The catch A novel

Alison Fairbrother

Book - 2022

"Twenty-something Ellie thought she was her father's favorite child; she was sure he would leave her his most prized possession, a baseball with which they played catch, and which sat on his desk, as a kind of inspiration: her poet father's most famous poem was called "The Catch." But when her father's will is read, his children, including from other marriages, each receive a meaningful object, except Ellie, who receives a glow-in-the-dark tie rack that she has never seen before. The baseball that inspired her father's work is left to someone with initials no one recognizes, L.M. In her grief, Ellie wonders: Who could have meant more to her father than Ellie? Might it be that mysterious woman she saw slip ...into the back of the church during her father's funeral? Her job at a D.C. journalism startup and her relationship with a married lover become threatened as Ellie tries to deal with her rage and grief and come to terms with the mysterious man she thought she knew. Determined to try to understand her father's life and to overcome her sense of abandonment, Ellie sets out to track down L.M. In her quest she discovers many startling things about who her father really was and comes to realize the deeper meaning of that baseball, that poem "The Catch," and the many ways life catches us unawares"--

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Subjects
Genres
Domestic fiction
Novels
Published
New York : Random House, an imprint and division of Penguin Random House LLC [2022]
Language
English
Main Author
Alison Fairbrother (author)
Edition
First edition
Physical Description
275 pages ; 25cm
ISBN
9780593134290
Contents unavailable.
Review by Booklist Review

Journalist Eleanor Adler's life is upended when her father dies suddenly of a heart attack. With four children by three different mothers, James Adler's attention had always been divided. But as the oldest, Ellie always had a special bond with him. Ellie expects to inherit James' most treasured possession, a baseball that inspired him as he wrote poetry, but is shocked when she finds it's been left to a person she doesn't know. As Ellie searches for the mysterious L.M. Taylor, she also grapples with her emotions over her torrid affair with an older, married man. Fairbrother's debut is characterized by its elegant yet comfortable prose--readers will feel at home with Ellie as if experiencing the story's events along with her. The mystery drives the plot, but Ellie's personal growth is the heart of the novel. Her journey is braided in with her new knowledge of her father, and her father's past impacts hers as she learns who she truly is. This layered coming-of-age story will appeal to fans of Jennifer E. Smith's The Unsinkable Greta James (2022).

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In Fairbrother's perceptive debut, a young journalist is left reeling and looking for answers after her father's sudden death. Ellie Adler, 24, a reporter at a D.C. news website, heads home to Maryland to visit her poet father, James, and her stepfamily. Ellie, the oldest, is happy believing she's her father's closest confidante and shares his writerly interests. Days later, he dies of a heart attack, and a bereft Ellie reads his most famous poem, "The Catch," at his funeral service, where an unknown woman attends. Later, Ellie begins looking into the woman's relationship with James, and tries to piece together why he bequeathed Ellie an unfamiliar tie rack and gave the lucky baseball she'd always wanted to a stranger named L.M. Taylor. Meanwhile, Ellie begins questioning her relationship with her boyfriend, an older, married man, after her roommate learns of the affair. She also parlays a work assignment into an investigation of Taylor's osprey conservation on the Chesapeake Bay to learn more about him. The minutiae of James's estate eventually wears thin, but Fairbrother ably captures Ellie's fractured world as a child of divorce, which fuels her motivation. This is a promising start. Agent: Suzanne Gluck, WME. (June)Correction: A previous version of this review mischaracterized a plot point.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Fresh out of college and happy with her job, her friends, and her lover, Ellie Adler is undone by the unexpected death of her father--not least because he leaves her an embarrassingly insignificant bequest while willing a baseball they both loved and valued to a stranger. Now Ellie is on a hunt to find out why. Fairbrother has interesting credentials: she's an associate editor at Riverhead Books and the granddaughter of E.L. Doctorow.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Ellie's beguiling, charismatic father may have had four children with three different women, but Ellie came first, literally and in his heart, too. When his perplexing bequest indicates otherwise, the 20-something reporter will use--and misuse--all her skills to uncover the truth. It's 2012, and 24-year-old Eleanor Adler is living her post-college, first-real-job best life. She's in Washington, D.C., sharing a shambolic group home with roommates who clerk for federal judges and work at embassies and B-list agencies. She's a junior reporter for Apogee, a news startup that exists to get clicks and save journalism. She's seeing Lucas, a married 39-year-old think tanker, who takes her on dates to the Union Station food court and Maryland suburbs where they won't be seen. Ellie's hashtag-adulting takes a sudden and sad grown-up turn when her father unexpectedly drops dead in his Chesapeake Bay home. Although not exactly well-off, he was careful with his legacy, leaving each family member--third wife Colette; their son, Van; second-marriage daughters Sadie and Anna--a meaningful totem of his love. Except Ellie, who got a plastic gingerbread-man tie rack. It's 100% true that said plastic tie rack is a rather flimsy MacGuffin on which to hang a plot, and the central-casting characters (size 12 Ellie doesn't fit in and loves reading; attractive herbalist Colette visits a shaman) aren't exactly compelling. It's also true that they're good enough company, especially when punctuated by sharp, spot-on observations of journalism ("They can comment after we publish") and Washington life ("Sometimes it seemed as if people in their mid-twenties did all the work in D.C."), informed by the author's own decade reporting in the capital. Sure, go ahead and pack this for your next long weekend--it's fun! That said, it doesn't really need to make the trip home. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

