Mademoiselle revolution

Zoe Sivak

Book - 2022

"A powerful, engrossing story of a biracial heiress who flees to Paris when the Haitian Revolution burns across her island home. But as she works her way into the inner circle of Robespierre and his mistress, she learns that not even oceans can stop the flames of revolution. Sylvie de Rosiers, the biracial daughter of a rich planter in 1791 Saint-Domingue, is both a lady born to privilege and a damning reminder of her father's infidelity with an enslaved woman. After a violent slave uprising begins the Haitian Revolution, Sylvie and her brother leave their parents and old lives behind to flee unwittingly into another uprising-austere and radical Paris. Sylvie quickly becomes enamored with the aims of the Revolution, as well as wit...h the revolutionaries themselves-most notably Maximilien Robespierre and his mistress, Cornélie Duplay. As a rising leader and abolitionist, Robespierre sees an opportunity to exploit Sylvie's race and abandonment of her aristocratic roots as an example of his ideals, while the strong-willed Cornélie offers Sylvie guidance in free thought and a safe harbor. Sylvie battles with her past complicity in a slave society and her future within this new world order as she finds herself increasingly tugged between Robespierre's ideology and Cornélie's love. When the Reign of Terror descends, she must decide whether to become an accomplice while another kingdom rises on the bones of innocents...or risk losing her head"--

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Subjects
Genres
Historical fiction
Novels
Published
New York : Berkley [2022]
Language
English
Main Author
Zoe Sivak (author)
Physical Description
pages ; cm
ISBN
9780593336038
Contents unavailable.
Review by Booklist Review

Sylvie Rosiers, biracial teenage daughter of a planter and an enslaved woman, lives contentedly in the racially stratified society of 1791 Saint-Domingue, until violence erupts and she and her half-brother must flee the flames of a slaves' revolt. Sylvie and Gaspard escape to Paris to live with their Aunt Euphemie. There they meet the Duplay family, befriending daughters Elisabeth and Eleonore and their tenant, Maximilien Robespierre. Their new friends introduce Sylvie and Gaspard to a culture that appears more enlightened, less focused on racial differences, but the simmering French Revolution threatens to devour their new home and shatter the illusion of safety that Sylvie craves. As the Rosiers draw near the fringes of power, they must navigate the shifting sands of racism, unexpected romance, tyranny, and the people's trust in authority. Sylvie is sympathetic, mercurial, and flawed, impulsively bolting from conflicts and into danger. Sivak's debut novel is replete with rich details of eighteenth-century life, her characters freely mingling with historical figures and events. Readers will appreciate the tour through French history.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Sivak's resonant debut features a woman trapped between two worlds during the Haitian and French revolutions. Sylvie de Rosiers, 18, has lived with her father's family in the French colony of Saint-Domingue since her enslaved mother died in childbirth. Though her father has accepted her as his only daughter and ensured she was well educated, Sylvie knows she will never be fully accepted in society. Her hopes for marriage to a biracial man are diminished when she flees the island for Paris during the slave revolt that leads to independence. The undercurrent of rebellion resonates throughout France as Sylvie is drawn to Maximilien Robespierre and his quest for equality. As Sylvie discovers acceptance in Max's circle, which includes his mistress, Cornélie Duplay, she and Cornélie explore their mutual attraction in secret. Sylvie becomes immersed in her role as a revolutionary, working with Max's brother, Augustin, for the Robespierres' cause. But as the revolution rages on, no one seems immune from the guillotine, leaving Sylvie to fear for her safety and that of her friends. Sivak expertly depicts Sylvie's growing consciousness of the oppressed and of the revolution's contradictions. Readers will be hooked. Agent: Amy Bishop, Dystal, Goderich, and Bourret. (Aug.