How to fall out of love madly A novel

Jana Casale

Book - 2022

"Joy and Annie are friends and roommates with decent jobs, crushing student loans, and an extra bedroom in need of an occupant-ideally someone they don't hate. Theo instantly fits the bill, and soon, Joy and Theo are platonically nesting over movie nights and midnight hijinks. When Annie moves out, Joy happily gets to work creating a cozy home for Theo and herself. Then he brings home Celine, a girlfriend he's never mentioned and quite possibly the most perfect woman Joy has ever seen. Joy is soon tying herself in knots trying to maintain her fantasy that she and Theo are meant to be. Annie is worried about Joy, but she has her own troubles. After moving in with her boyfriend, she realizes that she's become an actress co...nstantly performing his approved-of version of herself. Then, when she receives an anonymous letter accusing her brilliant, supportive boss of sexual assault, she is forced to decide who and what she's willing to stand up for. Meanwhile, Celine may look perfect on the outside, but she's wrestling with some inner demons of her own"--

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Subjects
Genres
Romance fiction
Psychological fiction
Published
New York : The Dial Press [2022]
Language
English
Main Author
Jana Casale (author)
Edition
First edition
Physical Description
335 pages ; 22 cm
ISBN
9780593447727
Contents unavailable.
Review by Booklist Review

Best friends Annie and Joy were fooling themselves that they could split the rent two ways on their three-bedroom place. Theo responds to their ad for a roommate, and Joy's heart responds to Theo, instantly and deeply. The triangle at the heart of Casale's second novel, though, trades Theo for his girlfriend, Celine, who shares narrating duties with Joy and Annie. After high-powered Annie moves in with her boyfriend, whom even she, on some level, knows is utterly disappointing, sweetheart Joy finds, well, joy in taking care of Theo like a wife (or a mother?) would, going so far as to wash his dirty underwear even as his relationship grows with the gorgeous and aloof Celine, who is also, surprise, privately struggling with being her exact, excruciating self. As in her intimate and astute debut, The Girl Who Never Read Noam Chomsky (2018), Casale illuminates her protagonists' inner worlds with a nearly alarming authenticity. These cis, straight women know both who they are and how to perform the women men want them to be; they've been on both ends of life's most sensitive questions and know that a kind response and an honest one aren't usually the same thing. Many readers will feel seen. Plot is subtle here, and far from this book's draw. It's the excitingly, exhilaratingly tiny and true movements of these women's hearts and minds that will move How to Fall Out of Love Madly solidly into readers' own.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

Cash-strapped Joy and Annie decide to rent their apartment's extra bedroom to charming, older Theo, and Joy and Theo get kind of snuggly close when Annie then decides to move in with her boyfriend. Soon, however, Theo brings in Celine, the gorgeous girlfriend he's neglected to mention, and jealous Joy fails to recognize Celine's own deep pain. Following the attention-getting debut The Girl Who Never Read Noam Chomsky.

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Review by Kirkus Book Review

