Review by Booklist Review
Conklin's debut story collection follows LGBTQ+ characters coming into their own amidst defining experiences in their lives and shifts in relationships with themselves and those around them. In the memorable "Laramie Time," Leigh agrees, at long last, to take the plunge into parenthood with her partner, Maggie, after the two move from New York to rural Wyoming. A newly successful cartoonist, Leigh is at first happy to put their plans in motion, but the decision begins to reveal uneasy doubts about their relationship and competing concealed desires. A number of the stories feature young people exploring burgeoning identities and sexuality. "The Black Winter of New England" follows a trio of friends as they test the boundaries and façades of adolescence and friendship during an illicit New Year's Eve party. In "Ooh, the Suburbs," teens Heidi and Kim sneak out one night to meet up with a mysterious older woman whom Kim has befriended online. Embracing eagerness and insecurity, doubt and fortitude, Conklin's 10 tales resonate through the characters' dynamic moments of realization.
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Conklin delves into moments of decision, loss, and self-discovery among a set of queer characters in this superior debut collection. In "Laramie Time," a lesbian cartoonist agrees to pursue motherhood with her girlfriend and finds that the planning process defies her expectations. Conklin refreshingly illuminates the anxieties and longings of the early pandemic in "Pink Knives," in which a nonbinary narrator in an open relationship navigates a hookup before having top surgery. In the collection's most aching entry, "Sunny Talks," a secretly nonbinary person chaperones their out trans nephew, who is a minor YouTube celebrity, at a convention for trans vloggers. Conklin brings nuance and compassion to the subject matter and displays a captivating interest in human contradiction. Conklin's command of structure ensures that each story has a satisfying arc, but most impressive is the author's precise and evocative prose. Striking images dot the collection like jewels, as in "A Fearless Moral Inventory," about a sex addict who swears off an annual street fair: "The sun was a red rip on the horizon, gilding the doughnut of the sleeping ferrets in their cage." This talented writer is brimming with skills and heart. Agent: Samantha Shea, Georges Borchardt. (May)
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Review by Library Journal Review
DEBUT A winner of Rona Jaffe, and Pushcart Prizes honors, Conklin offers a first collection presenting queer, gender-nonconforming, and trans characters in a series of briskly told narratives. Here, fifth grader Coco happily ends up being an ox rather that a matriarch in school reenactment of the Oregon Trail, appalling her parents and bringing forth giggles from classmates. But she's happy with her role--"What she wanted to be was a boy. Like Devon or Alex, but nice"--and not only does she not die in the play (like so many of the pioneers) but she ends up able to challenge her obnoxious nickname. Elsewhere, a woman who has triumphed with her comic strip about lesbian turtles while anxiously resisting having a child with her lover, Maggie, finally succumbs to the idea. But at the last moment, she quietly sabotages the effort, knowing that she's wrecking the relationship but realizing that she has been manipulated. VERDICT Throughout, Conklin is gracefully multi-note as they reveal the complexities of queer relationships, always allowing their characters to be themselves.
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Review by Kirkus Book Review
An award-winning author offers a spectrum of LGBTQ+ characters in their debut collection. In "Laramie Time," a comics artist uncovers some truths about herself and her lover when they ask a friend to help them make a baby. The protagonist of "Cheerful Until Next Time" meets the man he wants to become and then falls in love with him. "The Black Winter of New England," "Ooh, the Suburbs," and "Pioneer" show adolescents discovering--often painfully--their sexuality and their gender. The word transition is used to describe the processes transgender people undertake to live more fully as their true selves--and there are certainly transgender people undergoing this sort of transition depicted here--but the people in these stories are all in the midst of transitions of multiple kinds, and Conklin addresses the way society is changing, too. The titular character in "Sunny Talks" is a trans teen who has amassed a respectable following on YouTube by sharing his views on "pansexuality, passing privilege, cisnormativity, he/him lesbi-ans, PGPs, chasers, and demiromanticism." That sentence would have been shocking just 10 years ago, and it will undoubtedly confound a lot of people even now. These stories assay serious topics, such as pedophilia and sexual assault. In "Boy Jump," the main character visits a Holocaust memorial in Poland and reflects on the places where it's not safe for LGBTQ+ people to travel in Eastern Europe. But these are not cautionary tales about being queer. Conklin is adept at communicating complexity and writes in a plainspoken style that does not invite sensationalizing. In each story, a rainbow appears. We might read this as a motif underscoring the full range of human sexualities and genders--and, if it's not too corny, we might see it as a symbol of hope. Conklin introduces themself as a writer to watch with these open-eyed, tenderhearted, well-crafted stories. Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
