsromans
Published
New York : Delacorte Press [2022]
Language
English
Main Author
Kereen Getten (author)
Edition
First edition
Physical Description
168 pages ; 22 cm
ISBN
9780593174005
Contents unavailable.
Review by Publisher's Weekly Review

In this lively Jamaica-set adventure, Getten (When Life Gives You Mangos) sensitively depicts one family's struggles with grief and healing. Before her mother's death from cancer three years back, Brie used to celebrate every birthday with a customary breakfast--which she chose from a list of items that included plantains, ackee and saltfish, and porridge--and island-traipsing treasure hunts assembled by her mother. Her grandmother continued the breakfast tradition, and the excursions stopped, but on her 12th birthday, Brie's father gives her a box of letters written by her mother before her death. The first note urges Brie and Papa, with whom she has a strained relationship, to visit Brim's island, where Brie's maternal grandfather lived. But Brie's hopes of mending their relationship wither when Papa chooses to work instead of accompanying her. Heartbroken but determined to honor her mother, Brie continues her adventure, yet she longs for the way things were when her mother was alive. In this tightly plotted love letter to Jamaica, Getten tenderly emphasizes treasuring loved ones while they're still around and carrying memories after they're gone. Ages 8--12. Agent: Alice Sutherland-Hawes, ASH Literary. (Aug.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 3--7--Set in Jamaica, Getten's second novel begins when Brie wakes up on her 12th birthday, her third one since her mother died, ready for a party with all of her loved ones except for her father. Brie just wants to be a normal kid with a new phone; she also craves the attention of her father who is always working. Her big gift turns out to be a box of letters her mother wrote to her before she passed. Brie's mother had a playful spirit, and it carries over into the messages she leaves for Brie--as does her sense that Brie and her father would need a way to repair their bond. Brie and her friends take off on a quest to find the key to a door that will ultimately give her a sense of peace, physically and spiritually. Readers will enjoy all of Getten's characters, several of whom add levity to the hefty subject matter of a parent's death. The strength of the story is in the vibrant community that rises up to support Brie when she acts rashly, knowing ultimately that she is a child mourning her mother and family. Readers who enjoyed Getten's first novel, When Life Gives You Mangos and Suzanne LaFleur's Eight Keys will love this as well. VERDICT A sweet middle grade story where a father and daughter are brought together with the help of their loved ones to figure out their new normal. Recommended for young fiction collections.--Kim Gardner

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Review by Horn Book Review

Before her death three years earlier, Brie's mother had planned a surprise twelfth-birthday adventure for Brie and her father at Brim's Island, Brie's grandfather's house "built into the rocks above the sea, and the hidden caves underneath." Brie and her parents used to spend summers at the house on the Jamaican coast, north of their own home. Brie is thrilled at the thought of the trip but disappointed to learn that her father can't go with her. "I should be used to this now. This isn't new; this is all the time. Papa is rarely around: work is always more important than me." While it's not the same, her aunt and uncle agree to bring Brie and her friends up the coast. Following clues in a letter from Mama, Brie learns that there's a special place in Brim's Island -- a spot that was Mama's secret and that can be hers, too, if she can find it. Mama's letter says Brie's grandfather has the key, but Brim, who's been suffering from memory problems, is in a nursing home and Brie isn't sure he'll "remember my name, never mind knowing where the key to the room is." Getten's (When Life Gives You Mangoes, rev. 1/21) descriptions give readers an authentic feel for the setting, as well as for one girl's experiences of grief and sadness and need for connection. Nicholl Denice Montgomery September/October 2022 p.82(c) Copyright 2022. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

