A Maya universe in stone

Book - 2021

"In 1950, Dana Lamb, an explorer of some notoriety, stumbled on a Maya ruin in the tropical forests of northern Guatemala. Lamb failed to record the location of the site he called Laxtunich, turning his find into the mystery at the center of this book. The lintels he discovered there, long since looted, are probably of a set with two others that are among the masterworks of Maya sculpture from the Classic period. Using fieldwork, physical evidence, and Lamb's expedition notes, the authors identify a small area with archaeological sites where the carvings were likely produced. Remarkably, the vividly colored lintels, replete with dynastic and cosmic information, can be assigned to a carver, Mayuy, who sculpted his name on two of th...em. To an extent nearly unique in ancient America, Mayuy can be studied over time as his style developed and his artistic ambition grew. An in-depth analysis of Laxtunich Lintel 1 examines how Mayuy grafted celestial, seasonal, and divine identities onto a local magnate and his overlord from the kingdom of Yaxchilan, Mexico. This volume contextualizes the lintels and points the way to their reprovenancing and, as an ultimate aim, repatriation to Guatemala"--

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Subjects
Published
Los Angeles, California : Getty Research Institute [2021]
Language
English
Other Authors
Stephen D. Houston (-)
Physical Description
ix, 182 pages : illustrations (black and white, and colour), maps ; 26 cm
Bibliography
Includes bibliographical references (pages 153-169) and index.
ISBN
9781606067444
  • Acknowledgments
  • Chapter 1. Orphaned Carvings
  • Chapter 2. Lamb's Journey and the "Lost City"
  • Chapter 3. A Sculptor at Work
  • Chapter 4. Seasonal Gods and Cosmic Rulers
  • References
  • Contributors
  • Illustration Credits
  • Index
Review by Choice Review

This book describes four lintels discovered in 1950 in a ruined Maya city--in what is now in Guatemala--by adventurer Dana Lamb (1901--79). His account of the finding, much exaggerated, is romantic: basically, he was looting. The lintels ultimately ended up in private hands and remain there, difficult to find or study. Only two could be illustrated in this book. The lintels came from a site now known as El Túnel--or very near it: Lamb mystified his source. At the time, the city was part of a small kingdom ruled by Cheleew Chan K'inich, who figures in the sculpture. Houston writes on the first page that the lintels date "between circa AD 769 and 783." All were created by a sculptor who signed himself Mayuy (more than 119 named sculptors are known from Maya sites). They are exquisitely carved and rich with mythological references. Most of this book unpacks these, explaining gods and symbols and making comparisons with other carvings and paintings from the region. Writing on the lintels refers to Cheleew and his time. This book is beautifully illustrated in black-and-white and color, with a fine selection of other art from the period. Valuable to specialists and anyone interested in pre-Columbian art. Summing Up: Recommended. Graduate students, researchers, faculty. --Eugene N. Anderson, emeritus, University of California, Riverside

Copyright American Library Association, used with permission.