Delphine Jones takes a chance

Beth Morrey

Book - 2022

"A heartening and life-affirming novel about a single mother learning to make a bigger life, and the power of human connection to grow our worlds"--

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Subjects
Genres
Domestic fiction
Novels
Published
New York : G. P. Putnam's Sons [2022]
Language
English
Main Author
Beth Morrey (author)
Physical Description
pages cm
ISBN
9780525542476
Contents unavailable.
Review by Booklist Review

Delphine Jones has spent the last decade of her life as a caregiver, both to her precocious eleven-year-old daughter and to her father, who is still struggling with grief after the sudden death of Delphine's mother. Delphine doesn't regret having a baby at age sixteen, but she recognizes that she's missed some opportunities. Getting fired serves as a catalyst for a series of major changes that find Delphine singing in a band, re-learning French with a ribald and brutally honest older woman, working in an Eritrean restaurant, and coming to terms with the traumatic events of her teen years. It's overstuffed, to be certain, but the ending provides a warmhearted, feel-good resolution. As in her first book, Morrey (The Love Story of Missy Carmichael, 2020) explores intergenerational friendship and the power of human connection. Delphine transforms from an isolated young woman living a dead-end life to a person on the verge of achieving her full potential--and just as she is changed, she changes others as well. This uplifting, charming, and quirky novel will appeal to fans of Phaedra Patrick and Jenny Colgan.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

Delphine Jones had big dreams until she got pregnant at 16. Now her world consists of her 11-year-old daughter and her elderly father with whom she shares a basement apartment in London. Then in her late 20s, Delphine is given the chance to finish her degree and pursue her dreams, and her social circle widens to include a French widow, an Eritrean couple, and a handsome musician. Soon Delphine is hopeful for the future, even if it means having to wrestle with her past. The various people Delphine meets along her journey provide moments of humor in an otherwise serious novel. Narrator Pearl Mackie deftly handles the various accents as well as bringing Delphine to life with both heart and hope. VERDICT Readers looking for a mature take on coming-of-age novels will appreciate Delphine's journey to find herself, follow her dreams, and create the best possible life for herself and her daughter in the latest delightful story from Morrey (The Love Story of Missy Carmichael).--Elyssa Everling

