Bad actors

Mick Herron

Book - 2022

"In London's MI5 headquarters a scandal is brewing that could disgrace the entire intelligence community. The Downing Street superforecaster-a specialist who advises the Prime Minister's office on how policy is likely to be received by the electorate-has disappeared without a trace. Claude Whelan, who was once head of MI5, has been tasked with tracking her down. But the trail leads him straight back to Regent's Park itself, with First Desk Diana Taverner as chief suspect. Has Taverner overplayed her hand at last? Meanwhile, her Russian counterpart, Moscow intelligence's First Desk, has cheekily showed up in London and shaken off his escort. Are the two unfortunate events connected? Over at Slough House, where Jackso...n Lamb presides over some of MI5's most embittered demoted agents, the slow horses are doing what they do best, and adding a little bit of chaos to an already unstable situation . . . There are bad actors everywhere, and they usually get their comeuppance before the credits roll. But politics is a dirty business, and in a world where lying, cheating and backstabbing are the norm, sometimes the good guys can find themselves outgunned"--

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Subjects
Genres
Detective and mystery fiction
Spy stories
Thrillers (Fiction)
Action and adventure fiction
Spy fiction
Published
New York, NY : Soho Crime [2022]
Language
English
Main Author
Mick Herron (author)
Physical Description
344 pages ; 22 cm
ISBN
9781641293372
Contents unavailable.
Review by Booklist Review

Herron's Slough House series, starring a group of MI5 rejects written off to the deep minors of British espionage, has long been a critics' favorite, but this eighth installment, buoyed by a new TV series, may be the one to launch it to the genre stratosphere. The "slow horses" of Slough House are mired in busywork as usual ("You could spend all day shoveling sand, but if you were standing on a beach, the results weren't noticeable"), but their foul-mouthed, ill-kempt leader, Jackson Lamb, both the biggest reject of all and an eccentric genius, has a plan to get some of his own back while bedeviling one of his many antagonists, MI5 chief Diana Taverner. "Superforecaster" Sophie de Greer, the prodigy of the PM's chief advisor, has disappeared amid rumors that she may be a Russian spy. Can Lamb turn the slow horses loose to find de Greer, simultaneously embarrassing Taverner and bringing down the power-hungry chief advisor? Lamb on the rampage is a joy to behold ("Get the bit between my teeth," he explains, "I'm like a dog with a boner."), and Taverner's enlarged role here is an additional delight, as she fights against becoming a high-level slow horse herself. If le Carré brought moral ambiguity to the spy novel in place of Bondian glamour, Herron one-ups the master by showing us that ambiguity has its uncouth comedic side. HIGH-DEMAND BACKSTORY: The recently launched Apple TV series Slow Horses, starring Gary Oldman as Jackson Lamb, will bring Herron an avalanche of new readers.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The disappearance of Sophie de Greer, a "superforecaster" who predicts voter reactions to British government policies, drives Herron's terrific eighth Slough House novel (after 2021's Slow Horses). Since de Greer might be a Russian plant, two important people want her found: Anthony Sparrow, the prime minister's slimy enforcer, because he hired de Greer and wants to spare the government humiliation, and Diane Taverner, MI5's ruthless chief, because she knows Sparrow will blame her if de Greer turns out to be a spy. The actual work of finding de Greer falls to the so-called slow horses of Slough House, "the fleapit to which Regent's Park consigns failures, and where would-be stars of the British security service are living out the aftermath of their professional errors." Every piece counts in the intricate jigsaw puzzle of a plot, but the book's main strength is its dry, acerbic wit (Sparrow is "a homegrown Napoleon: nasty, British and short"). The result is an outstanding mix of arch humor, superb characterizations, and trenchant political observations. The forthcoming Apple TV adaptation of the series is sure to win Herron new fans. Agent: Juliet Burton, Juliet Burton Literary (U.K.). (May)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

The screw-ups, has-beens, and never-weres who've been shunted off to Slough House are upstaged by incompetent spies at far higher pay grades in this eighth series installment. Swiss native Dr. Sophie de Greer, whom hard-charging bureaucrat Anthony Sparrow brought to the U.K. to work on Rethink#1, his think tank, may be a superforecaster at predicting trends, but one development she doesn't seem to have anticipated is her own sudden disappearance. When ex--MI5 chief Oliver Nash, acting at Sparrow's behest, asks his former colleague Claude Whelan to shake a few trees and see if she falls out, Whelan can see nothing but downsides--especially if, he frets, "someone triggered the Waterproof protocol" Whelan himself set up. If de Greer did come to grief, after all, the most obvious suspect is none other than Diana Taverner, who holds down the First Desk at MI5. Diana, for her part, is busy trying to figure out the agenda of her smirking Russian counterpart, Vassily Rasnokov, who's popped up in London from behind a false identity that wouldn't have fooled a child but fooled the spooks who were supposed to be following him. Although Diana takes time out for a meeting with her regular sparring partner, Slough House zookeeper Jackson Lamb, the problems here go far beyond Lamb's slow horses, as she realizes when someone does trigger the Candlestub protocol, transforming her instantly from the head of MI5 into a woman on the run. Once again, Herron summons a witches' brew of double talk, petty rivalries, and professional paranoia, this time less John le Carré than George V. Higgins, to demonstrate that any talk of the intelligence community outside Slough House is nothing but an oxymoron. More proof that the enemies of the state are no more than a pretext for infighting to the death among the agencies. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