One My father, a minor poet, celebrated holidays out of season. He couldn't get custody of all four of his children at once, so he moved the fall, spring, and winter holidays to the heat of summer. A man who had fathered four kids with three different women was unusual in our Maryland town. Neighbors gossiped and strangers commented. My father struggled financially, and I suppose he could have resented the way we tethered him, but he didn't. Over and over, he brought us into his world. The first holiday I remember was Summer Christmas. I was six, shy and compliant. Our neighbors swam in the Chesapeake and grilled hot dogs; we sat inside and heaped a fake fir tree with tinsel and chains of cranberries. We knew Christmas in summer was odd, but we didn't care. In fact, we liked it. Or at least I did. Getting to celebrate with my father in the wrong season was far superior to not celebrating with him at all. He was the kind of parent you wanted to be with, and on a holiday he took such pleasure in the details. Once, he lifted one of my baby half-­sisters up to press a snowman cookie cutter into a roll of dough, and in that moment, when her shirt rose and her arm stretched out, and everyone was oven-­hot and overexcited, I thought that if I ever had children, I would scramble up the holidays too, not because I would need to, but just because I could. Dad's second wife, Barbara, the woman he married after he divorced my mother, would go upstairs after dinner to give my two half-­sisters a bath and put them to bed. She was like the head nun at a nunnery, a grim tactician, her hair always in a bun, and she absented herself from me as much as possible. Because I was the oldest and she wasn't my mother, and because my real mother was then far away in Philadelphia, I was allowed to stay up late with Dad. I sat by his knee and listened to him strum his guitar and sing "Jimmy Crack Corn," which I later learned was racist. Easter came in summer too, in July. Dad bought PAAS dye kits from Walmart and we dropped colored tablets into plastic cups, adding vinegar and watching the dye swirl through the water. He was so enthusiastic about the whole thing, as if he were a scientist trying to get his children interested in his chosen field. There were a few happy years of Easter-­egg hunts, our cheeks fat with chocolate, Barbara wiping my sisters' mouths with wet napkins, until the year of Dad and Barbara's divorce, when he lost patience with the flimsy egg holder and dunked his egg directly into the cup, staining his fingers iridescent purple. My half-­sisters, then four and five, paced our father's new place, sniffling and listing all the things they missed about their mom's house, the stuffed animals that hadn't made the half-­hour trip to visit Dad and a favorite bedtime book called Randy the Hippopotamus. I didn't miss Barbara at all. I thought of her alone in the bathroom I would never see again, removing pins from her bun, drawing herself a bath, and letting the water out at 7:45 p.m. exactly. Dad and I let my sisters splash in his new tub as long as they wanted, until their skin was mushroomy and they'd finished soaping all their Easter rabbit figurines. After they were tucked in bed, exhausted and pink, their eyelids fluttering because of chocolate or dreams, Dad put his purple fingers on my shoulder and said, "You bring out the best in me, Ellie." The first time I met Colette, who would become wife number three, was a few years later, at Summer New Year's. We all wore oversized blue-­glitter sunglasses, and we painted signs that read, so long 1999! Dad made razzleberry fring frongs--­juice and ginger ale with a raspberry floating on top. I am certain he named them. The grown-­ups' fring frongs were topped with gin. If Colette was nonplussed that we were ringing in the millennium four months earlier than everyone else, she hid it well. When you were married to my father, or when you were one of his children, you got with the program, because that was what everyone else did. And the program was always exciting, so you never really minded. Colette, though, did she mind? She must have known what he was like. The word boyish was frequently in play, and it was an appealing description, because how many women had married older divorced men, only to find themselves soon taking care of them in ways they had never anticipated? But a boyish man, a perpetual