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A 28-year-old single mother in London who had a child at 17 starts to make small changes to get out of the rut she's in. Delphine Jones didn't mean to get pregnant at 16, but it happened anyway. Now 28, she's still living in the basement flat she grew up in with her father, her mother having died when she was just 13. Only now, she shares the tiny bed and small room with her 11-year-old daughter, Emily Josephine Jones. Delphine is stuck in a life she didn't expect and cannot see her way out of. Her daughter is the love of her life: precocious, wickedly smart, and loving in all the best ways. But Delphine still can't quite reconcile the bilingual, piano-playing, top English literature student focused on the future she was with whom she has become: a fired barista scraping money together to try to put dinner on the table. The story follows two streams of Delphine's life: the year of her love affair with learning and her first boyfriend, which led up to her pregnancy, and the year that the mental fog clears and she starts to reclaim her life with her daughter's help. Hard work is a given, of course--both emotional and physical. But rather than staying in the box that she has lived in for 12 years, Delphine takes a chance on new things, fun things, and things that have the potential of improving her life and situation for the future. Author Morrey's second foray into fiction is an uplifting, earnest book with layered, complicated characters. A cozy story that accepts people for who they are, warts and all, and celebrates the hard work that true change requires. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1 Every morning, Maman used to fling open the curtains, calling, " C'est le premier jour !" Every day was the first day, a new beginning. That was how I remembered her: turning with a smile, the sun streaming through her hair, alight with expectation and possibility. Pressed up against a cold wall, as dawn broke, I lay staring at the mold on the ceiling, pretending I hadn't done it a thousand times before. It crept across a crack that ran along the corner above us, a blooming sphere amidst a crescent of smaller blue-black circles; my own little Rorschach test. There was a time when I loved tests. Was it a waxing moon, an apostrophe, or a bass clef? The body beside me shifted uneasily, pushing me farther against the damp Anaglypta. A sickle, a fishhook . . . An elbow jabbed me in the rib as I eased myself out of bed. When it came down to it, it was just mold-mold I didn't have the time, money or energy to get rid of. Pulling on a jumper, I heard a murmur from the ruffled head buried in its pillow. "Go back to sleep," I said, and headed for the kitchen. There was a pot soaking in the sink and, after putting the kettle on, I plunged my hands into the congealed water, nails scraping at the softened pasta that clung to the sides. Outside, the sun was coming up, but it hadn't yet reached our basement flat, never really did anymore. The house I dreamed of was always perched up high, in the trees, light pouring through the windows. But that was like the pictures in the mold, existing only in my head. Dad didn't stir when I tiptoed in to give him his tea, and when I went back to our bedroom, the body was barely visible under the duvet. Grabbing my clothes, I edged toward the door, but the head emerged, round eyes fixed on me. "Don't be late for school," I said, and backed out. No need to worry; she never was. Le premier jour . It was mid-September, which still felt like the beginning of the year to me, even though I left school twelve years ago. On the bus to work, I squared my shoulders, ready to take the day by the scruff of its neck. That mold was a beckoning finger, a call to arms, to new beginnings. Gio clicked his tongue in irritation when I arrived at the cafZ, although I was never late either. " Andiamo! Dai ! Giddy-up!" "Sorry." He picked up his Daily Mail and shook it as I hurried to unload the dishwasher, tying my apron behind my back. The radio was playing, Elton John belting out "Tiny Dancer," and my hips swayed involuntarily as I riffled through the cutlery tray, thinking of my daughter's nightly gyration around our bed, poking and kicking me as she turned. Picturing her tousled head, pirate smile peeking over the covers, my heart squeezed a little, the sudden lurch of love that unbalanced me, even as I was staring at my distorted face in the back of a spoon. She was getting too big, our bed too small, but, like the mold, I didn't really know what to do about it. The day disappeared in a blur, frothing like milk around a steam wand. Grinding, stirring, chopping, spreading, wrapping, dashing. Morning rush, followed by midmorning rush, followed by lunch rush, then a lull that made me long to slump at one of the tables and squeeze my aching feet. But Gio hated to see inactivity, so I propped myself on the counter to polish the cutlery again, surreptitiously easing my toes out of my shoes to flex them. He wouldn't let me wear trainers, said it looked sloppy. If only I could get through the rest of the day, then go home to Em for hot chocolate, and maybe a bath if there was enough hot water, and- "Delphine Jones!" A woman stood before me, vaguely familiar. About my age, but with the glow of good fortune draped around her like a fur stole. She had the kind of buttery highlights that can't be achieved with a packet dye, skin as shiny as the stainless steel I was holding, glacé nails clutching a leather purse she definitely didn't buy at a market stall. Staring at her, my mind did a rewind, and freeze-framed on her aged sixteen, spraying her hair and rolling up her skirt in the school toilets. "Lexy?" "Fancy seeing you." She put her purse on the counter between us. "You . . . work here?" That much was obvious, and it seemed stupid