Out there Stories

Kate Folk

Book - 2022

"Full of indelible characters and darkly comic twists, the stories in Kate Folk's debut collection are perfectly pitched for the madness of our modern moment. A ward for a mysterious bone-melting disorder is the scene of a perilous love triangle. A curtain of void obliterates the globe at a steady pace, leaving one woman to decide whom she wants to spend eternity with. A woman navigates finding a partner while beautiful humanoid robots called "blots" have infiltrated the dating apps of San Francisco, dispatched by Russian hackers to steal data. And in a companion piece, a woman and a blot find connection in an unexpected yet tender love story. As this debut collection explores what it means to face the void, human beings... try to find their way in bizarre and dystopic settings, whether their own body, their relationships, their home, or the world at large. Imaginative, genre-bending, and oddly prescient, Out There depicts a landscape that is eminently of-the-moment, terrifying but ultimately hopeful"--

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Short stories
Dystopian fiction
New York : Random House [2022]
Main Author
Kate Folk (author)
First edition
Physical Description
244 pages ; 22 cm
  • Out there
  • The last woman on Earth
  • Heart seeks brain
  • The void wife
  • Shelter
  • The head in the floor
  • Tahoe
  • The bone ward
  • Doe eyes
  • The house's beating heart
  • A scale model of Gull Point
  • Dating a somnambulist
  • Moist house
  • The turkey rumble
  • Big Sur.
Review by Booklist Review

As if dating apps aren't risky enough, people seeking relationships in Folk's "out there" world also have to worry about "blots," excessively handsome "biomorphic humanoids" who seduce their victims, steal all their data, and vanish. Blot tales bookend Folk's first collection of tightly constructed and spectacularly mind-bending stories that ingeniously pair everyday challenges and outlandish predicaments, ranging from hilarious to terrifying. Folk writes with unnerving matter-of-factness as she veers into Poe- and Shirley Jackson-like horror or turns to the poignantly fantastic in the mode of George Saunders or Kelly Link. In "Heart Seeks Brain," instead of someone being a "leg man," they might have a kink for kidneys or spinal fluid, making romance creepily dangerous, while the elaborately harrowing "The Bone Ward" is propelled by a dire disease and fatal jealousy. In "The Last Woman on Earth," Folk again pairs the prosaic--talk shows, the tyranny of ratings--with the catastrophic, crisply dramatizing the self-destructive side of humanity's extraordinary adaptability. Houses possess malevolent powers, women risk their lives to get away from men they're weary of, even as a void eradicates entire cities, and many individuals embrace the strange and the terrible because they're less demoralizing than ordinary misery. Folk's shocking, grim, funny, and tender stories deliver astringently incisive perceptions of human longing and contradictions.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Folk debuts with a wonderful absurdist collection that explores the vagaries of human connections. In the title story, the narrator can't tell if her new boyfriend is an especially refined "blot," one of the legions of catfishing androids who recently invaded internet dating, or just a tech bro who's emotionally stunted. Shorter stories act as well-timed interludes, such as "The House's Beating Heart," in which a house has a beating heart in a closet, a brain in the roof, and a stomach in the basement. Folk soars in "A Scale Model of Gull Point," in which a tourist island's inhabitants--oppressed in ways simultaneously bonkers and viciously realistic--enact a reign of terror, and the crisis prompts a burst of maturity for the narrator, an art teacher whose sculpture career never took off after her MFA. "Big Sur," another highlight, follows the life of a blot who bunks in an SRO and attempts to get a girlfriend with messages like, "I love dogs... I would never hurt one deliberately." The story risks a sentimentality anathema to the previous stories' cynicism, and pulls it off with aplomb. The whole perfectly balances compassion and caustics, and the author has an easy hand blending everyday terror with the humor that helps people swallow it. Folk impresses with her imagination as well as her insights. (Mar.)