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Admittedly this is the first book of Ackerman's that I struggled with. It's not that it wasn't a good book it's more that it just took it's time getting there if that makes sense. It started out really strong, the first couple of chapters were well written and set readers up for an engrossing tale. But then somewhere around the 20% mark it started to lose steam for me. I had a hard time believing that Isabel wanted to go to Hawaii to basically retrace the footsteps of her deceased brother. On the surface it made sense but as we got into the story where she meets Mateo and retracing her brother's favorite spots as a catalyst for their romance just felt weird and off to me. For me it just didn't work and felt a little off. The first half of the book mostly covered Mateo and Isabel going to her brother's favorite spots and Mateo documenting those spots and the whole time I was thinking "Why???? What's the point of this???". And Mateo's devotion to all those spots and memories felt a little weird too. Can't explain it but it just didn't feel fitting some how. I struggled with Lu's parts of the book too. There seemed to be zero connection between Lu and Mateo later on in the book and I just really struggled to get into that part of the story. For some reason this whole book felt very mismatched and strung together but not in a good way. After the 50% mark things eventually picked up and got better (no spoilers!) but by that point I was already feeling disconnected and bored with some of the story. It took too long getting there and getting to the interesting parts for my taste. This was unexpected for me because Ackerman's books have generally been really good. This book started out with her trademark love of Hawaii and it's war time history. I loved that part and I loved the descriptions of the island and it's rugged beauty. But the characters felt lacking for me. While this book didn't excite me as some of Ackerman's other novels, I think it's still worth a read. It's not bad but for me, I felt like her other novels were stronger and I think this one could have been better than it was. Ackerman is still an author that I recommend a lot to readers looking for 'off the beaten path' WWII novels. She is a marvelous writer and I love how she writes and the stories she tells, but in this one I think it could have been better. Admittedly this is the first book of Ackerman's that I struggled with. It's not that it wasn't a good book it's more that it just took it's time getting there if that makes sense. It started out really strong, the first couple of chapters were well written and set readers up for an engrossing tale. But then somewhere around the 20% mark it started to lose steam for me. I had a hard time believing that Isabel wanted to go to Hawaii to basically retrace the footsteps of her deceased brother. On the surface it made sense but as we got into the story where she meets Mateo and retracing her brother's favorite spots as a catalyst for their romance just felt weird and off to me. For me it just didn't work and felt a little off. The first half of the book mostly covered Mateo and Isabel going to her brother's favorite spots and Mateo documenting those spots and the whole time I was thinking "Why???? What's the point of this???". And Mateo's devotion to all those spots and memories felt a little weird too. Can't explain it but it just didn't feel fitting some how. I struggled with Lu's parts of the book too. There seemed to be zero connection between Lu and Mateo later on in the book and I just really struggled to get into that part of the story. For some reason this whole book felt very mismatched and strung together but not in a good way. After the 50% mark things eventually picked up and got better (no spoilers!) but by that point I was already feeling disconnected and bored with some of the story. It took too long getting there and getting to the interesting parts for my taste. This was unexpected for me because Ackerman's books have generally been really good. This book started out with her trademark love of Hawaii and it's war time history. I loved that part and I loved the descriptions of the island and it's rugged beauty. But the characters felt lacking for me. While this book didn't excite me as some of Ackerman's other novels, I think it's still worth a read. It's not bad but for me, I felt like her other novels were stronger and I think this one could have been better than it was. Ackerman is still an author that I recommend a lot to readers looking for 'off the beaten path' WWII novels. She is a marvelous writer and I love how she writes and the stories she tells, but in this one I think it could have been better.