to deny it, standing there in an apron, holding a tea towel. What was also stupid was that I felt the need to, to claim I was just passing through on the way to my high-rise corner office overlooking Canary Wharf. "It pays the bills." It didn't even manage that, entirely. "How funny." She raked a hand through ramrod-straight hair. "I always imagined you doing something a bit more . . . scholarly. And here you are, a coffee-maker." "Barista," I said. "Do you want anything?" "Decaf latte with soy milk." I kept my back to her, yanking the filters, pretending I couldn't hear over the noise of the radio, Freddie Mercury singing about rage, the flame that burns, secret harmonies . . . "You were always such a teacher's pet at school, I thought you'd be running the country by now, but of course you had a baby , didn't you. What a shame." My hands stilled around the hot cup, head bent to inhale the bitter scent of the beans as I pictured my crooked-toothed friend sobbing after Lexy called her Metal Marni. It seemed the years hadn't mellowed her. "Why you dilly-dally about? Lickety-split!" Gio's voice roused me, and I turned, holding the coffee. "Your latte. Sorry about the wait." She smiled, but her eyes were ice chips. What had gone wrong in her life that made her this way? There were rumors about her dad having a nasty temper. As I pushed the mug toward her, she leaned forward and lightly circled my wrist in a chummy, confidential grasp. Up close, she smelled of jasmine and something woody. She'd need a lot of perfume to mask the polecat. "Do you see Adam at all?" I swallowed. "No." She gave a sympathetic tut. "What a shame. Still, I suppose at least he went on to bigger and better things." The cluster of carpal bones are what make wrists particularly flexible. Em told me that, once, after she spent an evening committing them to memory. Not an evening, really, not even half an hour; when Em sees something it shoots into her brain and lodges there instantly. I remembered them only because she taught me the mnemonic: Sally Left The Party To Take Cathy Home. Scaphoid, Lunate, Triquetrum, Pisiform, Trapezium, Trapezoid, Capitate, Hamate. The hamate is hook-shaped, like the mold on the ceiling. As I kept my expression neutral, the bones moved together in perfect formation, strong and supple. "Arrrrrrgh!" Lexy's scream brought Gio running. Grabbing a stack of napkins, he began swabbing her steaming crotch, leaving white shreds of tissue on her designer jeans. What a shame. "I'm sorry, it was an accident." Gio grabbed more napkins to dab on the wet patch, as Lexy raised her snarling face to mine. "She did it on purpose," she hissed. My boss looked from his employee to his customer. Me, Delphine Jones, in my apron, scraped-back frizzy hair, red-raw knuckles, bitten nails. Her, Alexa Marshall, shellacs curled to claws, white teeth bared, her tiny, pale-blue leather bag still on the counter. It was quilted, with two interlocking Cs on the catch. Gio saw how it was. He was annoyed with her forcing him into it, but of course he couldn't show it. So he turned his anger on me, his punch-bag barista. "Why you act like a crazy woman? After all I do for you! Always causing trouble, pigro , this is enough! Basta ! Go at once." Once he'd got into his performance, Gio started enjoying himself, reading the riot act, while I let my mind drift to a climate change protester in the street the other day, holding a placard: TOO HOT TO HANDLE. Such a scorching summer, still burning itself out, everything heating up, bubbling and spitting until it boiled over . . . I could tell Gio was already having second thoughts, even as I collected my stuff, but Ms. Marshall would have considered it a personal insult if he went back on his word. So he stood, holding the door open, waiting for me to leave, and I squeezed awkwardly past him, head down, out into the dense heat of that sultry September. Standing on the step, I found I was holding the long-handled silver spoon I'd been polishing, plucked from the apron pocket. It glinted as I rotated it, the inside of the bowl battered dull and gray, but the curved outer side shooting off sparks, fired up by the sun. I thought of my mother-Maman recounting how the father of one of her pupils had ordered her about like a minion; how at the time she said nothing-" Rien de tout !"-and only afterward thought of the perfect retort: " L'esprit de l'escalier, ma chérie ." Staircase wit--you only ever think of the thing you should have said on the way out, and by then it's too late. Gio was still standing in the doorway, accepting tearful thanks from Lexy, neither of them expecting my sudden return, brandishing my shiny talisman. "Just so you know, Gio, tesoro , I wouldn't work another minute in this sub-Starbucks shack, even if you offered me a raise. Which you would never do, because you're a tightfisted hand at the grindstone-a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner!" Thank you, Miss Challoner, for schooling me in Dickens . Lexy's turn. "And you. You liked Adam, didn't you? What a shame he didn't like you." Back to Gio. "Just in case I didn't make myself clear, you can take your job, and your crappy espresso maker and ficcatelo su per il culo ." Back to Lexy. "That means shove it up your ass. Which is what you can do with your Chanel." It's one thing to think of it, another to act. The spirit was willing, had the speech ready, but the flesh was weak, my legs trembling at the image, the audacity. The Lexys of this world said what they liked and left the mess behind, but I kept my head down, and cleared up. What had I done ? Throwing away my job, the job I needed to keep our house of cards from falling, was insane, unhinged. But underneath it all, somehow, the bones had been flexing, pushing me forward, before the rot set in. I pivoted on the step and pushed open the