Alias Emma A novel

Ava Glass, 1974-

Book - 2022

"In this breakneck, race-against-the-clock thriller, a British spy has twelve hours to deliver her asset across London after Russia hacks the city's security cameras. Can she make it without being spotted . . . or killed? Nothing about Emma Makepeace is real. Not even her name. A newly-minted secret agent, Emma's barely graduated from basic training when she gets the call for her first major assignment. Eager to serve her country and prove her worth, she dives in head-first. Emma must covertly travel across one of the world's most watched cities to bring the reluctant-and handsome-son of Russian dissidents into protective custody, so long as the assassins from the Motherland don't find him first. With London's ...famous Ring of Steel hacked by the Russian government, the two must cross the city without being seen by the hundreds of thousands of CCTV cameras that document every inch of the city's streets, alleys, and gutters. Buses, subways, cars, and trains are out of the question. Traveling on foot, and operating without phones or bank cards that could reveal their location or identity, they have twelve hours to make it to safety. This will take all of Emma's skills of disguise and subterfuge. But when Emma's handler goes dark, there's no one left to trust. And just one wrong move will get them both killed"--

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Subjects
Genres
Spy fiction
Thrillers (Fiction)
Detective and mystery fiction
Novels
Published
New York : Bantam Books [2022]
Language
English
Main Author
Ava Glass, 1974- (author)
Edition
First edition
Physical Description
272 pages ; 25 cm
ISBN
9780593496794
Contents unavailable.
Review by Booklist Review

This series launch from the pseudonymous Glass, author of the Harper McClain mysteries (written as Christi Daugherty), is all about speed. British intelligence officer Emma Makepeace lands her first in-the-field case, under the direction of her mentor, Charles Ripley. Her assignment is to bring Michael Primatov, the son of Russian scientists who defected to the West, to safety. Russian agents, in clear violation of post--Cold War protocols, are assassinating defectors living in England, and snatching Primatov appears to be the best way to get to his parents. So begins a race across London that recalls the similarly harried sprints through Paris undertaken by CIA agent Kate Moore in Chris Pavonne's The Paris Diversion (2019). But this one comes with a pulse-accelerating wrinkle: the Russians have hacked Britain's CCTV surveillance system and are able to track Emma and Michael's movements across the city, using the system's near-ubiquitous cameras. The nonstop action is superbly choreographed, including a harrowing trek through the Fleet River, one of 20 streams that flow beneath London. Buttressing the unrelenting pace, there's also plenty of character-building backstory, as we learn why Emma chose to become a spy and how Ripley's grudge match with a Russian superspy connects to Emma's and Primatov's histories. The race to the finish line is more than enough to fuel a great thriller, but this one also gives us a superb, multidimensional protagonist whom readers will be eager to follow anywhere.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In the pseudonymous Glass's superb debut, a series launch, British intelligence agent Emma Makepeace undertakes her first truly important assignment from her boss, Charles Ripley. Spies for the Russian military have been killing former Russian scientists now living in the U.K. Ripley wants Emma to protect Michael Primalov, the son of Russian physicists who spied for England. Michael acquiesces to Emma's help after a close call with two assassins. When Emma phones her boss for help, Ripley is suspiciously unavailable; she and Michael are on the run from the Russians--and maybe someone from within the Secret Service. As they cross London in an effort to reach the safety of MI6, they have to avoid the city's ubiquitous security cameras, electronic surveillance, and roving teams of Russians. Along the way, Glass (the Harper McClain mysteries as Christi Daugherty) smoothly works in Emma's backstory, which includes her selection and training for the Service and the highly personal reasons that made becoming a spy "everything she'd dreamed of." Intense, cinematic action propels this terrific old-fashioned thriller neatly brought up to date. Glass is off to an impressive start. Agent: Madeleine Milburn, Madeleine Milburn Literary. (U.K.).

