The deal goes down

Larry Beinhart

Book - 2022

Hired to kill a rich young woman's sexual predator husband, ex-private eye Tony Casella, heavily in debt, finds this job leading to other lucrative jobs that also lead to problems with an old, angry associate determined to get a cut of his earnings.

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Subjects
Genres
Thrillers (Fiction)
Novels
Published
Brooklyn : Melville House 2022.
Language
English
Main Author
Larry Beinhart (author)
Physical Description
280 pages ; 24 cm
ISBN
9781612199900
Contents unavailable.
Review by Publisher's Weekly Review

From the gripping opening line, "The woman on the train asked me to kill someone," Edgar winner Beinhart never takes his foot off the gas in the outstanding fourth outing for Tony Cassella (after 1991's Foreign Exchange). Now 70 and still devastated by the deaths of his wife and son from years before, former PI Cassella has retired to the Catskills. En route to yet another funeral of an old friend, he's approached in the Amtrak café car by a woman he barely knows, Maddie McMunchun, who casually mentions that she wants her wealthy husband dead and offers Cassella $100,000 to murder him. Casella, whose house is 36 hours away from being foreclosed, surprises himself by agreeing. But when the time comes for the down payment for the hit to be handed off, Maddie shows up with a partner, Liz Carter, an attorney who states that she's backing the killing as part of a new venture. Instead of financing litigation that promises profits for Liz, Maddie is launching a business financing homicides. Filled with thoughtfully developed characters, the plot takes further unexpected but entertaining detours. Fans of darkly funny crime dramas such as Fargo will be hooked. (Aug.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Aging ex-private eye Tony Casella is feeling down. He lives on a dirt road in a remote part of the Catskills with a mortgage he can't pay. His daughter doesn't want anything to do with him. On his way to an old friend's funeral, he is approached by a woman on the train. Her husband has abused her, but divorce would mean she wouldn't get a share of his millions. Inheriting his fortune would be so much better. Tony, on a whim, agrees to help her. The wife has connected with a law firm that plans to offer concierge services--including contract killing--to women at the highest levels of society. This results in a hilarious series of consequences including an accidental murder in the Austrian Alps and a job offer from the FBI. Beinhart (The Librarian) creates an over-the-top story with quirky characters who can't seem to stay on topic. Narrator Paul Heitsch is an excellent fit, expertly using voices from deadpan to Russian oligarch and capturing the outlandish humor in this fast-paced novel. VERDICT Readers may come for the crime but stay for the humor. Beinhart's fans should enjoy this recommended listen.--Joanna M. Burkhardt

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

In his latest appearance, aging ex--private eye Tony Cassella is drawn into a murder-for-hire scheme that puts him in the crosshairs of a thuggish Russian oligarch called God. A man of many guises, the 70-year-old Tony is in a depressed state when he encounters an expensively dressed woman with a dangerous plan on an Amtrak train. He's headed to the funeral of an old friend, his daughter wants nothing to do with him following the death of his wife and son, and his prized home in Woodstock, New York, is about to be foreclosed. The wealthy woman, Maddie, who knows he used to be a detective, offers him $100,000 to kill her abusive and philandering husband. She is backed by Elizabeth, a financier who invests in "good causes." The husband, dosed with LSD, gets what's coming. ("Is it possible to have a satirical hallucination?" asks a chapter heading.) Tony, while being pursued by his former partner for a share of the big payoff, is pressured into traveling to an Austrian resort to rescue an American woman and her young son from the nasty clutches of her billionaire Russian husband, Grigor God Voloshin. Guns get pulled, people get killed, and Tony survives to spin out tough-guy witticisms and random thoughts, dropping cultural references ranging from Nietzsche to The Mickey Mouse Club to The Maltese Falcon. Determinedly offbeat, the book has as one of its characters a well-connected novelist named Larry Beinhart. The riffing can at times be a bit much. But the enjoyment the real Beinhart derives from his spritzing, free-wheeling approach lifts the book, which at its best is a cross between Stanley Elkin and Raymond Chandler. A comic noir with a voice all its own. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

