What the fireflies knew A novel

Kai Harris

Book - 2022

"A coming-of-age novel told from the perspective of an eleven-year-old over the course of a single summer, as she tries to make sense of her new life with her estranged grandfather and sister after the death of her father and disappearance of her mother"--

Saved in:

1st Floor Show me where

FICTION/Harris Kai
0 / 1 copies available
Location Call Number   Status
1st Floor FICTION/Harris Kai Due May 6, 2024
Subjects
Genres
Bildungsromans
Novels
Published
New York : Tiny Reparations Books [2022]
Language
English
Main Author
Kai Harris (author)
Physical Description
pages cm
ISBN
9780593185346
Contents unavailable.
Review by Library Journal Review

Harris's debut novel is a beautifully written and moving coming-of-age tale told by 10-year-old Kenyatta Bernice (KB) after her father's death from an overdose. When their mother is sent away for treatment, she and her teenage sister, Nia, are sent from Detroit to live with their estranged grandfather in Lansing, Mich. With their mother gone, the two sisters, once best friends, have become disconnected as they drift through the hot and miserable summer. KB's isolation is palpable. Missing her parents and now stuck with a disagreeable grandfather she barely knows, she and Nia are suddenly plopped down as one of the few Black families in a white neighborhood. As the summer and heat wear on, secrets are revealed and illusions are released. As in Harper Lee's To Kill a Mockingbird, Harris addresses serious topics like racism, sexual assault, and mental health issues through the empathetic POV of a young girl. Zenzi Williams is a kind and gentle reader and ably evokes every emotion with perfect pitch. VERDICT This wonderfully written and beautifully narrated story will be a big favorite for book clubs and audiobook clubs.--Pam Kingsbury