The woods were lovely, dark, and deep, and full of noisy bastards. From his foxhole Sparrow could hear the grunting and thrashing of combat, of bodies crashing through foliage. Some things breaking were branches, and others might be bones. Sound travelled more cleanly in the countryside. This might not be true but it was interesting, which mattered more. Sound travelled more cleanly, so what he was hearing could include the fracturing of legs and fingers as well as splintering twigs. His foxhole wasn't constructed; was simply a ditch in which he'd secreted himself while the opening sallies played out. The initial clash of armies was where you lost your cannon fodder. Once the dumb meat had been carted from the field, war passed into the hands of the thinkers. Something clattered overhead, in a tree's topmost branches. Only a bird. Meanwhile, battle continued: two forces of roughly equal size, blatant weaponry outlawed but anything that came to hand regarded as fair use. Sticks and stones for instance--and any experienced foot soldier had a favourite stick, a favourite stone, within easy reach when the starting whistle blew. Time, date, place, courtesy of social media. The old days, when you just rocked up to a car park near the stadium a few hours before kick-off, all of that was buried in history books and Channel 5 documentaries. Sparrow himself had been a toddler. Interesting, though: people thought, because they didn't see football fans rucking in public anymore, that it didn't happen. Just knowing that much about human nature was like having a big shiny key. It was an education in itself, exploring the depths of other people's ignorance and gullibility. Some shouting in the near distance now. Nothing as coherent as words: just the familiar Esperanto of grunt and injury, the outward expression of a hatred that was absolutely pure and totally impersonal. Amateur violence signalled national character. Just as the French variety, with its short jabs and rabbit punches, seemed as crabbed and hunched as French handwriting, so English violence had the hallmarks of a ransom note: capital-lettered and often misspelt, but getting the message across. As for Italians--today's opponents--they rucked the way they sang, their brawling round and bold and big-voiced, and if not for a relatively small turnout, they'd wind up kings of the woods today. Benito--the new Benito, whose predecessor had interestingly withdrawn from public view--would have led his troops away rejoicing. But that didn't, from what Sparrow had seen so far, look likely. For his own part, his interest was clinical. Untethered to any football team, he was nevertheless fascinated by the loyalties they inspired, regardless of history, abilities and triumphs, or lack thereof. By the Till I Die tattoos supporters sported. This was a self-fulfilling promise, one that couldn't be reneged on without expensive laser treatment, and demonstrated the kind of drive that pre-empted second thoughts. And once you got a handle on it, you could steer it in any direction you chose. Aim it at a rival set of fans or . . . elsewhere. From deep among the trees Sparrow could feel an approaching beat, not as stealthy as it thought it was, and underneath that a more primal rhythm, one close to Sparrow's heart. In the breast pocket of his camo-gilet, in fact: the thrumming of his mobile phone. With the unhurried ease of a gunslinger he slipped it free of his pocket. "You pick your moments." The crashing came nearer; the sound of a large, urban type imagining it was possible to be silent in a wood. "Oh, you know. Day off. I like to get close to nature." Excuse him a moment, he thought but did not say, and instead of listening to whatever his caller said next, fastened the phone into a Velcro-secured sheath at shoulder level, so he could speak and be heard and mostly hear, a long-established set of priorities. That done, he settled into a crouch and wrapped both hands round the stubby branch from which he had stripped all unnecessary twigs and leaves. "Okay, this is the usual daily bullshit, nothing to worry about. Just because there's a problem doesn't mean we need a solution. We simply reframe the narrative. Hang on a sec." A figure crashed into Sparrow's clearing and halted, scanning the terrain. Being of average height he was easily four inches taller than Sparrow, an advantage in most hostile situations except those where both parties have testicles but only one is wielding a club. Sparrow's caught the newcomer sweetly in the crutch. He made a noise like a baby seal and collapsed in a heap. "Yes, or dispense with the narrative altogether. This time tomorrow it's yesterday's news . . . No, I'm fine. Just doing some stretches." While his caller launched into a soliloquy, Sparrow focused on his immediate situation: weapon in hand, fallen warrior at his feet, trees everywhere . . . Planet of the Apes . He prodded his would-be attacker with a foot, eliciting a groan, then noticed the silence on the line. ". . . Yeah, still here. And I have ideas, don't worry. You know me. Ideas is what I do." Which was as well, because Anthony Sparrow had some work-related issues of his own that he'd rather his caller didn't know about. Some, though, might be alleviated by discussion with Benito once the more aggressive aspects of the afternoon's agenda had been settled. The fact that you were mortal enemies didn't mean you couldn't do business. If that were the case, you'd never get anything done. Besides, Benito was a fellow alpha. Sparrow mostly worked among malleable idiots, so it was something of a pleasure to negotiate on his own level. Speaking of malleable idiots . . . On closer inspection, he noticed that his victim wasn't one of Benito's crew at all, but on Sparrow's own side. Still, there he was, prone and useless, and Sparrow holding a club. His caller was still talking, so he tapped a finger against his phone three times, a signal both knew meant the conversation had passed all useful purpose. Then waited a moment. "Not at all. What I'm here for." He waited some more. And then: "Yes, prime minister. See you in the morning." And, call over, Sparrow raised his club and brought it down as hard as he could, and then again, and again, until this anonymous creature was where all his opponents ended, dumb and dusted at his feet. Excerpted from Bad Actors by Mick Herron All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.