Review by Booklist Review
In a tale that manages to be scary, suspenseful, exhilarating, and really really gross all at once, a bullied, lonely child and seven fugitives from "Madame Murdosas Home for Wastrels Foundlings & Orphans" ("Madame Murdosa believed that commas and apostrophes were a waste of paint") change one another's lives while battling a coldly relentless orphan hunter. Of the seven young squatters who have slipped into an empty house on Offal Road in the town of Slaughterville, it's his agemate Virginia that Ravani first meets and bonds with when she stoutly defends him from sharklike serial tormenter Donnie. From the get-go she always knows when he's lying, a check that gives him the courage both to shrug off the bully's power over him (after a few false starts), and ultimately to help his new friend and her fellow "Ragabonds" find safe haven after years of flight. Along with showing a sure hand when it comes to exploring serious themes and crafting strong, sympathetic characters, Gemeinhart displays a literally cutting sense of humor here as he sets much of the action around and in the windowless meatpacking plant that is the town's chief industry--and though he doesn't offer extensive details, the setting will test the stomachs of even confirmed carnivores. A rare (yet well done) tale about second chances and being true to both self and friends.
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Slow-boiling danger elevates the stakes of Gemeinhart's (The Remarkable Journey of Coyote Sunrise) imagery-rich novel of transformative friendship. Acute loneliness wakes 12-year-old Ravani Foster the night that the seven Deering children appear in Slaughterville, a town as unchanging as the incessant "hiss-moooTHUD!" emanating from its slaughterhouse. He's the only person to see them arrive, and the newcomers intrigue Ravani, especially outspoken, parasol-twirling Virginia, also 12, who disrupts his routines and stands up to his relentless bullies. But the Deerings have "big secrets": they are Ragabonds, a parentless found family on the run from a ruthless Hunter, and trusting new friends jeopardizes their freedom. Still, the same quiet magic that woke Ravani the first night draws him closer to Virginia, urging them to take the risk--because "sometimes, when two souls leap, they catch each other." A quirky, intimate tone permeates the telling, developed through deliberate-feeling omniscient narration, amusing exclamations ("Holy spit"), and surprising metaphor (words that sound "like the smell of a campfire"). Amid suspenseful scenes and straightforward descriptions of slaughterhouse gore, the story's robust emotional core sees the children forge the story's path as they powerfully change their community through courageous honesty and emotional vulnerability. Characters cue as white. Ages 8--12. Agent: Pam Victorio, D4EO Literary. (Aug.)
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Review by Horn Book Review
In the dead of night, seven children arrive in Slaughterville, a typically sleepy town supported by a single industry -- the local slaughterhouse. Only Ravani, a friendless, bullied boy, witnesses their stealthy arrival. Who are these strangers and why are they so secretive? Guiding readers through this mystery, the omniscient narrator frequently employs direct address to emphasize various plot points and to ruminate on characters and their motivations. As literary strangers often do, this group of children will initiate change, but the question is: for whom? Numerous characters -- from Ravani to the mysterious children, from Ravani's bully to the factory owner -- are disposed (either knowingly or unknowingly) to transform lives. Sly dark humor nods at the slaughterhouse: Ravani lives on Offal Street; the factory owner is Mr. Skinister; and, as the narrator informs us, "Most of the town's visitors were cows and none of them were particularly happy to be there. They were even less happy when they left." Short chapters create a strong trajectory for the plot's arc, while the narrator's calm tone reassures readers that although danger lurks at several points, the conclusion will indeed be gratifying, perhaps even for the cows. Betty Carter November/December 2022 p.84(c) Copyright 2022. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Ravani Foster and the whole town of Slaughterville are changed by the arrival of seven unusual children. Skinny, lonely Ravani is the only one who sees the children arrive and move into the house across the street, and he soon finds a comrade in tough, golden-haired Virginia. Despite the local newspaper owner's assertion that Slaughterville is not the kind of town where exciting things happen, Ravani's life changes dramatically as Virginia and her chosen family of parentless kids calling themselves the Ragabonds let him in on their secret: They are on the run. When vicious bully Donnie learns that the Ragabonds are being pursued, he blackmails Ravani, who is desperate to protect them and equally desperate for Virginia, his first friend, to stay. She introduces him to the quietly revolutionary idea that things don't have to be the way they've always been. The omniscient narrative voice is a strong presence throughout, drawing readers' attention to themes including choices that make a difference, connections between people ("Sometimes, when two souls find each other in the darkness, the darkness goes away"), deciding who you want to be and not letting others define you, and the importance of home and family. Brief chapters from the perspective of the man hunting the Ragabonds ratchet up the suspense, culminating in an exciting sequence of events followed by a heartwarming ending. All main characters are coded White. A story of fierce friendship, bravery, loyalty, and finding--or making--a place to belong. (Fiction. 8-12) Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
