My volcano A novel

Climate change, time travel, startup culture, and volcanic eruptions intertwine in this sui generis outing from Stinzi (Vanishing Monuments). Told in a series of buzzing numbered fragments, the narrative whirls around a volcano rising in Central Park that looks like Mount Fuji. As the volcano grows, Stintzi builds out the wide-ranging narrative with jump cuts to a Nigerian folklore scholar in Tokyo; Makayla Brooks, a staffer at the emotion-managing startup Easy-Rupt; Dzhambul, a nomadic herder in Mongolia; a white trans sci-fi novelist in Manhattan; and eight-year-old Angel Barros Vargas in Mexico City, punctuating the breaks between each section with entries listing the victims of hate crimes and police shootings in 2016, such as the Orlando nightclub attack and the killing of Henry Green in Ohio, "shot dead by undercover police after being taunted to pull his gun." Each protagonist meets an unexpected fate: Angel, transported to 1516, is possessed by a vengeful spirit during the Aztec Empire's collapse. Stung by a bee, Dzhambul becomes a hive mind that first consumes entire cities and then the entire Asian continent. And Makayla, the Easy-Rupt staffer, inhabits other bodies in dreams as she turns to stone. Meanwhile a golem destroys polluted cities, buildings sprout legs, and people appear in two places at once. That Stintzi keeps all these plates spinning is a wonder; that they transform the chaotic present into a fiery, transcendent vision of the future is even more impressive. It's a brilliant achievement. (Mar.)

A genre-bending novel that circles a volcano mysteriously rising from the Central Park Reservoir. On June 2, 2016, a jogger observes a geological protrusion slowly emerging in Central Park. Three weeks later, the formation, now determined to be a volcano, has grown to 2 1/2 miles tall and is upending life in New York City. Around the story of the volcano's appearance Stintzi weaves the lives of the novel's diverse characters, including a folklore professor, a Mongolian shepherd, a White trans science-fiction writer, a manager at the "emotion-managing service" startup Easy-Rupt, and an 8-year-old Mexican boy who is thrust back in time to Tenochtitlan in 1516. As the characters' lives intersect, run parallel, and mirror each other, they experience an array of transformations: One slowly becomes a green network that incorporates all life in its path, while another discovers that she is turning to stone. In the background lurk the Otherwise, otherworldly beings capable of numerous rebirths. Among the narrative sections, Stintzi intersperses the dates and victims of real-world violence in 2016, including the Pulse nightclub shooting and the shooting of Alton Sterling by police officers in Baton Rouge. At times, this ambitious novel can feel unwieldy, with its weighty subject matter and complex, formal innovation. However, Stintzi has a gift for meticulously crafted worldbuilding and captures the tender drama of human (and, in this novel, extrahuman) relationships. Patient readers will be rewarded by their arrival at the book's dazzling conclusion. A vibrant ecosystem of a novel that deals honestly with the beauty and horror of human and ecological connectedness. Copyright (c) Kirkus Reviews, used with permission.