Review by Publisher's Weekly Review
In this persuasive polemic, journalist Arce (Someone Like Me) draws on her experiences as an undocumented Mexican immigrant to encourage Latinx people to "dismantl the lie of assimilation to reclaim the most essential and beautiful parts of ourselves, our history, and our culture." Noting that she used "fake papers" to obtain a job at Goldman Sachs and became a citizen 20 years after she first arrived in the U.S., Arce contends that "assimilating to 'American' culture really mean imitating white America," and that "even after I learned English, became a citizen, got my coins, I still wasn't welcomed." She cites many historical examples of discrimination against Mexican Americans, including the segregation of Latinx students in public schools, the banning of bilingual education programs, and the denial of birth certificates to the children of undocumented parents. Arce also contends that the blame for the decline in blue-collar jobs in America lies not with undocumented workers but with "corporate greed," and details the lack of Latinx representation in U.S. politics and popular culture. She urges Latinx people to promote their own culture, history, and identities as fully American, and to support other communities of color in the fight for equality. This impassioned call for change rings true. (Mar.)
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Review by Library Journal Review
With We Should All Be Feminists, award-winning, multi-million-copy best-selling MacArthur author Adichie offers an illustrated journal that guides readers on their own feminist journeys. Arce, who worked hard to suppress her accent after immigrating to the United States from Mexico only to be told You Sound Like a White Girl, now rejects assimilation as an illusory and ultimately racist goal meant to keep her from belonging and instead argues for honoring one's culture; currently, she's collaborating with America Ferrera to develop Ferrera's My (Underground) American Dream for television (75,000-copy first printing). Following up 1999's No. 1 New York Times best-selling The Freedom Writers Diary, which inspired a film starring Hilary Swank and an Emmy award-winning documentary, Dear Freedom Writer is a compilation by contemporary Freedom Writers and teacher Gruwell of 50 more stories representing a new generation of high school students. As musician/activist Henry looks back on All the White Friends I Couldn't Keep--they thought he wasn't sufficiently polite when discussing racism or doubted it even existed--he argues that social justice will be achieved not through civil conversation or diversity hires but more direct ways of disrupting racial inequality and violence. With The Antiracist Deck, No. 1 New York Times best-selling antiracism champion Kendi presents not a book but a pack of 100 cards, each with a conversation starter--When did you first become aware of racism? When did you first become aware of your race? What does "resistance" mean to you? --meant to get people talking. In On the Line, Pitkin recalls working as a newly hired organizer for UNITE, an international garment workers union, to unionize Arizona's industrial laundry factories with the help of a second-shift immigrant factory worker pseudonymously named Alma Gomez-Garcia. A political reporter for the Daily Beast who has spent the last several years tracking QAnon, Sommer explains what it is, why it has gained traction, what dangers it poses, and how to shake adherents loose from its dogma in Trust the Plan (100,000-copy first printing). Chief economics correspondent for the Wall Street Journal, Timiraos argues in Trillion Dollar Triage that the pandemic did not result in economic collapse owing to the efforts of Jerome H. Powell, chair of the Board of Governors of the Federal Reserve System (60,000-copy first printing). New York Times reporter Williamson's Sandy Hook reveals the ongoing tragedy of the killing of 26 people--including 20 children--at Sandy Hook Elementary School on December 14, 2012, with the parents of young victims harassed online, stalked, and even shot at and the very truth of the massacre denied by a group of conspiracy theorists whom she sees as profit motivated.
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Review by Kirkus Book Review
A personal narrative that dismantles the myth of assimilation as a pathway to belonging and success for people of color. At age 14, Arce was an undocumented Mexican immigrant whose parents "ate American exceptionalism like it was holy communion on Sunday." All things were possible, they believed, for those who worked hard and kept their noses clean, and belonging in the land of the free was simply a matter of intelligence, English, and money. As an adult, the author became an American citizen and landed a coveted job at Goldman Sachs, where she "made enough money to be considered upper middle class." Yet her journey is not an illustration of meritocracy. Rather, Arce exposes the idea of the American dream as mendacious propaganda and shows the deep harm it causes to people of color, including immigrants, who are urged to chase Whiteness as a pathway to success. The author examines how assimilation makes a person smaller, obscuring "the most essential and beautiful parts of ourselves, our history, and our culture." Arce, the author of My (Underground) American Dream and Someone Like Me, reaches into the histories of immigration, Mexico, and Latinidad for important context, explaining the complications of colonialism, race, and the slave trade. She cogently makes the case that a nation founded on the idea that "all men are created equal" must embrace, support, and love its citizens of color for who they are, and she convincingly argues that the American dream should not demand any person's erasure. This is an important book that challenges the idea of American exceptionalism with equal parts passion, fury, intimacy, and ignored history. Arce celebrates the Mexican American immigrant experience in all its vibrancy and nuance while fearlessly naming the pain inflicted by American racism, ethnocentrism, and xenophobia. An essential read to better understand America and its immigrant stories. Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