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Review by Kirkus Book Review

A mixed-race young woman attempts to find love, freedom, and her cultural identity amid the revolutionary throes of 18th-century Saint-Domingue (now Haiti) and Paris. Eighteen-year-old Sylvie de Rosiers was born free, though the shadow of her mother's enslavement remains an unshakeable part of her life. Her race bars her from entering certain echelons of aristocratic society, but as the daughter of a White coffee plantation owner, she also enjoys certain luxuries--a life of leisure on her family's large estate and the hope of one day marrying a powerful man who belongs to the mixed-race affranchi class. After the public execution of the rebel Vincent Ogé, however, a slave uprising forces her to question the privileges her upbringing has afforded her. She and her brother, Gaspard, flee to Paris to seek refuge with an aunt, and Sylvie soon befriends Cornélie Duplay, a painter and the mistress of the famous revolutionary leader Maximilien Robespierre. Although Sylvie appreciates new freedoms in France, she still finds herself on the margins of society. The royalists disdain her because of her mixed-race heritage, and the lower-class republicans, the sans-culottes, revile her bourgeois status. Amid Sivak's vividly drawn portrait of the bloody political and civil unrest in Paris during the last years of the Revolution, Sylvie finds her romantic passions in turmoil as well. While her admiration for Robespierre grows, she also finds herself increasingly attracted to Cornélie. As an ascending faction within the National Convention intensifies the call to purge anyone deemed a traitor to the Republic, Sylvie finds her heart increasingly torn between love and duty as she painstakingly comes to terms with the steep costs of both. An incandescent tale of the French Revolution from the perspective of those history often renders invisible. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One If we fall asleep for an instant on the edge of the abyss, we will tremble upon awakening! . . . France will receive a mortal wound, and a multitude of honest citizens will be impoverished and ruined; we will lose everything. -Vincent OgZ, Address on the Abolition of Slavery janvier 1791 By the age of eighteen, Sylvie de Rosiers had mastered fractions. She lounged on the sofa, feet neatly tucked beneath her, maintaining a primness even en repos. Her gown encircled her in a pool of white muslin; the chemise ^ la reine had come into fashion a few years prior, but its airiness made it ubiquitous among the wealthy women's wardrobes on Saint-Domingue. And the thin fabric showed off her legs to their ultimate advantage. But the new house slave disrupted the pleasantness of her morning. She knew the girl was a recent addition to the household staff because Sylvie noticed all fractions, and this servant presented a challenge. On the French colony of Saint-Domingue, fractions were not innocuous numbers separated by a line of dark ink (though she knew those, too). Here, fractions had faces. Mulatto, quadroon, octoroon-these terms divided the blood into halves and quarters and eighths, Black and white and whiter still. Sylvie regarded the newcomer from under her thick fan of lashes. The girl was pretty enough, as many house slaves were, though clearly inexperienced at household tasks. House slaves, as a rule, needed to be attractive; no wealthy family wanted an ugly girl serving tea. Most often, Creoles, those who survived on the island long enough to know the language of the colonists, worked in the house. Bossales, African-born slaves, worked fields. Her father's wife, Madame Catherine de Rosiers, chose maids like she chose rugs: pretty ornaments that served a purpose, but that mustn't distract. Too thin to be truly beautiful, this girl could not match Sylvie's loveliness. The servant had dark skin, though not dark like the coffee Sylvie's father grew. Her tignon, or hair wrap, was a plain handkerchief tied close to her head. Sylvie's tignon, like that of other free mulattas, towered high in a mass of bright colors and intricate folds. Her lady's maid, Alice, wrapped the best tignons of any of the house servants, hence why Sylvie valued her most of all of her father's slaves. A true mulatta? she mused. White fathers normally freed their children according to island custom, but even so, the occasional planter ended up with suspiciously light-skinned slaves generations down the line. But she is too dark. A third, perhaps? She almost shook her head and thought with no little pride, No, she is not as fair as me. Sylvie's face was prettier, paler, and had a better nose. White masters and their wandering hands left more than one slave heavy with child. Sylvie's mother had been one of them. So no matter how many house slaves came and went, she saw her own shameful pedigree in every face. But she never saw divisions when she beheld her own reflection each morning; no marks partitioned blackness on her skin, only the smooth expanse of bronze marred by a dusting of freckles across her nose. Few eligible men on Saint-Domingue had yet to meet Mademoiselle de Rosiers, and fewer still left the introduction without their heads swimming with hazel eyes and twinkling pearls-she was a Venus of Saint-Domingue, Caribbean sea-foam come to life. But she did not have to see those divisions in order to feel them. Thus, her understanding of fractions became more than simple arithmetic and rather a lesson in her very