boy, would last a long time. He could grow older with the beautiful girlish woman he loved. And together they would have a family, and together they would have a life. Colette--­did she think about any of this? I remember how she spread newspapers on the kitchen table and made Popsicle-­stick picture frames with my half-­sisters, the family she had inherited. She asked with genuine interest whether I had a crush on anyone at school, and I told her about Ronny Devine. I tried to hate her for encroaching on my territory as Dad's closest confidante, but mostly I didn't take her seriously. She had slim Irish looks and dark wavy hair; she knew which plants to mash into pastes and boil into tea, but she didn't read books and never knew where her keys were. She was like a medieval village herbalist. I didn't think she would be around long. This was before Dad and Colette had Van, before it was revealed that Van was deaf, before they were bound together not just by their child but by Van's particular needs. That first Summer New Year's with Colette, after the five of us clinked our razzleberry fring frongs and thought about the enormity of a millennium, Dad put on Van Morrison's "Brown Eyed Girl" and pointed the speakers out the window. We danced out the back door and into the night, following Dad's lead, sliding over the dark grass. "Happy New Year!" we cried, and Dad kissed Colette, and my half-­sisters jumped up and down, and crickets sang long after the music ended, and under the full moon we all seemed to glow. Our final holiday out of season was Summer Thanksgiving in 2012. I had finished college by then and moved to Washington, D.C., to take an entry-­level journalism job at a news website called Apogee. It was a fast-­paced, hard-­drinking kind of job, and keeping up required long hours at the office and socializing with other young journalists at happy hours and brunches on weekends, all of which I could barely afford. Obama was in the White House. It felt inevitable that we--­the youthful, educated, diverse residents of D.C.--­would inherit the halls of power. All we had to do was work and wait. I hadn't been home to my father's house in Maryland in months when I asked my boss, Jane Ostrawicz-­Jones, for time off for Summer Thanksgiving. "Summer Thanksgiving?" She'd arched an eyebrow that was already too pointy, since she drew them on as upside-­down V's. From the moment I'd met her at the job interview, where she was terse and cryptic, I'd thought of her as angular in all ways, and I'd even imagined her house as being filled with furniture with sharp edges that could cause small injuries if you weren't careful. "Family tradition," I said. "Be on your phone," Jane answered. When I got off the train with my overnight bag, the air was stewy with moisture. The train to Maryland had seemed a lot larger the summer I was nine, the first time I traveled alone from my mother's house to my father's, but Dad had been waiting for me by the track every visit since then. I was currently twenty-­four and paying down the interest on my student loans; I had a good job, for which a scarily sexual-­sounding holding company called Fantasia XSP deposited money into my checking account in two-­week intervals; I owned a vacuum cleaner. I was the most adult I'd ever been, but, then again, I'd been playing an adult even when I was nine, holding myself stiff with maturity, coaxing my father to talk about marriage, money, and responsibility. "Hey, you," he said on the platform. "Good trip?" I had barely answered before he said, "Colette is making a million dishes. I didn't even know our kitchen cabinets held so many medium-­sized casseroles." "Live and learn," I said. I always felt as if I had to respond or he would be disappointed. We had somehow, during my upbringing, developed a banter that was, if not witty, definitely our own. "Then we'll get cozy and decorate the tree later," he said. "The tree already? It's only Summer Thanksgiving." "Who knows when we can lure you away from Washington again?" He put his nose in my hair and snuffled. "You even smell like that city." "What does D.C. smell like?" I asked. "Record humidity?" My father stepped back to look at me. "Like power and pleasure," he said, hands on my shoulders. His voice sounded funny. Excerpted from The Catch: A Novel by Alison Fairbrother All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.