door. Gio and Lexy looked at me in silent astonishment as I threw the spoon on the floor that still bore the marks of my mopping. "Shine your own silver." Not much, but better than nothing. I turned and exited once more, out into the sunshine, squinting against the light, shading my eyes against my future. Le premier jour. Chapter 2 With nothing else to do, I went to pick up Em from school. Hadn't been back since the first day she started, earlier that month-a shift, or shopping, or some other task had always got in the way. The truth was, I didn't want to go to her school, because it used to be mine. Brownswood High, a scruffy, sprawling state secondary run by Gerald Haynes, an ex-army officer who would have been happier running a barracks. Now it was an "academy," with a refurbished library and a new principal called Mrs. Boleyn, who believed in something called "co-operative learning," so Em told me. I shivered as I saw the red brick looming ahead, the scene of several crimes. Would Em want to see me there? It was probably really shaming to be picked up by your mum, particularly one with mascara tracks down her cheeks. I thought about sneaking off, but caught sight of her talking to a woman with piled-up blond hair and Biro marks on her cheek. My daughter's eyes widened when she noticed me, drawing a hundred conclusions, probably the right ones. She whispered something to the woman, who turned and smiled, sparking a flicker of recognition. She had a Bic stuck in her messy bun, and what looked like a seed in the gap between her front teeth. "Hi, Mum, what are you doing here? I've got my first fast-track class." In the official letter, emailed by the principal just a week after she started, they'd said Em was extraordinary: "A special class for special students." Extraordinary and special. It wasn't that I disagreed, but sometimes it was better-easier-to be ordinary and normal. "Sorry, I forgot." "Mrs. Jones! Lovely to meet you. We haven't met, have we? I'm Mrs. Gill, Emily's English teacher." The famous Mrs. Gill, who Em went on about. She'd sent me an email too, about a theater trip, and I fobbed her off because I hadn't got the money together yet. How would I get it now? I blinked back fresh tears, because Em was desperate to go, but had made out it didn't matter. Just last night, standing in the kitchen running hot water into the pasta pan, shrugging her skinny shoulders. If there are any issues with payment, maybe the school could help? Mrs. Gill had written. That won't be necessary , I'd replied. An extra shift, sell something on eBay, scrape coins off the pavement rather than admit it was a problem. "I'd better be going . . ." I stepped away, but she barreled on. "Emily is doing brilliantly, she's very well-read for her age. For any age, really! We're so glad she's joining our new group, she'll really benefit from a bit of extra pushing." She was pushy, hassling me at the school gates, gabbling away. I was overwhelmed by the day, the looming horror of job-hunting, and the memory-deluge just being here had unleashed. "Well, it was her decision . . ." I dashed away a rogue tear and her eyes narrowed. "Of course, but if the parents are on board it's such a . . . Are you OK?" A tissue appeared under my nose. "Thank you," I mumbled, taking it. "Sorry . . . don't know what made me . . ." "Emily, Mr. Davidson is taking the class today-you'd better get going or you'll be late. I'll show your mum round for a bit. Off you go." Mrs. Gill nodded at Em, who trailed off, throwing us suspicious glances. "Come with me." She led me through a revamped reception, along various bright corridors, both new and weirdly familiar, chatting the whole way, as I tried to ignore the influx. There was the classroom where Marni and Sheba plaited their hair together and spent the day lurching around like Siamese twins until Miss Kornack threatened them with a pair of scissors - unprofessional but effective. The dining hall where Leroy Ellis had an allergic reaction to fish, and Mr. Wilsden had to give him an EpiPen injection in the middle of lunch. The science lab where Sally Barclay. . . No. Stop it. It was Em's school now, everyone else had moved on. "I can't tell you how brilliant Emily is. I'm sure you already know - I knew from the very first lesson. We were reading Much Ado , Benedict and Beatrice arguing, and I asked for other examples of couples who argue. Of course, I was getting nothing - someone said Ant and Dec - I mean, I ask you - and then Emily pipes up from the back: 'Kate and Petruchio.' Then her Twelfth Night speech! So, when Mrs. Boleyn asked me who should join the fast-track class, I said immediately - 'Emily Jones.'" She opened the door to an empty unlit classroom and beckoned me in. "Take a seat." The classroom didn't have any particular associations, and even in the dim light it was clear what a vibrant space it was - colours and thoughts and effort everywhere. There was a Word Wall between the windows, a display of paper butterflies emerging from an open book, each wing covered in synonyms for the word that spanned its thorax. Rich: wealthy, prosperous, abundant, bountiful, productive, fertile . . . Mrs. Gill handed me another tissue, and for a second was silent as I calmed myself down. When I looked up, she smiled and picked at the seed between her teeth. 'It's almost impossible to cry on camera, you know. They use these drops, and some make-up artists have a tear stick they use. Sometimes they blow menthol air in your eyes. Dangerous really, because if you got any of the actual oil in your eye you could damage it. Which would mess up the scene completely, continuity-wise." She reached into the drawer of her desk and produced a pretty-looking pink box. "Have a macaron." Excerpted from Delphine Jones Takes a Chance by Beth Morrey All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.