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Review by Library Journal Review

Folk's debut short story collection looks at the eerie and absurd in everyday life. Her stories blend literary sensibilities with science fiction and magical realism. The fantastical in these tales ranges from artificial males who prey on women for their data to an encroaching void that consumes the earth, from a bone disorder that melts the skeleton every night to a very dry house (there's also a house with organs and one with a head growing from its floor). The real strength of these tales isn't how far out they are but the questions they ask about the human condition: can an artificial human whose only purpose is to steal information learn to be human and what kind of person can enter a relationship with a house that needs moisturizing every day? VERDICT The star-studded cast of narrators (Sophie Amoss, Hannah Choi, Michael Crouch, Will Damron, Renata Friedman, and Kristen Sieh) provide the right tone for each tale, never overemphasizing the plot elements that defy reality, which allows the truth of Folk's stories to shine through.--James Gardner

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Review by Kirkus Book Review

A superb debut short story collection explores the uncanny and grotesque. A man develops a symbiotic attachment to a house he must keep "moist" at all costs. A young woman pines after a fellow patient on the ward for people suffering from a rare disease known as Total Nocturnal Bone Loss, which causes a person's bones to melt overnight. Frustrated by her partner's neglect in their new suburban home, a woman becomes obsessed with the possibility that someone is living in their storm shelter. In this collection, first-time author Folk conjures up thrilling new ways to write about the strange and often disgusting experience of having a body: One character, while having sex, "focused on her joints, imagining bones turning in the sockets of other bones, rattling at the ends of strings." Not all of Folk's stories live up to the standard of her best--the shorter installments tend to be weaker--but her best are truly exceptional. The apex of her innovation are the "blots" that appear in the first and last stories in the collection: artificially constructed men who seduce women via dating app before stealing their identities and wreaking havoc on their digital lives. Though the blots are initially easy to identify--"They were the best-looking men in any room, and had no sense of humor"--they become increasingly difficult to differentiate from normal human men as their technology improves. In "Out There," a woman agonizes over whether her new boyfriend is a blot or just a jerk; in "Big Sur," the collection's high point, Folk delves into the mind of one of the early blots, whose wildly inhuman social skills render him lovable. A bold, exhilarating display of talent. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Out There I was putting myself out there. On my return to San Francisco from a gloomy Thanksgiving with my mother in Illinois, I downloaded Tinder, Bumble, and a few other dating apps I'd seen Instagram ads for. I was thirty, too young to accept a life void of excitement, romance, and perhaps, eventually, the lively antics of a child. I resolved to pass judgment on several hundred men per day, and to make an effort to message the few I matched with. I was picky enough that this seemed not wholly absurd. It would be like a new workout routine, a daily regimen to forestall a future of more permanent aloneness, and enjoy my relative youth in the meantime. I'd never liked the idea of finding a romantic partner on an app, the same way you'd order pizza or an Uber. Such a method seemed to reduce love to another transaction. I had always felt it catered to lazy, unimaginative people. A worthy man would be out in the world doing things, not swiping on women's pictures in his dim apartment, like a coward. To further complicate matters, it was estimated that men on dating apps in the city were now 50 percent blots. But what choice did I have? Apps seemed to be the way everyone found each other these days. After my last breakup, I spent a while "letting something happen," which meant doing nothing. Years passed and nothing did happen, and I realized that without my intervention, my hand pushing against the warm back of fate, it was possible nothing ever would. In the end, it seemed to come down to never dating again, or taking the chance of being blotted. Though I supposed there had always been risks. The early blots had been easy to identify. They were too handsome, for one thing. Their skin was smooth and glowing, and they were uniformly tall and lean. Jawlines you could cut bread with. They were the best-­looking men in any room, and had no sense of humor. I met one of these early blots several years ago. My friend Peter had invited me to a dinner party hosted by a tech founder he'd grown up with in the Sunset District, and with whom he'd once followed the band Phish around the country, selling nitrous and poppers to concertgoers. Peter and I didn't ­really hang out, beyond the meetings we attended in church basements for people who no longer drank. But I was bored, and it was a free dinner, and Peter made it sound like he'd already asked a bunch of other people who'd said no, which took some of the pressure off. At dinner, I sat next to a guy named Roger. He had the telltale blot look--­high forehead, lush hair, shapely eyebrows--­but I didn't recognize him for what he was, because the blot phenomenon hadn't yet been exposed. Roger was solicitous, asking about my family, my work as a teacher, and my resentment toward the tech industry. When I declined the server's offer of wine, Roger's golden eyes flared with recognition, and he asked if I was in recovery. I said yes, for five years at that point, and he nodded gravely, saying he admired my commitment to this