identity. Those lines kept Sylvie, and all other affranchis like her, from the fields their mothers worked and died on. Sylvie decided that the girl was simply a fair-skinned Creole-thus comfortably lesser-and commenced to stir her tea now that the equation had been solved. Les Affiches amZricaines, the only newspaper on Saint-Domingue, lay on the silver tray beside a fashion journal. She ran a disinterested eye over the tiny print. The press always wrote articles advocating for the complete independence of the island from France, especially after the United States managed to do it with its leaders' heads still attached. They made freedom look so messy, with two constitutions and a tacky striped flag. She pushed it aside, favoring the Magasin des modes instead. It took months for new editions to make it to the island, and she absorbed every page for hat trimmings and changing silhouettes. But the new slave disturbed the morning quiet. Her trembling hands made the cups rattle. The china was not built to endure such rough handling, and Sylvie grimaced at the thought of drinking broken porcelain as well as tea. "Do go and fetch a fruit platter," she said. Wide-eyed, the servant scurried out of the room to do her bidding. Finally able to relax, Sylvie settled more deeply into the cushions. She had not even finished with the third page of the journal when Gaspard burst through the breakfast parlor doors, and she spilled tea onto her magazine. Gaspard, her blond, cherubic brother, plopped onto the chaise in indolent splendor. He shrugged a shoulder at her glare-only one, as both would have required too much energy. "I've still got a bloody splitting headache from last night," he moaned, brandishing a personalized silver flask. He dressed in bright, showy fabrics and a sloppily tied cravat. He'd probably locked out his valet to ensure a quiet morning. But it never mattered what he wore; he was the prettiest of the three de Rosiers siblings and reveled in his foppishness. "I was as drunk as Davy's sow. And you're the only person in this blasted house who doesn't make it worse with mindless chatter." "Yes," she crooned with a smirk, dabbing the tea before it smudged the print. "I'm extremely supportive of you becoming a regular brandy-face." He never treated her as less than a full-blooded sister despite their only sharing a father, and she loved him for it. He wrinkled his nose. "I'm no brandy-face, more like a connoisseur of fine spirits." "I just wish you'd drink something less"-she glowered at his flask-"plebeian." He sipped from his favored blend of black tea and rum. Gaspard had discovered the drink, aptly named "gunfire," from a visiting British sea captain the previous year. The only time he had been on a ship was during the crossing from France as a little boy-which he hardly remembered-but he enjoyed the affectations of the foreign sailors. She was not so reckless as to drink gunfire this early in the day, but she would steal a nip or two before dinner. He unscrewed his flask and took another drink, smiling broadly. She tried not to laugh while she poured more tea. "I don't know why you insist on always having tea here," he continued, sneering at the drapes and worn rugs. "The room is in desperate need of a renovation." The salon hadn't been updated since their papa built the estate twenty-odd years prior. Yet, she preferred this room-not for its dated furnishings or size, but rather the windows. They faced north, protecting her from the afternoon sun that threatened to darken her skin. Vanity did not dictate she live in shadows, but her future did. Dark-skinned girls worked in fields; light-skinned girls got husbands. "It's quiet here," she replied. "I don't have to endure Madame's screeching while I pretend to do needlepoint." Gaspard wiped the drops of gunfire at the corners of his mouth. "And I don't have to endure Edmond's morning sermon." She snickered. Of all of their father's children, only Edmond showed any real interest in slaving and coffee. Sylvie's interest in either extended only so far as the comforts she could buy with their profits, and Gaspard had no interest at all. As the eldest and the heir, Edmond felt it his duty to tolerate their father's morning routine of angry muttering, complaining about gout, and reading the newspaper. Gaspard argued his brother simply liked playing the martyr. "Wherever he is"-she stirred a lump of pristine white sugar into her cup and took a sip-"I'm grateful. I hate watching Papa work himself into a fit. The doctor says he must rest, but he insists on reading the paper or writing to his friends in the Assembly. Much good that does." Despite her earlier judgment, she poured a splash of rum into her own tea. "So what was so urgent that you're out of your chambers before noon?" Leaning back, he folded his arms behind his head. "I know something you don't." "I'm surprised"-she glanced at the slave in the corner and at the archway connecting the room to the corridor-"you hear anything with your head so far up your-" He slapped his thighs and popped up from the chaise. "A shame, and I was so eager to share the secret with you. But now you'll have to wait until Father decides to tell." She sniffed and resumed her reading. "A terrible shame." Indulging him only meant he would string her along until he'd confess some absurd rumor that had perhaps a whisper of truth. "Oh," he said, tapping his chin in mock consideration. "I was going to recommend wearing blue next week-he is an indigo planter after all-but since you're