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Glass (the pseudonym for an already internationally best-selling novelist) introduces Emma Makepeace, a new-era British spy whose quintessentially English alias facilitates blending into London, the most surveilled city in Europe. In the last two weeks, four government-protected Russian scientists were publicly assassinated with the efficiency and audacity of the Russian military spy agency GRU. The message: GRU knows the locations of dissidents in London and can strike with impunity. Unless the Agency intervenes, GRU will attack another set of scientists, planning to kidnap their son, Michael, to draw them out of hiding. Emma must make contact with Michael, convince him to accept protection, and deliver him to Agency headquarters--no easy task. Once on the run, this duo must cross London unseen by the Ring of Steel of CCTV cameras, now in the hands of GRU hackers. For 12 hours, Emma leads Michael through alleys, sewer tunnels, and back channels that don't appear in any guide book. The 12-hour time line propels the narrative. VERDICT Perfect for a single-sitting read, Glass's thriller (the first in a planned series) is an adrenaline-fueled tour of clandestine London. What's next for Emma Makepeace? More, please.--Laura A.B. Cifelli

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Chapter 1 The sun was setting over one of the most expensive streets in the world when the assassins arrived. The CCTV camera on the central London corner recorded long blades of golden light stretched out across limestone walls as two men walked down the exclusive avenue. As if invisible, they passed unnoticed by a nanny pushing a buggy, and a trio of well-exercised women, thin as wraiths, chattering as they ambled to the gym. It was a bright autumn day, but the men kept their heads tilted down so no camera recorded their features as they slipped out of the shadows and approached a six-story building where the last apartment sold went for £14 million. The camera above the door captured one of them standing guard, his face turned away, while the other bent over the handle. After a few seconds, the door opened. In another city there might have been a doorman, or a security guard, but residents in this neighborhood never liked to be observed going about their business. The most prized buildings had long been the kind where you can walk from the front door to your flat without seeing a soul. This was one of those. Bypassing the art deco cage elevator, with its modern security camera, the men climbed the red-carpeted stairs without being challenged. All the way to the top floor. Outside, Knightsbridge went about its elegant business. A scarlet Lamborghini rumbled by with a panther's purr, pausing at a red light. A delivery truck idled behind it, the driver leaning his elbow against the open window, ogling the car's voluptuous lines. The three women reached the corner and waited for the signal to cross. The noise of the traffic passing on the cross street must have hidden the sounds of struggle from the building behind them because no one looked up as a body plummeted from the window of the top-floor apartment. It fell from the sky with strange grace, a white dressing gown fluttering in the air like wings, before it slammed into the top of the idling van, striking it with such force the vehicle rocked on its wheels. The air was split by an agonized screech of bending metal and crushed bone. Later, none of the women could remember how they reacted, but footage from a CCTV camera showed them crying out, reaching instinctively for each other's hands as they scrambled away from the carnage. In the ensuing chaos--cars stopping, the truck driver and the Lamborghini owner emerging bewildered from their vehicles, talking and gesticulating, the women sobbing and pointing, the nanny pausing to look back--no one noticed two men step out of the pale-stone building and close the door behind them before walking swiftly in the opposite direction, heads tilted slightly down. The job was done. 2 The T-shirt shop smelled overpoweringly of patchouli oil. Perched on a stool near the cash register, Emma wondered if she'd ever get the musky, sweet scent of it out of her clothes. "Put these in that corner." Raven held out an armful of hand-made signs and tilted his head toward the back of the shop, beyond the stacks of T-shirts with peaceful slogans, beaded necklaces, and carved wooden symbols. "Sure thing." Emma jumped to her feet and bounded over. There were about fifteen signs, the paint barely dry. They swung as she walked to the back of the small shop, sending random words flashing in vivid red, green, and blue: emergency, danger, strike. It was after closing time but Raven had asked her to stay late and help him get ready for the protest march planned for the weekend. A shaggy-haired political zealot, Raven managed this north London shop and spent the rest of his time organizing a left-wing protest group. He was thirty-three years old but looked younger because of the hair and the tattoos. His birth name was David Lees but he'd changed it legally eight years ago to the more memorable "Raven Hawkhurst." In