The woman on the train asked me to kill someone. I liked the train. I didn't especially like the woman. It was a real train, an Amtrak, not one of the commuter trains like Metro-North, which are more like buses that happen to be stuck on rails. We both got on at Rhinecliff. The line is called Empire Service. It runs along the east bank of the Hudson River from Albany to New York City. There are about thirteen trains a day, weekdays. Each one has a cafe car. They're the old types with tables that are simple rectangles with badly cushioned bench seats on both sides. You can really sit there and enjoy the ride. The new ones, like they have on the Acela Express, have uncomfortable stools at a counter too skinny for you to even read a newspaper with your coffee, making it clear that what they really want is for you not to be there. Take your sandwich, snack, and whatever you're slurping on, and go back to your seat. These sit four. Comfortably. In this case it was just the two of us. Me facing south, the direction we were headed, and her facing north, the places we were leaving behind. Our table was on the west side, our windows facing the marvelous and great river that looks different every season, every day, every time, no matter how many times you've seen it. Some years ago, I don't remember if it was a dozen or two decades by now, they stopped offering cafe service on the short hauls, the seven that originated or terminated in Albany. The other six include two for Niagara Falls, two for Rutland, Vermont, one for Toronto and one for Montreal. Those still have cafe service in the cafe cars. They're also the most likely to run late, especially the two that cross the border because fear is mud and it makes for a slow slog. We were on the Ethan Allen Express out of Rutland. We'd boarded at about 2:50 in the afternoon and it had left the station right on time at 2:54. I was on my way to a funeral. I headed straight for the cafe car. What was there to do but look out the window, contemplate the river. You think of it as flowing south, water entering it from the mountains on either side, all going down to New York and then to the Atlantic. But actually the ocean pushes back. The whole river will flow north for a hundred and fifty something miles; you can't really see it except in winter if it's cold enough for ice to form and then break up and if you're watching at the right time you see the white slabs moving the wrong way. On my way to a funeral, another old friend gone. Sitting there, moving south, watching the water flow as it did before I came and will do after I'm gone, and the light and the hills, trying to come to terms with the rhythms of life and death. I was happy to find an empty table. She'd gone past me to the service counter. A couple of minutes after we got rolling, she swayed back down the aisle, came to where I sat, and slid in across from me as she was surely entitled to do. She had a cardboard tray with a miniature bottle of Tito's Handmade Vodka, a can of Schweppes Ginger Ale, and a plastic railroad cup with ice. She opened the Tito's, poured it all out into the cup, and then popped the tab on the can and added a measured amount of the Schweppes. She didn't start out asking me to kill someone. She started with a simple, "Hi, Tony, how are you?" We knew each other slightly, vaguely, from running into each other, up and around the Woodstock area, or maybe Saugerties or even Phoenicia or Shandanken. At that point, I couldn't for the life of me remember her name. "Fine, fine," I said. "And yourself?" "I'm grand, just grand," she said in a tone that said all things opposite, miserable, bitter, and disappointed in life. I tried my best to take her at her word and ignore her manner, because I had no desire to know. "Good, good," I mumbled and turned to watch the winds making small waves on the river and the illusion created by the turning of the Earth on which we ride that it's the sun that's moving, to the west and sinking, on its way to hiding below the horizon. She was a reasonably attractive woman, as these things go, and had probably been an almost beautiful one ten or twenty years earlier. What the hell was her name? And where exactly did I know her from? I guessed her to be staring at forty and hoping it wasn't staring back at her. Well dressed. Expensively dressed to the degree that I could judge. The manner with which she raised her glass and put her lips to it was trying very hard to say I'm just sipping at this for the flavor and because it's refreshingly cool. She was good at it, having practiced it a lot I guessed, and it was convincing if you didn't put an odometer on the speed with which it went down, which told another story, that her natural state was a place she wanted to leave behind and the 80 proof was rolling her away from it as surely as the steel wheels on the steel rails below us. She said this and that, I was listening just enough to make polite noises and I don't recall what. If I'd had computer in front of me or even a bunch of paper or a serious looking book, I would have said "Pardon me, I don't mean to be rude, I'd love to chat, but I have to get