On her 12th birthday, Brie receives a surprise gift from her deceased mother. Brie's mother was full of adventure. She had the loudest laugh. She sang too loudly even when she didn't know the words. She would take Brie on adventures that lasted all day. When cancer took away her energy, her health, and ultimately her life, Brie realized that she would gladly endure the embarrassments of her exuberant mother just to have her back. In the three years since her mother's passing, Brie's Nana has kept the birthday breakfast tradition her Mama started. But on her 12th birthday, something is different. A gift her Mama left her for this birthday contains letters that lead her on an adventure across her Jamaican town to find something that will bring her joy for years to come. Struggling with her father's constant absence and lack of attention, Brie makes do with help from best friends, her Nana, and her aunt and uncle as she solves the puzzle. After many emotional and strategic ups and downs, Brie learns more about her Mama and her Papa and gains a gift that will help her learn more about herself. This delightful coming-of-age story details a transformative experience, pairing vivid characters with an evocative setting and bringing readers on an unforgettable journey. Humorous and touching in its drama and relationships, this story will hold readers' attention and make them care. Dazzling. (Realistic fiction. 8-12) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One The night before my birthday, Mama would always slip a note under my door. It would read: Dear Ms. Brie, Thank you for staying at the Wonderland Hotel. We want to give you the experience of a lifetime, so to begin, please check your choices for breakfast in the morning: -- CEREAL -- PORRIDGE -- MANGO -- BANANA -- PINEAPPLE -- ALL THREE -- EGG -- SCRAMBLED -- FRIED -- OMELET -- ALL THREE -- BACON -- SAUSAGE -- PLANTAIN -- ACKEE & SALTFISH -- TEA -- HOT CHOCOLATE -- MILO -- ORANGE JUICE -- WATER After Mama died, and after I could think about her again without crying, I started slipping Mama's menu under Nana's door the night before my birthday, just like Mama used to slip the menu under mine. Every year, I listen for her to go to bed, and giggle under my pillow when she finds it. "What is this? This girl really takes me for a hotel." But every morning for the last three years, I've woken to the smell of breakfast, and all the foods on my list. That was Nana. Always making a fuss when I asked her for something but doing it anyway. This morning, though, I don't smell the food I asked for. So I jump out of bed to see if Nana got my note last night. The frilly dress she buys every year hangs on the back of the door. I ignore it and throw on one of my nicer tops and a pair of black shorts instead. When I come out of my room, I can hear voices and the faint sound of music. I enter the living room from the hallway and peer to the left into the small kitchen at the back of the house. The walls are bright green, painted over from when Mama woke one day and painted the entire kitchen because she saw it in a dream. She and Papa argued that day. He said no one painted their kitchen pink, and it made his head hurt. Mama said, "Then we will be the first, and your head will get used to it." From the living room, I can see Nana bustling around with her back to me. She's wearing a long pink dress that is supposed to match my frilly one. Hers makes her look like an overgrown doll, but for some reason Nana likes to find us matching clothes for special occasions. "Nana?" I call, entering the kitchen. I look around, confused. There is no food. The table is empty. Maybe she's finally had enough of my requests. She spins around, surprised. "What are you doing up?" she cries, then peers out the window before returning her gaze to me. Her long white hair sits on her shoulders, styled in the big curls she always wears when she dresses up. Nana has had the same hairstyle since I was born, and before, because I've seen photos of her back in the 1800s and her hair was the same then too. She's tried to put makeup on over her usually bare skin, but Nana isn't very good at makeup and her eyeliner makes her look like a pirate. I frown. "It's what people do in the morning, Nana. They wake up." She looks around, distracted, "Yes . . . yes, they do, but you think you can go back?" I stare at her. "Go back?" She nods, glancing out the window. "Yes, maybe go and change into that dress I left out for you." I point down to what I'm wearing. "Nana, I can't do the six-year-old Sunday-school look anymore." She looks at me, exasperated. "You can't make your Nana happy this one time, Brie? I'm an old woman and I only have one wish." I let out a loud groan, throwing my face to the ceiling. "Nooooo, not the last-wish blackmail." She fidgets with the tray in her hand. "It's just a dress." "It's an embarrassment to dresses. All the other dresses disowned it. Even the shop owner didn't want it in the shop no more." I continue to moan about the dress, but she has already turned away. "Put the dress on, Brie." "The lady who made it threw it away because she regretted making