My annihilation

Fuminori Nakamura, 1977-

Book - 2022

"Japanese literary sensation Fuminori Nakamura's latest novel is as a dark look into human psyche--what turns someone into a killer? Can it be something as small as a suggestion? Turn this page, and you may forfeit your entire life. A confessional diary implicates its reader in a heinous crime, and reveals with disturbing honesty the psychological motives of a killer. With My Annihilation, Fuminori Nakamura, master of literary noir, has constructed a puzzle-box of a narrative that delves relentlessly into the darkest corners of human consciousness, that interrogates the unspeakable thoughts that all humans share and that only monsters act on."--

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Subjects
Genres
Psychological fiction
Thrillers (Fiction)
Novels
Published
New York : Soho Crime [2022]
Language
English
Japanese
Main Author
Fuminori Nakamura, 1977- (author)
Other Authors
Sam Bett, 1986- (translator)
Physical Description
257 pages ; 21 cm
Bibliography
Includes Japanese bibliographical references.
ISBN
9781641292726
Contents unavailable.
Review by Booklist Review

Nakamura's seventeenth book focuses on what it means to be human. It is a dark, strange, violent, frightening story of how the mind can be traumatized and even transformed completely into the mind of another. A young man who endured a deeply troubled childhood has become a psychiatrist. He falls in love with Yukari, but after she is raped by two men, she kills herself. The psychiatrist is traumatized and vows to avenge her death using his psychiatric training, including high doses of shock therapy and drugs, to manipulate the minds of the two rapists. Nakamura is a gifted and highly imaginative writer. His characters and the shocking plot are bewildering and bizarre, with even the layout of the book supporting the dark, eerie theme. While this novel may not appeal to some reading tastes, it is a profound, revelatory, and deeply moving examination of the human mind, and for those willing to grapple with the tangled plot and deeply troubling themes, it will leave a lasting impression.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The unnamed, memory-challenged narrator of this unsettling psychological mystery from Nakamaura (Cult X) wakes up in a "cramped room in a rundown mountain lodge," where he finds various forms of identification under the name Ryodai Kozuka and a journal he's sure was written by Kozuka that starts, "Turn this page, and you may give up your entire life." In the diary are details of playing video games and growing sexual awareness in adolescence, and Kozuka gradually recalls a previous life as a doctor of psychosomatic medicine. He treated a young woman in crisis, Yukari, struggling with the burden of past traumas, who, through hypnosis, unleashed a repressed memory of a recent assault at the hands of her previous psychiatrist, Yoshimi. The narrator later leaves the lodge and uses the account of this repressed memory to initiate a romantic relationship with Yukari, which ends tragically. The stakes rise when the narrator confronts Yoshimi over his mistreatment of Yukari only to uncover more extensive abuse of patients. The narrator also sees a way to exact his revenge. Nakamura expertly mixes a look into the criminal mind with a story of doomed love. This fever-dream of a novel will long linger in the reader's memory. (Jan.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

