When Winter Robeson came

Brenda Woods

Book - 2022

In August 1965, twelve-year-old Eden's older cousin from Mississippi comes to visit her in Los Angeles, and while the Watts Riots erupt around them, they continue their investigation of the disappearance of Winter's father ten years ago.

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Subjects
Genres
Novels in verse
Children's stories
Published
New York : Nancy Paulsen Books [2022]
Language
English
Main Author
Brenda Woods (author)
Physical Description
160 pages ; 22 cm
Audience
Ages 10 and up.
ISBN
9781524741587
Contents unavailable.
Review by Booklist Review

In August 1965, 14-year-old Winter Robeson travels from Mississippi to visit his relatives in Los Angeles. Narrated in verse through the voice of Eden Louise, his 12-year-old cousin, the novel ensures readers are privy to Winter's real reason for visiting--he's on a mission to find out what happened to his father, who disappeared from L.A. 10 years before. The two of them sleuth together through nearby locales, discovering more than they bargained for, some of it good and some disturbing. During the visit, sparks explode between police and area residents, and Watts erupts into six days of violence. Woods has framed this story lyrically, using musical movements and terminology to move the exposition along believably through Eden, who hopes to be a songstress. Readers will find themselves immersed in the time period with naturally included details, such as musicians, authors, and places. This slim yet affecting offering presents an important moment in U.S. history that sadly mirrors current events. Middle-graders will be entertained and educated, as well as inspired to action.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Woods (The Unsung Hero of Birdsong, USA) explores the Watts riots of August 1965 through the experience of two Black cousins in a rhythmic historical novel in verse. In Los Angeles, 12-year-old narrator Eden Louise Coal aspires to become a songwriter. With her 13-year-old cousin Winter Robeson visiting, Eden anticipates two weeks of fun, but his arrival makes her long for the music of Mississippi, "the country roads and folks" she grew up with until the family's move to California two years prior. Winter, who has only experienced life under racial segregation, relishes "being able to sit where you please" on the bus and enjoys time with his hosts while planning to search the Watts neighborhood for his "disappeared daddy," who vanished a decade prior after promising to send for his family. But after Eden's mother receives a phone call that the residents of Watts are fed up with police brutality and harassment, everything goes up in smoke. Interwoven with plentiful music references ("Winter and I became a duo; our ballad, a duet") and utilizing historically accurate language, Woods's harmonious play-by-play narrative of growing up during the Watts Riots spotlights some long-lasting effects of racial inequality and discrimination on children. Ages 10--up. (Jan.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Horn Book Review

