All things must pass away Harrison, Clapton, and other assorted love songs

In the turbulent music scene of the 1960s and 1970s, George Harrison and Eric Clapton were two of the biggest names in the business. They also had a knotty relationship that included not only numerous musical collaborations but also a rivalry over Pattie Boyd. As it turns out, Boyd eventually married and divorced both men. Veteran author and Beatles scholar Womack and music historian Kruppa offer meticulous details in this dual biography with its unusual angle on two iconic musicians. Clapton first met the Beatles in December 1964, when he was in the Yardbirds: it was, he says, a turning point, and meeting Harrison, in particular, was the "highlight." Their friendship was complicated by Clapton falling in love with Boyd, then Harrison's wife, at first sight. Womack and Kruppa present a thorough history of Harrison and Clapton's songmaking (including the iconic "Layla," Clapton's impassioned love song to Boyd) and recording sessions. The epilogue discusses Clapton's self-destructive tendencies but ends with him serving as musical director for the Concert for George in 2002, marking the first anniversary of Harrison's death.

The story of the musical collaboration between Eric Clapton and George Harrison, which sparked romantic melodrama and songs that have lasted far longer than the relationships that inspired them. Anyone with a passing interest in rock gossip knows about Clapton's infatuation with Pattie Boyd, the wife of his good friend Harrison and muse for "Layla," which Clapton wrote for the Derek and the Dominoes album, Layla and Other Assorted Love Songs. She also inspired the Harrison-penned Beatles song "Something." But this book isn't about that romantic triangle, except in passing; nor is it about the personal friendship of the musicians, a bond so deep it endured after the breakup of Harrison's marriage and the marriage of Clapton and Boyd (which didn't last). Music historians and Beatles experts Womack and Kruppa mostly look at the development of a musical relationship. Clapton played on Harrison's songs, Harrison was featured on one of Clapton's with Cream, and both left their respective bands within the musical upheaval of the end of the 1960s. The authors deliver laborious accounts of the recording of Harrison's All Things Must Pass (on which Clapton appeared) and Derek and the Dominoes' Layla, featuring musicians who had also contributed to the Harrison sessions. The narrative is only intermittently insightful in the critical sections, and the authors draw heavily on Clapton's autobiography and the wealth of literature on Harrison and the Beatles. Readers won't learn anything deeper about the friendship or the music of the early 1970s. This is more of a historical account, drawn from secondary sources, of minutiae from the recording of two landmark albums--who played on what and when, etc.--making it most appealing to die-hard Clapton and Harrison fans. A few chapters from the lives of artists who have had richer and deeper books written about them. Copyright (c) Kirkus Reviews, used with permission.