"Turn this page, and you may forfeit your entire life." What would you do if you read those lines? Can reading a diary implicate its interrogator in a terrible crime? Can an offhand suggestion turn someone into a murderer? These are the questions carefully weighed by award-winning Japanese author Nakamura in his latest literary noir.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A steep dive into the psyche of a man who may or may not have done some truly terrible things. The first thing Ryodai Kozuka wants you to know is that that's not his real name; he's switched identities with someone else so that he can start a new life. Nor did the narrator push his half sister off a cliff when they were children; she fell on her own once he'd taken her into the woods to get her some breathing room from the home in which her father routinely beat their mother. The narrator isn't a bit like Tsutomu Miyazaki, the Otaku Murderer of four young girls who was executed in 2008, not long after he reported being urged to commit his heinous crimes by a group of Rat Men only he could see. Instead, he's a former doctor of psychosomatic medicine whose seduction of his vulnerable patient, sex worker Yukari, was entirely therapeutic, helping her recover from the sexual memories her previous physician, Dr. Yoshimi, had implanted in her. Implanted memories, it becomes gradually clear, are at the heart of this searing novella, though it's not clear whether her treatment by the smilingly unrepentant Yoshimi or the narrator himself, who wonders if he really slept with her after all, is responsible for Yukari's suicide. Once she's hanged herself, the narrator vows to avenge himself on Kida and Mamiya, two former clients who showed her a video of herself that he's convinced is what really drove her to take her life. Working with Wakui, the cafe owner whose budding relationship with Yukari had finally seemed to promise some stability in her life, he captures the two clients and starts messing with their own heads, and vice versa. An unnerving tale that richly earns its title. By the last chapter, you won't believe a word the narrator tells you. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 A cramped room in a rundown mountain lodge, and on the desk a manuscript, left open to page one, as if it had been waiting here for ages to be read. The only other piece of furniture a simple bed. The wood floor creaked with every step. The slight breeze was enough to set the thin glass of the tired window rattling. My thoughts went to the various forms of identification in my bag. An insurance card, a certificate of residence, even a pension booklet, all under the name Ryodai Kozuka. Born in 1977, he was two years older than me. Japanese standards for applying for IDs are a joke. None of these cards had a photograph of me, but I could use them to apply for a passport that did. Trading places with Ryodai Kozuka. I looked at the text of the pages. The paper was old, bound simply with a clip. This manuscript had to have been written by Ryodai Kozuka. An account, or even the life story, of the man whose place I was about to take. A white suitcase stood in the corner of the room. My heart beat a little faster. I hadn't brought that suitcase here. That must be where it was. Kozuka's body. Trees danced outside the window, as if to tell me of the sinister nature of this place. But I had understood immediately what to do. Bury that suitcase in the forest, and this would all be over. "Turn this page, and you may give up your entire life." Or so the first page said. But I had no intention of giving my old life up. He might have left behind unfinished business, but it was no business of mine. All I wanted was his identity. The light from the scrawny desk lamp cast an orange glow over the dust. I lit a cigarette and turned the page of the shoddy manuscript. * I guess it started with the funeral. A girl who lived nearby was kidnapped and discovered dead. The younger sister of one of my classmates. People sweating through their black funeral clothes milled awkwardly about. I was in the third grade, and watched these strangers dressed in black surround my classmate. His parents stood nearby, holding a portrait of the lost girl. They had apprehended an unemployed man in his thirties, who went on to testify to having lured the girl into his car and murdered her when she began to kick and scream. The man had a hulky build and wore ratty basketball shoes. I had seen him wandering around town several times, leaning a little forward as he walked. My classmate had told me that he never liked his sister, who happened to have a different father. I suppose he told me because I also had a sister I disliked who had a different father. When the hall had started to clear out, I went over to say something to him. My mouth dried up. My breath was shallow. The murder of the girl and the man they had arrested were plenty scary as it was, but what really terrified me was my classmate. I addressed him in a whisper. The range of lights decking the funeral hall transformed the tense figures of the strangers into shafts of shadow on the floor. The shadows overlapped, forming peculiar geometric shapes on the linoleum. ". . . What happened?" I had a feeling this was all because of him. That he had flaunted his pretty little sister in front of the giant man. A man without a job, left to nurse his dark side--or perhaps the dark side had expanded on its own--as he wandered miserably around town. Had my classmate dangled his sister at the man the way that you might tease a stray dog with a piece of meat? Back then I didn't know the term existed, but I suspected this was what they call a perfect crime. Without dirtying his own hands, he had provoked this crazed, dangerous prowler to attack her. But now my classmate looked at me as if he didn't understand, eyes bleary with tears. I realized my assumption had been wrong. My classmate's parents patted his head, trying to reassure him. The line of strangers did the same. An ugly feeling welled up inside of me. It was a gross warmth, pulsing through my neck and cheeks. I stared at him in a daze, like I was jealous. Surrounded by the overlapping shafts of shadow. This goes without saying, but my current self is putting words into my own mouth at a younger age. Back then, my mind was hazy. I was ashamed of my fantasies, but they refused to go away, as if possessed of their own will. That evening, I went back to my so-called home. When my sister saw me, she started crying and ran to Grandma--my stepfather's mother, so we weren't connected by blood. My sister said that I had hit her, claimed that I had lied about the funeral, that I'd been picking on her the entire time. Grandma calmed my sister down, saying, "Let Grammy take care of this." Then it was the two of us. This time, though, she realized that my sister was lying. She had a long ruler, the color of clay. A stiff ruler that looked accustomed to its secondary function. I knew how to handle what was about to happen. She was barely going to tap me. All I had to do was scream like I was on fire, and Grandma would let up, skittish as she was. That ruler didn't scare me nearly as much as the story of the murder, the giant man they had arrested, the murder of the little girl. Grandma set it down on the tatami and stared at me. Her left eye was cloudy and yellow. That eyelid sometimes twitched, a symptom of weak nerves. Grandma's son was my sister's father, but my mom gave birth to me before she ever met him. "I know you didn't do it, but you've given her a scare. You understand?" How could I possibly understand? I'd never hit my sister once. Grandma wouldn't back down. She loved my sister more than life itself. Her affection for my sister filled her nearly to the brim, so that her days were plagued by the conviction that a threat was always close at hand, a fear which manifested as a dizzying pain that tortured her. What started as love had devolved into a hysteria that she took out on others. Both of us knew my sister was on the other side of the door, waiting for me to take a whooping. I stared back at Grandma with a face that said that she could hit me if she wanted. I could take it. It would be okay. Just get it over with. When I looked at someone like this, with a sparkle in my eye, I always felt a warmth well up inside of me that was borderline enjoyable. She swung the ruler, slapping the tatami floor in front of me. We heard my sister scurry off. This only reinforced my understanding of how adults behaved. Grandma stood up, looking distraught, and frowned at me, the eyelid of her murky left eye twitching. Like she was asking me what I was doing in her house. Like I was ruining the world for her. To her, I was an intruder, standing in the way of what could have been a happy home. My existence is what made her eyelid twitch. Later that night, I left the room that had been chosen for me, hoping to sleep with my mom for the first time in years. I must have been horrified by what was happening in town, and scared enough of my own thoughts I needed comfort from her. Or maybe the murder had brought something up, a feeling that I wanted her to calm. The hallway was cold against my bare feet, as if refusing to warm up to me. If I told my mom my stomach hurt, I figured she would come back to my room. I stopped in front of the door because I heard a voice. It was Dad talking to Mom. "She cried again today though, right? What the hell? Why can't they act like siblings and get along?" "I'm sorry. I tell them the same thing all the time." "Look, this has become a problem. I've even got Ma pestering me about it. Come home from fighting at the office to a fight in my own house." "I'm sorry." "You do realize when you look at me like that, it's like you're blaming this on me. Is that what you think?" "I'm . . ." I heard Dad hit Mom. My heart sped up. This always happened. Every time I heard that sound, my legs went weak and all my muscles stiffened up. ". . . I'm not the kind of dad who beats his kids. Those guys are scum. But you, you're all grown up. So tell me, why can't they get along? Don't you hate it when they fight? Why is everybody always fighting?" The sounds of Dad hitting Mom continued. Mom let out little shrieks. It was all that I could do to stand in front of the door. The silver doorknob glimmered idly through the darkness. The door was incredibly rickety and thin. Open it, and my entire life could transform in an instant. Excerpted from My Annihilation by Fuminori Nakamura All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.