action on the streets he was the protest equivalent of a lightweight boxer, small and relentless, jabbing black-and-red anarchy flags at riot police, his thin face disguised behind a checkered scarf. In person, he was resentful and paranoid--convinced the government was after him. Which, to be fair, they were. It had taken weeks working undercover for Emma to make her way into his inner circle, and even longer to get close enough to earn his trust. Almost as soon as she'd done it, though, she'd decided he wasn't ever going to pose any real danger. He wasn't smart enough or organized enough to bring about the revolution of his dreams. He liked the drama and distraction of a punch-up with the cops, but he was no terrorist. She'd told her bosses as much more than once but they'd overruled her, insisting she stay and dig deeper. The group's online fundraising received a surprising amount of money funneled through a number of sources, but originating in Russia. And so here she was, stacking protest signs in a fug of patchouli. Setting the signs down, she turned back. "It sounds like the march'll be massive on Saturday." In character, she gave her voice a flat-edged northern accent. Raven believed she was an activist from Manchester. He barked a bitter laugh. "You know how many people live in this city?" He didn't wait for her to answer. "Fourteen million. You get ten thousand at a protest? That's not success. That's abject failure." Grabbing the remaining signs, he lugged them to the back without waiting for her to help. "People want to drive their SUVs to their kids' private schools and think they'll save the environment by not using plastic straws." He was always morose the day before a march. Emma left him to rant and headed back to finish her work with the cans of paint as he warmed to his topic. He'd got as far as "They'll care when we take their mansions away" when her phone vibrated. She pulled it from her pocket and glanced at the screen. It held only one word: "Home." "Raven," she said, raising her voice to break through his familiar liturgy. "I've got to take this call. Be right back." There was an indignant pause, and then she heard him mutter, "Oh, typical." She hurried out onto the pavement, hitting answer as soon as the door closed. "This is Makepeace 1075." An unfamiliar female voice said, "Hello, Emma. I've got a message from home. Are you safe to take it now?" Emma looked up and down the quiet street--there was no one nearby. "Now is fine." "The message follows: 'Your mother is ill. She needs you urgently.' Do you need me to repeat?" Emma's heart began to race, but she kept her voice cool. "Got it. Thanks." When she ran back into the shop, Raven was at the front, gathering the last of the paint. "I'm really sorry, I have to go home. There's an emergency." Emma raced behind the cash register to grab her bag. Exuding silent condemnation, he fixed her with a beady look. "That was my mum," she explained, giving her voice a worried tone. "She's ill, and there's nobody else to look after her. I've got to go." "Oh, fine." He gestured at the shop with an arm that had the words "NO JUSTICE" tattooed from wrist to elbow. "And I'll just do all this myself, I guess?" Deliberately misunderstanding him, she cast him a grateful smile. "That'd be fab. You're a star. See you later." She hurried through the door, his words floating after her: "It was sarcasm." By then, though, she was already running toward Camden High Street, her biker boots clunking hard on the pavement. She couldn't care less about Raven right now. She was being called in. It took her just over thirty minutes to get to Westminster at full steam. There was no time to change out of her Climate Panic T-shirt, or to remove the torn jeans or blue hair extensions. Her appearance raised a few eyebrows on tweedy Rochester Row as she raced from the tube station, crossing against the traffic lights, but she was in too much of a hurry to care. On a quiet street built along a scimitar curve, she stopped in front of a narrow brick building. Nothing about it stood out. It looked exactly like the other neat, four-story offices. Above the nondescript entrance, a plain blue-and-white sign read The Vernon Institute. Emma let herself in and hurried across the empty Georgian front hall to where a set of opaque black glass doors blocked access to the rest of the building. Unlike the front entrance, these doors were modern and bulletproof. A gleaming device was mounted on the wall to one side. Leaning forward, she stared at her own iris reflected in dark glass, as three lights blinked. The first was red, the second amber, the third green. When the third light appeared, the lock released with an audible click. She pushed the door open. On the other side was a busy office building. A woman at the front desk glanced up from her work and said, "He's upstairs." When Emma reached the first floor, she found Ripley on the landing, hands in the pockets of his suit trousers, his long, complicated face impassive. "Got here as fast as I could," Emma told him breathlessly. "What's wrong?" Excerpted from Alias Emma: A Novel by Ava Glass All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.