Three young women come to terms with the roles of the men in their lives and the sad fact that they put them there. "I can't hear them having sex, but I did hear her say one time, 'There's no way I'm doing that.' And I can't help but wonder what it is she doesn't want to do....And if she won't do it, would I? I don't think so, but when she said that I wanted to scream out and say, 'I'll do it!' " This is Joy, who is hopelessly in love with her roommate Theo, who has an exquisitely beautiful girlfriend named Celine who frequently stays over and...yeah. In an even-more-impressive continuation of the work she began with her debut, The Girl Who Never Read Noam Chomsky (2018), Casale has again taken the detritus of women's inner lives--the things we wished had never happened, the thoughts we wished we'd never had, the endless self-flagellation about our bodies--and made something funny, warm, and compelling; something sisterly in the finest sense of the word. Joy and her roommate, Annie, take Theo as a third housemate to help make ends meet, but then Annie's boyfriend, Jason, invites her to move in with him. This would be more of a win if Annie didn't have to manage every single interaction she has with Jason to avoid irritating him, asking something of him, or frightening him off. In one bitterly funny scene, he lights up the whole house with candles in order to tell her he's not ready to get married but someday he will be. Casale's narrative voice is deadpan, funny, and clean without being faux flat or pretentious. She controls the narrative not seamlessly but with interesting flexes of the storytelling muscle. Sometimes she tells you what's going on from a God's-eye view. "This is where Joy could have spared herself." "Here was where so much came together for Annie." Other times she lets us directly into the women's internal monologues, with first-person sections. The most fascinating of these belongs to Celine, a person who has to live with being so attractive that it's all anyone can ever think about. Casale is an American Sally Rooney, so smart about friendship and love. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Joy Let me tell you something about my stomach. It's big and I hate it. I think about it all the time. I think about the way it looks in shirts and dresses, the way it sits over my jeans and hangs over the edge. When I'm sitting, it juts out in the most hideous way with big folds. There's no flattering way for me to sit with it so I think about ways to not sit, and I think about sucking it in whenever it is that I am sitting. I think about what other people think about it, and what they think of me because of it. I never want to look at it, but I can't stop staring at it in the mirror whenever I get the chance. I would love to tell you that it doesn't define how I think of myself, but those are just words and they're not making me feel what it is I want to feel and what it is that I want to feel is thinner. I cry about it a lot, mostly to myself and sometimes to my mom. She usually tells me I'm crazy and that I should stop obsessing. One time, just once, when I'd called and started in on the same conversation about my weight and how fat I am, she said as I was sobbing, "Jenny Craig, maybe?" And that moment I think about all the time. I'll hear her voice as I wait at a stoplight or even when I pee. "Jenny Craig, maybe?" I know it would kill her to think that even though she's told me I am thin ten thousand times over, the only thing I think about is the one time she said, "Jenny Craig, maybe?" I know it would kill her so I don't tell her; I just think it and wonder what motion there was in her heart the moment she said it and I fear whatever that motion was is not part of me like I want to believe everything about my mom is part of me. And then I feel as vast and big as anything else. Empty is the word for it. So I sit down and suck in my stomach and just keep on going, Jenny Craig, forever. Joy was put on birth control at thirteen years old by her doctor, who was a man. He was old and had been her doctor since she was a baby. When her mother had told him in private that her daughter had very painful, heavy periods, he suggested it, and without question they put her on a small dose of hormones. From the age of thirteen until now, at nearly thirty years old, Joy had not ovulated. At first she immediately felt superior to everyone else in her eighth-grade class. If I wanted to have sex right now I totally could, and I wouldn't get pregnant, she often thought. But the thought such as it was was useless because no one had sex with Joy until she was twenty-four. Besides that, the birth control did help with her cramps, which had been so violent that she'd once thrown up from the pain. Her mom and she had been at the movies seeing Disney's Tarzan, and she'd been trying desperately to keep from having to go home. She even took off her shoes and tucked her feet up under herself trying to find a position comfortable enough to stop the pain. But nothing worked, and she found herself running to the bathroom nearly doubled over. She could vividly remember throwing up completely undigested Sno-Caps to the sound of a little kid's voice outside the bathroom stall saying, "I think someone is throwing up." It was a godsend when the cramps eased up and she didn't have a ton of side effects from the hormones either, as her mother had feared she might. "If you feel bad at all let me know because there are other options that might help just as much," she'd say, but Joy was fine and felt better. But what she didn't know and wouldn't know was that the minute she started the pills her brain's response, besides stopping ovulation, was to change the way it perceived other people's pheromones, and because of this, Joy wasn't attracted to the men to whom she would have been if she'd never gone on the pills to begin with. Instead she found herself attracted to many of the wrong types of men and every relationship she'd pursue would end badly. She dated a guy named Felix and a guy name Cory and then a guy named Guy. Her only real relationship was four and a half months long. His name was Ryder and he thought extremely highly of himself. Joy knew very early on that she wasn't in love with Ryder, and that he was at best an inappropriate choice for her and at worst a damage to her self-esteem, but she didn't let herself acknowledge even one of those thoughts. Instead, she tried desperately to convince herself that she was in love with him, even telling friends, "I think I'm falling in love with him," something she could text and almost believe, but the second she said it out loud, she felt foolish and instantly regretted it. Ryder broke up with her just shy of their five-month anniversary (a date he would likely forget and she would likely make excuses for him for forgetting), because he wanted to "live in a tiny home in Alaska." When he told her this she didn't cry, but when she got home she cried a lot, and it made her wonder what was it that was making her feel this devastated if it wasn't love and the best she could come up with was that it was loneliness and the second best she could come up with was disappointment and the third, rejection. She wouldn't know much more than that; she wouldn't know that even though she'd told herself for ages that she didn't mind being single and that she didn't want children anyway and that turning thirty very soon meant nothing, somewhere it terrified her that at this age she'd never been in love with anyone and that no one loved her, no one at all, and coming off of this state, not too much later, she would meet Theo. Moving in Together Joy and Annie had become roommates even though they were also good friends, a risky decision that in most contexts could be cataclysmic, but as it was they bought a couch split fifty-fifty and although he was Annie's cat, Joy would feed Simon in the mornings and Annie would feed him at night. They rented a three-bedroom in the trendy part of town with the hope that they'd keep the spare bedroom as a guest room. "I've got my friend Sophie from Paris," Annie said, "Maybe she'll invite me stay with her in Paris if she comes here first." "I thought you hated her," Joy said. Annie shrugged. "I don't hate her more than I hate any of my other friends." Joy nodded. "My mom could stay with us too." But not more than three months into the lease, both women became frustrated by their monthly expenses: the landlord had gone up a hundred dollars in rent, the heat was costing them a fortune--in the end they decided the smartest thing for them would be to rent out the third bedroom. They put up an ad on Craigslist that read: Two young women professionals looking for a third roommate. We're neat but not crazy neat. We are respectful, yes, crazy respectful, and we have a cat. "We sound awful," Annie said. "Do we?" "Isn't there a less pithy way of writing this? It's obnoxious." "Should we mention our ages?" Joy said. "Why would we do that?" "So we don't end up living with someone who is too young or too old." "You think an old person is going to move into this shitty-ass apartment with us?" Joy hated the way Annie would rip into the apartment like that. It made Joy feel like Annie was just throwing everything away, or more accurately clearing it away like you would a dirty glass or a fogged windowpane. A blistering transparency of their little home would flash through Joy's thoughts: the matching teacup and teakettle from a flea market they'd bought together, uselessly cheerful. The potted plant garden they'd spent entirely too much time planting. The blinds left half down in the dining room, suddenly with menacing abandon. Joy shook it from her mind. "Well, what about too young? Do we really want to live with a college student?" "You're overthinking this. I think everyone knows 'young professional' is code for early thirties anyway," Annie said. They took a picture of the empty guest room, soon to be the home of a stranger, and posted it alongside the description. Annie was silent for a moment as she reread the post. "Let's make a pact that no matter who moves in here, this is still our home and we're not going to be pushed out by them," she said. "I don't want things to change just because someone new comes in." It may have been unnecessarily fretful or even a little mean, but Joy was happy to hear Annie say it. With all the apartment bashing Annie had done, it was nice to indulge in the idea that it would be them against the world as they chose the dish soap scent and reorganized the refrigerator magnets. "Agreed. We won't let them touch a damn thing," Joy said. And they both laughed at how bitchy and lovely the world could be. Excerpted from How to Fall Out of Love Madly: A Novel by Jana Casale All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.