this done." Instead I just hoped I could keep her nattering at a sufficient psychological distance that it wouldn't build to the point where I blurted out a strident command to shut up. Madelaine, that was her name. Maddie. Right, right, she was going on about a son-of-a-bitch husband who was ruining her, cheating, of course, with secretaries and what not, of course, the nanny, that ex-nanny, two nannies back, maybe the housekeeper even if she had fat thighs, alienating her children from her, Leslie and Sandra. They had a lot of money. Or he had a lot of money. Maybe not by New York City standards, hedge fund billions and such. Certainly, by upstate standards. Maybe millions? This was from vague, passing gossip, about people I barely knew, from people I slightly knew and didn't listen to very much. There was money there and there was little or no money here--meaning with me--and I felt its tug. I don't know when it happened or if it was always that way and I was just blind to it, money has gravitational force. The bigger the mass of it, the closer you get to it, the more it pulls you. Maddie finished that drink and went back for another. I was grateful for the silence when she was gone. Then she was back. She poured again, mixed again, and drank again, faster this time. She said I was looking good, was I going into the city on business. I said no. She said, jacket and tie, fresh shave, being inquisitive, but friendly. "A funeral," I said. "Oh, death," she said. "I'm sorry. Were you close?" None of your fucking business is what I wanted to say. "Close enough" is what I said. It didn't quite shut her up. Of course not. "You're a detective," she said. I twisted my head, half a shake, half a denial. I raised one shoulder, shrugging it off. "You used to be a detective," she said. I made one of those noises. Yes, it was true. I acknowledge it. Don't have any interest in discussing it. She wanted to know if it was exciting. Did I do any famous cases? Did I carry a gun? Did I ever shoot anyone? Things like that. What kind of people did I work for? It was all long ago, and far away, is what I said, in several different ways. Retired now, living on social security and a little of this and a little of that. Maddie said that I didn't look that old. I'm vain enough to want that to be true. I still have hair on my head, I haven't gone to fat, and I'm as fit for my age as I'm likely to be short of being fanatical, medicated, and on a regimen of human growth hormone. We'd passed Croton-Harmon. That was her third drink. On the train. I expect she'd started before she'd boarded. She got the fourth just after Yonkers. We'd be seeing the Palisades across the river soon. The fragments in her mind were mixing and matching without the normal controls and separations of sobriety. "Millions," she said. "The pig has millions. And he is a pig. He's cruel and plotting and vicious and mean. I have bruises. I could show you bruises. Not to mention the emotional abuse. Plus, if Me Too catches up with him. The problem is everyone is scared of him. And his money, of course. I should have a big, big piece of that money. He wouldn't have made it without me. Will I get it? No. I told you some of the things he's manufactured and faked to cut me out. Plus, he will spend on lawyers. Lying, mean, despicable lawyers. "A funeral," she said, in a quick gear shift. "Death. That's what has me thinking this way." Yes, that and alcohol. "Death is the only way out for me," she said, like it was a well thought out conclusion after much study. "Really, I'm ruined. I'll have nothing. Unless he dies. Soon. Now, I guess. Then . . . and I deserve it . . . it's what's right. I want to have him killed." "No, you don't mean that." "Yes, yes, I totally do." "You're asking for trouble." "I would pay," she said. "Look . . ." "Really," she said. "You must know people like that. Right? You must." "Come on, you should maybe have some coffee." "A hundred thousand," she said. "Do you have money like that?" "After," she said. "After he's dead. Easily." "You want someone to do it on spec?" I knew enough literary and movie types to know the difference between working on commission and speculation. "I could . . . I have some . . . I could come up with like ten . . . ten K up front. The rest after." "That's not enough, not nearly enough," I said, trying to shut her down. "I could do twenty," she said. "Twenty thousand. Cash. Untraceable. I could do that." "Really?" "Yes, yes, I can," she said, with what appeared to be utter sincerity and conviction. I was very broke. That's not an excuse. Maybe it's an explanation. Maybe it's not. My home was thirty-six hours from going into foreclosure. Maybe it was one of those moments where you're saying to yourself, I have to do something new and different with my life, though that's not something you expect when you've recently turned seventy, and then something just comes along and presents itself. I'd never done anything like that. Not remotely like that. I said, "Yes." "Yes?" "Yes. I think I can help you." Excerpted from The Deal Goes Down by Larry Beinhart All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.