Old truths and new clichés

Isaac Bashevis Singer, 1904-1991

Book - 2022

"This volume collects eighteen essays by Isaac Bashevis Singer (1902-1991), who was awarded the Nobel Prize in Literature in 1978. A prolific author of fiction, memoir, and criticism, Singer wrote primarily in Yiddish, but he translated several dozen of his essays into English to present as lectures at colleges and synagogues throughout his life, especially during the 1960s. Despite his plans to collect and publish these essays before his death, they remained scattered among his other papers when they were donated to the Harry Ransom Center at the University of Texas. David Stromberg, the editor for the Singer estate, has selected essays that represent Singer's fullest treatment of topics he engaged with throughout his life. The v...olume begins with an autobiographical note, followed by essays grouped by theme: The Literary Arts, Yiddish and Jewish Life, and Personal Writings and Philosophy. Most of the selected essays were originally published in Yiddish or delivered as lectures but have never been published in English before, nor have they been collected in any language. In his introduction, Stromberg explains that in assembling the collection he has tried to include essays that "express a central element of Singer's intellectual foundation - a testament to the spirit and intellect of his artistic vision." In an afterword, Stromberg provides further details on Singer's editorial process and the challenges his archive presents for contemporary scholars and editors"--

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Subjects
Genres
Essays
Published
Princeton : Princeton University Press [2022]
Language
English
Undetermined
Main Author
Isaac Bashevis Singer, 1904-1991 (author)
Physical Description
x, 238 pages : illustrations (black and white) ; 23 cm
Bibliography
Includes bibliographical references and index.
ISBN
9780691217635
  • Preface
  • Writers Don't Write for the Drawer: An Introduction to the Essays of Isaac Bashevis Singer
  • The Literary Arts
  • The Satan of Our Time
  • Journalism and Literature
  • Why Literary Censorship Is Harmful
  • Who Needs Literature?
  • Old Truths and New Clichés
  • Storytelling and Literature
  • Literature for Children and Adults
  • Yiddish and Jewish Life
  • The Kabbalah and Modern Times
  • The Ten Commandments and Modern Critics
  • The Spirit of Judaism
  • Yiddish, the Language of Exile
  • Yiddish Theater Lives, Despite the Past
  • Yiddish and Jewishness
  • Personal Writings and Philosophy
  • A Trip to the Circus
  • Why I Write As I Do: The Philosophy and Definition of a Jewish Writer
  • A Personal Concept of Religion
  • A Story about a Collection of Stories
  • The Making of a First Book
  • To the True Protester
  • Singer the Editor: An Afterword on the Editorial Process
  • Acknowledgments
  • Notes
  • Bibliography
  • Index
Review by Publisher's Weekly Review

Translator Stromberg (Baddies) brings together 19 essays by Nobel Prize winner Isaac Bashevis Singer (1902--1991) in this touching collection. The essays, written primarily in the 1960s, are broadly divided into three sections, covering the literary arts, Yiddish and Jewish life, and personal writings and philosophy. In "Why Literary Censorship is Harmful," Singer argues that, in the future, "decent and socially acceptable" speech won't win out, but "greater beauty in expression will come together with a stronger desire to elevate the human word to its highest level." In "Literature for Children and Adults," Singer laments that there aren't enough words to convey human emotions. He's at his best when he writes about Yiddish and Jewish culture, notably in "Yiddish, the Language of Exile," in which he argues that a Jewish distinctiveness arises from the diaspora, and in "Yiddish and Jewishness," which defends Yiddish as a language of individuality. In "The Making of a First Book," about his experience writing Satan in Goray , he notes, "Thank God I was controversial." An afterword containing passages in the original Yiddish that Singer cut from his English translations and photos of his edits are a nice plus. The author's fans will be delighted by this intimate anthology. (Apr.)

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