disinterested . . ." She dropped the magazine like cold ashes into a pan: he was a rather critical pronoun. "What? Who is?" "No, no." He backed away with his hands raised. "I've overburdened you already." "Gaspard." She crept toward him. "Gaspard." He grinned, knowing and wicked, before giving in. "I think you ought to explore Father's study today before he comes back from town." "Explore? You mean go prying into his affairs?" "Me? Advise you to burgle our father's study? Come now, I comport myself with dignity." "Indeed, if dignity charged you by the hour." His blue eyes glistened with memories unfit for repeating. Sylvie rolled her eyes. "As witty as your remarks are"-he pulled out their grandfather's pocket watch, which had been too "ostentatious" for Edmond's dreary taste-"I declare you only have perhaps a half hour for reconnaissance." She hurried toward the study with singular focus, the feather in her tignon bobbing with each step. Servants carrying clean linens hugged the wall to avoid a collision. Sylvie was grateful that skirts had narrowed quite a bit, or she would have bent a pannier. She approached the mahogany double doors of Papa's study-cut and carved on this very island. Fashion plates and cartoons exaggerate the constraints of stays; she couldn't blame her breathlessness on any undergarment. She slipped inside the familiar room filled with the scent of coffee and paper, past the regularly dusted books lining the walls. Her father and his wife were not particularly well-read, but Sylvie's governess, a similarly situated mulatta like herself but without her extraordinary beauty, had tried in vain to introduce Sylvie to the broader world of reading. You would enjoy Rousseau, she had said with feeling. His Julie captures your very soul with the struggle between our private hopes and morality. Sylvie preferred the copy of Dangerous Liaisons she hid under her mattress. She moved toward the desk at the center of the study, which featured a promising dark box. Curious, and heartily tempted by the gold and mother-of-pearl calling her to the hidden treasure within, she gently opened the small chest. In a bed of ocean-blue velvet sat a double strand of pearls with a matching pair of fat teardrop pearl earrings. They were well maintained, though clearly in the baroque style, with small sapphires joining the two strands at several points. Sylvie had her share of pearls. Her father called her "my pearl," and Saint-Domingue had long been called the Pearl of the Antilles for its wealth and beauty. She considered them her signature, like the Medici women of old. But this set was beyond the delicate elegance littering her vanity-it was the sort of opulence only grand blanc money could buy. Even if they needed to be reset and updated a tad. She reflexively touched her throat, imagining the pleasant weight of them during a dinner party. Anyone would want her with a face like hers and a necklace worth a dowry dangling between her ample breasts. Her skin may not be pearl white, but that hardly mattered when you were dripping in them. She pinched an earring between her fingers, watching the sapphires splash light like the oceans they had crossed to be in her hands. The glint of blue fell across the array of papers beneath the jewelry box. Some of the documents were simple accounts or valuations of coffee shipments, the usual fare of her father's office. But the most striking pages said Articles of Sale, featuring the purchase of fifteen articles-slaves. Half of the world's coffee came from Saint-Domingue, and they lived in the interior, more mountainous region of the island-ideal for coffee growing. Most windows in her house faced the coffee fields and the slaves who worked them. Sylvie knew where their wealth came from-knew where she came from. And yet, pearl in her fist, she scrolled through the list of numbers and receipts of purchase. Fifteen numbers, twelve men and three women, with their ports of origin and insurance claims. Some slaves had notes scribbled in the margins in her father's hand: strong legs, nimble, and superstitious. No doubt referring to vodou, the religious practices she heard Edmond grumble about. The women, however, had different sorts of comments. One said fine figure and another referred to the whiteness of her teeth. But one number, one slave, had an asterisk and comment beside her row in another man's writing saying private use. She only recognized it as not Gaspard's. Did her mother start her own life here on such a document? What notes did Papa write in the margins? Did she have white teeth or a shapely figure? Was she for private use, promised for the house and not for the field? She searched through a gallery of dark faces in her mind-the chambermaids and scullery girls and laundresses. Who had written what in their margins? She threw the pearl back into its chest and closed the lid, eyes trained on that ambiguous asterisk. "You shouldn't be in here." Edmond stood in the doorway, frowning. Twenty-four-year-old Edmond had less of his father's handsome looks but all of his self-importance. And, like always, he was more fastidious in his dress than Gaspard, his cravat tied in a practical knot. But he did not fill his wardrobe with the colors of the tropics or the shimmer of gilt-just the white iciness of sterile cotton. She pushed away from the desk. "How long have you been lurking there? I didn't hear you knock." Excerpted from Mademoiselle Revolution by Zoe Sivak All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.