In August 1965, the Los Angeles neighborhood of Watts is "a volcano aching to erupt." Twelve-year-old Eden Louise Coal, who lives just outside of Watts, is looking forward to the visit of her thirteen-year-old cousin, Winter Robeson, from Sunflower, Mississippi. Though Winter has a long list of things he wants to do, Eden realizes he is really there to find his father, who disappeared from Watts ten years earlier. Winter's visit affords some cultural comparisons, as when Winter notes, "Y'all got a little Jim Crow here too, huh?" after Eden tells him she has only one white neighbor left after white flight claimed all the others. Eden plans to be a songwriter, and the verse novel's text frequently achieves lines Eden herself would relish: "She's like a musician / who has forgotten her notes," Eden says of an elderly friend with dementia. The first-person narrative is unusually dense in thematic layers for such a short novel -- neighborhood, family, friends, music, social justice, and dreams -- themes that Eden begins to weave into songs by story's end. This is a nuanced story, told from the heart and rooted in Woods's (Zoe in Wonderland, rev. 7/16) own experiences in 1965 Watts, as related in the author's note. Dean Schneider January/February 2022 p.125(c) Copyright 2022. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Unexpected Endings When my cousin, Winter Robeson, came, I figured it would simply be two weeks of summertime fun. But every now and then it seems like songs with unexpected endings: things don't always turn out the way you thought they would. August 1965 wound up becoming exactly like one of those songs. A Volcano Erupts The melody began harmoniously. Instantly, Winter and I became a duo, our ballad a duet. But it wasn't long before the tempo of our song changed. Poco a poco--little by little--the music veered off course, becoming an improvisation, spontaneous, unrehearsed. Then, suddenly and without warning, the city of Watts, which people claim was a volcano aching to erupt, finally did. Free-Flowing Melodies Eden, Eden Louise Coal, is my name. I'm twelve, going on thirteen. I live on 103rd Street in Los Angeles, California, just west of Figueroa, not too far from Watts. Something else I suppose you should know is that I plan to become a songwriter, and so my words often pour out in cascading streams, sounding like free-flowing melodies. His Arrival It's a summertime Thursday, August 5, 1965. We're downtown at Union Station, Daddy and I, sitting inside on one of the long, cool wooden benches, waiting. Now and then a train unloads and passengers stream out. Hands begin waving, and people hurry toward each other, smiling, reaching out arms, hugging, sometimes kissing. His train arrives late, but then there he is. All the way from Sunflower, Mississippi, birthplace of Jerry Butler, Daddy likes to brag. Been two years since I last saw him at our family reunion in Indianola, Miss. I glance up at him, thinking, He sure grew tall, and that makes me feel small. He'll be fourteen this December, our cousin, Winter Robeson. I'm Eden , I blurt. I know. You ain't changed 'cept you got a lot shorter , Winter Robeson jokes. I laugh. Did not , I tell him, then examine him from head to toe. The straw cowboy hat looks small for his head, and for some reason that makes me smile. Between his front teeth a gap has appeared and his perfect velvety skin is dark brown. His suitcase Mama would call well used. His plaid shirt is green, his jeans brand-new-blue. His black high-top Converses have snowy white laces, and from his neck a Kodak camera loosely dangles. We trail my daddy, Ernie Coal, outside into the sun. From the front seat of our '57 Chevy, I keep turning around, gazing, sipping him slowly like ice water, memorizing him like a poem. Y'all even have your own automobile. Wish we had one , Winter remarks, caressing the seat, acting like he's riding in a brand-new Cadillac Coupe de Ville. I turn on the radio and music fills the car. Marvin Gaye is singing, "I'll Be Doggone," and I sing along. Immediately, Winter joins in and together we croon. When the song ends, Winter begins snapping pictures, Click, click, click. California , he softly says, making it sound like heaven. It gets in your blood after 'while , Daddy confesses. Not like Mississippi, but it does. And right then, once again, I begin to long for the country roads and folks of Indianola, Miss. where I was born and raised till I was ten. Missing Her and Mississippi Mississippi, where trios of songbirds serenaded me in the morning, and lightning bugs added sparkle to summertime nights. Mississippi, where I spent Sundays singing old-time hymns, in our tiny white wooden church with the pipe organ, and Saturdays taking piano lessons from Miss Elvira Porter. Miss Elvira Porter, her hands wrinkled but fingers still nimble, taught me how to read notes and play, plus, musical symbols and terms galore. I'm not sure if she planted the seed of music in me or if it was already there just waiting for her to cultivate. From her creaky porch swing, where she and I loved to linger, she spoke of Negro women composers, like Margaret Bonds and Julia Perry, writers of spirituals, sonatas, symphonies, even operas, and trained me to hear life's orchestra. Hear that, Eden? she asked. Hear what? The whip-poor-wills singing, the dog barking in the distance, the gentle breeze rustling the leaves of the cypress trees. Now the train, hear it rolling along the tracks? Getting louder . . . crescendo . . . shh, softer now . . . decrescendo. There's the train's conductor, his horn a-blowing. Finally, the climax, my teakettle inside whistling. It's a beautiful composition, wouldn't you say? I would, yes ma'am, I would. Missing her and Mississippi makes me sigh. And I ache for it even more with Winter nearby. The tone of his voice, the warmth of his smile, bring me back. And for the thousandth time I wish we'd never left. 103rd Street Our house looks pretty with its square patch of emerald green lawn, freshly mowed. Pink geraniums are blooming, and the picture window is Windex clean. Inside, everything is what my daddy calls spic-and-span, and Mama has fixed things up especially nice, the way she always does for visits from folks back home. It's like Mama's bound and determined to wash off her country beginnings as if they're a stain and a life in California is a fancy detergent, guaranteed to get rid of it, once and for all. Mama steps onto the front porch. Her lipstick is red, hair freshly pressed and curled, green and white polka dot sundress, starched and perfect. Grinning and waving, she rushes to the car, my mama, Ruby Coal. Mama hugs Winter so tightly that a laugh pops up out of him. As handsome as your daddy, J.T. , she says, her voice sounding sweet--dolce. I notice that Mama's mention of his daddy, who disappeared and is likely dead, changes Winter's eyes from happy to sad. Yet still, he politely replies, Thank you, Miz Ruby. It's so nice to have you here , Winter, Mama tells him. His face brightens, and again he says, Thank you, Miz Ruby. It's most kind of y'all to have me. The Gum Smacker The next-door neighbor's screen door opens, its usual squeal turning our attention its way. Hi, Mr. and Miz Coal . . . and Eden , she adds reluctantly, as if I'm insignificant, the way she always does, gum smacking, fifteen-year-old, thinks-she's-a-Hollywood-movie-star Cassie Webber. Mama and Daddy give a courteous reply and head inside. Then Cassie Webber blows a huge, perfect pink bubble, pops it with her finger, and as if he's a blinking neon sign, stares at my cousin, Winter. Who are you? she asks. I 'm Eden's cousin, Winter. Did you say Winter? Yes, I did , he tells her. What kind of a name is that? The one my daddy gave me, born the first day of Winter is why. Oh , she says. That's strange but kinda cool. And as she gazes at Winter, I swear I see stars in the gum smacker's eyes. As we make our escape, Winter confides, She's just sayin' what most folks think 'bout my name being strange, I mean. Even my buddies poke fun and tease, "Put your coats on, y'all, 'cuz Winter's comin' and I feel a breeze." I smile and so does he. Excerpted from When Winter Robeson Came by Brenda Woods All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.