it." "Bridgette . . ." "I bet there's a petition on social media demanding that this dress never be seen by human eyes." "All I ask from you is one thing. . . ." "I'll die. The dress will kill me. I . . . can't . . . breathe. . . ." I pretend to collapse. Aunty Elsa, Papa's sister, appears in the doorway, eyes beaming. "Brie," she says, surprised, then turns to Nana and whispers, "We're ready." Nana heads toward the back door. She looks over her shoulder at me. "Brie, put on the dress. I'm not going to ask you again." I drag my feet back to the room and stare at the frilly pink dress hanging on the back of the door. I sigh and take it off the hanger. At least it's only Nana and Papa seeing me in this dress. It could be worse--the whole town could see me wearing it. "Happy Birthday!" a chorus of voices shouts in unison. I step outside to lots of familiar faces looking back at me. Everyone is here. My two best friends--Smiley and Femi--and their parents; Dion, my neighbor; and Dion's three younger brothers, all wearing the same white shirt, bow tie, and blue jeans because their parents couldn't be bothered to buy them different clothes. Aunty Elsa, Papa's sister, and her boyfriend, Julius. There are more neighbors and people from school who I barely speak to but Nana thinks are my friends because they were on my football team. Our back garden has been transformed with fairy lights and balloons in the trees. A long table covered with a pink and white cloth is filled with food, drinks, and a three-tier cake covered in pink icing. White chairs line the long table, and a separate, smaller table to the left is piled high with presents. But all I can see are people. People now staring back at me in my pink frilly dress. I feel sick. Great. As if my life couldn't get any worse. I edge backward toward the house, but Nana reaches for my arm and links hers with mine. "Nuh-uh. Don't you dare," she says through clenched teeth, forcing me to stay until they finish singing. "Speech!" Julius shouts, and Aunty Elsa elbows him. I close my eyes, hoping that when I open them this will all have been a dream. I hate attention. I can see the expectations as they wait for me to say something nice when all I want to do is run. I clear my throat, wishing I could clear my backyard of all these people, but no. They're still here. "Nana made me wear it," I say, pointing to the dress and the shoes. An awkward silence falls over them, except for a snort from Uncle Julius. Nana turns to the sea of bemused faces. "Everyone take a seat before the food gets cold," she announces. They all sit down at the long table, while I am still rooted to the step. Nana shoots me a look. "What's wrong with you?" I want to tell her that if she hadn't forced me to wear the dress, none of this would have happened. Better still, if she hadn't invited the entire neighborhood, she wouldn't feel so humiliated right now. "Go and sit down and act like you want to be here," she says, before painting on a smile and asking everyone if they need anything. I find a spot between Smiley and Femi and sit down, grateful that at least the table hides most of the outfit. The table is buzzing with chatter as the sun rises higher behind us. Jackfruit, the local tourist guide, is playing music from five hundred years ago, and Nana is hobbling around the table with her bad hip, asking everyone if they need anything. "Cool speech, Brie," Dion says from across the table. My face gets hot, and I nearly choke on my pineapple. It's not that Dion and I have never talked--we used to talk all the time. Mama would take him to nursery with me when we were small, but then we got older, and he became cool and popular and I didn't. He got new friends and we grew apart. We're so different now. I cringe when I think about the days I used to make him dress up as a doll and play make-believe. Smiley nudges me under the table. "Don't ignore him," she hisses behind her hand. "Say something back." I purse my lips at her before switching to a smile when I realize Dion is looking. "Thank you for not coming," I blurt out. Smiley and Femi snort with laughter on either side of me. As the table empties, Aunty Elsa approaches me from behind. "You ready for your presents?" This is my favorite part of my birthday. Not because I expect big, expensive things--we don't have enough money for that. This is when I get to see if Nana and Papa have picked up on any of my hints in the past six months. It also means I don't have to stand in front of everyone again in this dress. What I really want is a better phone so I won't get laughed at anymore at school or want to hide it in my pocket when someone calls me. I only got a phone three years ago because Nana wanted a way to contact me if she was going