lifestyle; his dear aunt was also sober. Roger seemed eager to charm, but I was not charmed. I felt spotlighted by his attentiveness, his anticipation of what I might want--­another helping of fava bean salad, more water, an extra napkin when I dropped a chunk of braised pork on my skirt. I would say something self-­deprecating, and he'd regard me steadily and assure me that I was a wonderful person, deserving of all I wanted from life, which wasn't what I'd been asking for. Roger didn't know me and wasn't a credible judge of my worth--­unless his position was that all people had worth, which made him no judge at all. When I shifted the subject to him, he supplied a backstory that seemed pre-­written. "I came from ranchland in the northern United States," he told me. "My father was stern but loving, in his way. My mother is a wonderful woman who raised the four of us into strong, capable adults. My childhood was not without hardship, but these adversities shaped me into the person I am today. Now I live in the San Francisco Bay Area, land of innovation and possibility. I am grateful for the life I've been given, and I know it is thanks to the people who have loved and supported me on the journey." I forced a chuckle of acknowledgment. "Wow," I said. "That's great." As I drove Peter back to the Richmond District in my decrepit Corolla, he revealed that his friend, the event's host, had sprinkled the dinner party with blots. "Blots?" "It's an acronym for something," Peter said. "They're biomorphic humanoids. The latest advancement in the field of tactile illusion." He paused. "Fake people," he added. I concealed my shock, not wanting to give Peter the satisfaction. "So you invited me to be the subject of a Turing test for some company's new product, without compensation," I said. "You got a free dinner, didn't you?" "Well, he was boring," I said. "And too handsome. I hate guys like that." "Handsome guys?" "Yeah. I'm not attracted to them." Peter said he hoped I'd written all this on the comment card that had been distributed with the gelato, which asked me to rate my dinner companions' various attributes. I'd given Roger all fives, out of habit, and in retrospect I was glad not to have aided the blot revolution with my honest feedback. The blots were originally designed to perform caretaking jobs that necessitated a high level of empathy. They were meant to work in hospices and elder-­care centers, tending to people who were suffering and who would soon die. Such jobs were typically low paying, and it would be better, more ethical, so the thinking went, to place blots in those roles. They would do a fine job, and then after a few months they'd dematerialize, their corporeal presence dissipating into a cloud of vapor. But aside from a few elite facilities, hospitals weren't able to invest in the blot program, which was prohibitively expensive and unpopular among donors. The families who could afford top-­flight medical care didn't like the idea of their loved ones being cared for by blots, even when it was shown that blots performed these tasks more effectively than humans. Soon blot technology was appropriated by a Russian company, and blots were employed in illegal activities--­most commonly, identity fraud. Blots began using dating apps to target vulnerable women. It happened to my friend Alicia, last summer. "Friend" is a term I use loosely. Alicia was someone I knew from the recovery community. We sometimes went out for food after a meeting, and it was on such an occasion, six months ago, that Alicia told us about her experience with a blot named Steve. I already suspected Alicia had been blotted, because her Facebook profile had engaged me in eerie conversation a few weeks earlier. I have always admired your shoes, she messaged me, late one night, and I thought at first that she'd relapsed and was taking the opportunity to insult me. Five of us were out at a diner on Geary, a place we liked even though the food was overpriced and bad. Alicia ordered a chocolate milkshake--­like a child, I thought--­and recounted the ordeal. Steve had proposed they go on a weekend trip to Big Sur, after just a few weeks of dating. This was textbook blot, a red flag Alicia should have recognized. Blots always wanted to go to Big Sur, where cell service was spotty, to give themselves some lead time with the victim's data. They'd lavish a woman with praise, rich food, and vigorous sex, and then in the middle of the night they'd steal the data stored in her phone, copy her credit card info, and disappear with a voluptuous "bloop" sound, like a raindrop hitting the floor of a metal bucket, a cloud of lavender-­scented vapor all that remained. "I woke up and he was gone," Alicia said. "The room smelled great, though." Alicia canceled her credit cards immediately, but the blot had hacked her laptop and changed all her passwords. It took months to untangle Steve's work. His tactics were vindictive, and strangely intimate. He'd sent personalized emails to everyone in her contact lists, exploiting every scrap of personal information Alicia had divulged over the weeks they'd dated. On her Facebook page, he posted provocative selfies she'd sent to him or kept on her phone. We had all seen these photos--Alicia, in a lace bralette and thong, posing in a full-­length mirror in the dingy shared bathroom of her apartment, her back arched at what looked like a painful angle to showcase her ass. At the diner, Alicia framed herself as a woman with a hard-­won ounce of wisdom. "If it seems too good to be true, it probably is," she said, then kept sucking air through her milkshake straw. I nodded along with the others, thinking that Alicia was an idiot. Steve had not even done a good job of concealing his blot identity, and she'd fallen for it anyway, clinging to the hope that her time had finally come. Excerpted from Out There: Stories by Kate Folk All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.