to be late picking me up from school. I wrap my arms around myself and follow her over to a smaller table. "Where's Papa?" I ask, suddenly realizing he is not in the crowd. "He had to rush into work," Aunty Elsa tells me, "but he'll be back soon." My heart sinks, and I try to hide how disappointed I am that he can't even be here for my birthday. I should be used to this now. This isn't new; this is all the time. If it isn't my birthday, it's the school play or sports day at school. Papa is rarely around: work is always more important than me. I feel Aunty Elsa's arm around my shoulder. "He'll be here," she whispers in my ear. I force a smile and push down the knot in my throat. Swallowing it hurts every time as though it's the first time. I'm embarrassed and hurt that Papa can't take a few hours off for my birthday. Aunty Elsa and Julius could do it; even our neighbors could be here. But not Papa. It's as if spending time with me is the hardest thing for him. I take a deep breath and bite my lip as Nana joins us at the table. She and Aunty Elsa surround me, kissing my face and stroking my hair, neither of them saying a word, but I know what they're telling me--that it's okay. Nana picks up a small box covered with silver wrapping paper and hands it to me. "Right, this one first," she says. She beams at me the way Nana does when she wants me to do the same, to smile. So I do what she asks: I force a smile that hides my disappointment. "It's from your father," Nana says, "to store things in. He bought it from the wood carver on the beach." I stare inside the box and wonder when he found the time to get this when he barely has time for me. Maybe, just like for Christmas and other people's birthdays, he gives Nana a list so she can buy presents for him. "It's nice," I murmur. "Pick ours next," Julius calls from the table. Aunty Elsa glares at him. "What?" he says, throwing his hands in the air. "She just opened an empty box. Ours will look like gold." He chuckles to himself but stops abruptly when Nana shoots him a look. Nana hands me presents one by one, and the morning moves slowly, like when you're in your last class at school and the clock doesn't seem to move. Nana has a story for every present, or she forces whoever bought the present to stand up and tell everyone why they chose that present and I wish she wouldn't talk so long. I wish she wouldn't make such a big deal over every present. I don't understand why everyone is here. Half these people weren't here for my eleventh birthday or my tenth, so why are they here now? Why this birthday? What's the big deal about being twelve? Her voice swims in and out like a wave and I try to focus. I try to smile, and I try to remember to say thank you for every present I open. But my heart isn't in it because Papa isn't here. I get a hamper basket from Smiley and Femi, filled with all my favorite chocolates and a bag of tamarind balls. A locket with a photo of the family, including Mama, from Uncle Julius and Aunty Elsa. The photo is old. I look about three years old in it and Papa is smiling so I know it's old. I stare at the photo, remembering how things changed so much after Mama died. How one day everything was perfect and then it wasn't. "Thank you, Aunty Elsa and Uncle Julius." Dion's mother gets me perfume. Nana gets me a pair of white trainers. "The lady at the shop says all the kids are wearing them," she says, nodding to the box in my hand. I see movement from the corner of my eye and look up expecting to see Papa, but it's not; it's Uncle Julius getting more food. I return my empty gaze to the shoebox. "Thanks, Nana," I mumble without looking up. I'm hoping this is it and Nana will send everyone home so I can stop pretending. "There's one more," Nana says, and my heart sinks. She looks over to the house, frowning. "Where's your father? He's supposed to be here for this." "I'll call him," Julius says, taking out his phone and walking away from the table. We wait in silence as he calls Papa's phone, Nana with the box in her hand and Aunty Elsa with her arm tightly around my shoulder. We wait in silence, except for Dion's three brothers, who start hitting each other. Julius turns and shakes his head, slipping the phone back in his pocket. "Some emergency at work," he says, giving me a quick, reassuring smile. "He says to carry on but he will be here as soon as he can." The embarrassment of what people must be thinking weighs heavy. I can imagine what they are saying under their breath. Why isn't he here? It's her birthday. I avoid their eyes so I can't see what they are thinking. I twist my fingers to stop myself from feeling. Excerpted from If You Read This by Kereen Getten All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.