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A story of Black girlhood from a promising new voice in fiction. It's 1995. Kenyatta Bernice--known as KB--is 10 years old and looking forward to turning 11. Then her father dies, her family loses their house, and KB's mother leaves her and her older sister, Nia, with a grandfather they barely know. The summer that follows is a tumultuous one for KB. She's still grieving the loss of her father when her mother disappears, and Nia is suddenly more interested in boys than in spending time with her little sister. The White kids across the street are eager to play with KB when their mom isn't around, but she soon learns that she can't count on their friendship. A boy KB thinks she can trust hurts her. The only reassuring constant in her life is her well-worn copy of Anne of Green Gables. More than anything, she wants the older people around her to be honest with her, but for the most part, she's left alone to piece together what's happening. Her grandfather reveals that he and her mother had a falling out, but KB knows that he's leaving out important details. She learns that her mother is undergoing some kind of "treatment" from an overheard conversation. The girl figures out all by herself that her father died from a drug overdose. Child narrators can be a challenge, but Harris has crafted a voice for her young protagonist that is both believable and engaging. Early in the narrative, when she first arrives at her grandfather's home, KB reports, "The house is silent and smells like a mix between the old people that kiss my cheeks at church, and the tiny storage unit where all our stuff lives now." There's a lot of information packed into this eloquent sentence as well as a lot of pathos. Quietly powerful. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 "We there yet?" My big sister, Nia, unbuckles her seat belt and lays cross the back seat beside me. Her skin shimmers in the sun from a half-cracked window, which lets a tiny breeze slide in that carries her cottony hair back and forth, up and down. People say Nia's the one who looks like Momma. They have the same oval eyes and mahogany skin. My eyes are rounder and my skin pale yellow, like the color of french fries that ain't quite cooked. Momma ignores Nia's question. Probably cause it's bout the tenth time she's asked. My nose finds the smell of rotten banana and that's got me thinking back to that night, almost six months ago now. The smell fills the car, just like the stench in our old basement that stuck around even after Daddy was buried. I dig my hands into the seat cushions and touch something sticky, but it's more peppermint sticky than banana sticky. Days ago, laying with a book in the back seat, one of my favorite places now, I got interrupted by Momma and Nia, right outside the car door and yelling, like always. They ain't see me, so I crept out before they could, hiding the banana I was just bout to bite. I hid it in a perfect place to come back for later, once all the fighting finally stopped. But it never did, and now I can't remember where I put it. I rub my eyes as I look around. I wanna fall asleep, but now I'm awake and smelling that stink. Nia don't look my way, just stares out the window, so I stare out the window. Ain't nothin' but flat green spaces. Cars speed by on both sides. I like that Momma drives slower than the other cars, cause then I don't get carsick. I count signs bigger than me as they blur cross my reflection in the car window. There's one for Toys"R"Us with a big picture of the new Easy-Bake Oven and Snack Center right in the middle. A now open sign for a new restaurant called Ponderosa. And one with a picture of a bunch of kids playing with dirt, and words at the bottom that say: new name, same fun. visit impression 5 science center, ahead in 28 miles. I wanna ask Momma to stop-for the restaurant or the science center, mostly, but even a toy would do-but I know we ain't gon' stop. So I count and count and get to twenty-two, then I'm bored. I find my book between the seat cushions and open to the first page. This gon' be my third time reading this book bout Anne, the Green Gables girl. I wonder what a gable is, and why it's s'posed to be green. I can't always understand the kind of words she's using cause nobody I know talks all proper like that, but in some ways, Anne is just like me, so it's my best book. Besides, even if I don't always get her way of talking, I like the sound of her words, all big and eloquent. Ever since I picked it from my school's Lost and Found, I been reading bout Anne and even learning how to talk like her. I ain't ever had too many books of my own, so when nobody at my school came for it, I did. The sun was coming in at the window warm and bright; the orchard on the slope below the house was in a bridal flush of pinky-white bloom, hummed over by a myriad of bees. I roll the new words over my tongue slow like dripping honey. Myriad, myriad, myriad. Orchard, what is an orchard? Bridal flush of pinky-white bloom. Sometimes I try to use words like in my book, but when I do Nia teases me, saying I don't even know what I'm talking bout. But even if me and Anne don't look the same, we can still talk the same and be alike in other ways. I read six more pages bout Anne showing up in Avonlea and tryna fit in where she don't belong; then there's a loud clanking sound and the car slows down. Momma mutters a bad word under her breath, the one that starts with D. I said that word once, just to test it out when nobody could hear me. It felt good. I repeat it now in my head like a silent chant, once for each time our car has stopped working-maybe twelve since we got it bout a year ago-but at some point, I stopped counting. Seems like our old Dodge Caravan-nicknamed Carol Anne like the girl in that scary Poltergeist movie-breaks more than it works. "Nia, KB. Get out and push." We know what Momma is gon' say before she says it, so my seat belt is already undone, and Nia is halfway out the car by the time she finishes the sentence. We step out into the sun, at the top of a stubby hill where the smoking car is stalled. Back when Daddy used to push the car, his muscles would grow big as he pushed, sometimes even up a hill. I am happy we get to go down the hill, at least. "This is stupid," Nia mutters, but I pretend not to hear. Instead, I keep quiet, we keep pushing, and Momma keeps steering and smiling. Momma always smiles, even in the bad times. Her smile is like a gigantic, dripping ice cream cone, after I stuff my belly full with dinner. Even with a stomachache, I want that smile. I need that smile more than bout anything in the world, I think. Momma has different smiles for different things. This smile, when the car hisses and puffs and then stops, is squeezed tight cross her face like the drawn-on smile of a plastic doll. "Ugh!" Nia groans from the other side of the car. I still pretend not to hear, wiping sweat from my forehead and squinting up at the hot sun as I take off my favorite rainbow jacket with holes where there should be pockets, then tie it around my waist. Carol Anne don't take too much muscle to push, probably cause we going down a hill, and also cause we ain't got much stuff with us. We drove straight from the Knights Inn that's been home ever since we lost our real house, before we even had a chance to finish crying for Daddy. Before this, we never stayed at a motel. It smelled like cigarettes mixed with fried chicken grease and sometimes we found bugs in the mattress, but it had good stuff, too. Our first day there, Nia showed me how to trick the vending machine while Momma talked to the man at the front desk. "We got money?" I asked, eyes scanning back and forth. There was all kinds of good stuff behind the glass, like chocolate bars and potato chips, and even a toothbrush. "We don't need none," replied Nia matter-of-factly. "It's gon' give us stuff for free?" My mouth got real dry thinking bout all the chocolate I could eat-one of them things we don't get a lot, but still one of my favorites. "Nah." Nia put both hands up on the glass. "Unless you know the secret trick." She pushed her hands against the window, banging against it til down fell a bag of chips and two packs of gum. "Ta-da!" Nia stuck her hands down in the bottom and pulled out her stolen treasure, stuffing everything in her pockets before Momma could see. "How you know that? You been to a motel before?" I tried to reach into Nia's pocket, but she swatted my hand away. "No, KB, motels ain't the only places with vending machines." Nia dug in her pocket and snuck out two sticks of gum, passing one to me and popping the other in her mouth. "You ain't ever seen nobody do that before?" I shook my head, but Nia was already walking away. Turns out, tricking that vending machine wasn't the only new thing I learned at the motel. They also had hair dryers that stayed stuck to the wall, and people in uniforms that would come clean your room every day. After the first time I let them in, Momma came home from work at the Chrysler plant yelling and said we can't ever let housekeeping do chores in our apartment. She likes calling it that better than the motel-we learned that the hard way-and even though I thought chores were over when we lost our house, still I did as I was told. "Almost there, girls," Momma yells from the front seat. As we push the car, I dig my worn shoes in the dirt. Cept it's more like mud now, even though there ain't been no rain today. I look back to see my own small footprints beside Nia's bigger ones. The ground looks like it's decorated with big and small polka dots as my shoulder shoves into hot metal. It's a good feeling to help Momma, but every time I look over at Nia, she frowns. "That's it, girls!" Momma sings as we finally reach the bottom of the hill. The car makes a loud pop! And then it's working again. Momma pulls on her braids as she waits for us to climb back inside. Nia's first, quick. I take my time, so I can catch Momma's eye in the side mirror. And there she is, just like I knew. First, one wink. Then, she blows two kisses. I catch the first and kiss it, catch the second and blow it back into the wind. Our special thing, just me and Momma. I buckle my seat belt beside Nia and try Momma's smile on her, but all it gets back is another frown. Momma's watching us through the rearview mirror before she pulls off, and I wonder how we look to her, two daughters, one who smiles just like her, one who frowns just like Daddy. Either way, she smiles at us both the same before driving again, even slower now. "Nia?" I tap her shoulder light at first, then harder. "Nia!" "What do you want?" Nia rolls her freshly opened eyes. "We there." This is my first time visiting Lansing, Nia's second. Her first was before I was born. We have lots of family in Lansing, but we're here to visit Momma's daddy, who I guess we s'posed to call Granddaddy. Momma said we all gon' stay here for the rest of the summer, before school starts back. My eleventh birthday is bout a month away, and Nia gon' turn fifteen the week after. When I pointed that out, that these would be our first birthdays away from home, away from Daddy-Momma's smile disappeared, just for a second, but then it was back, pasted in place like somebody glued it there crooked. Momma pulls into the driveway and Carol Anne groans, either from exhaustion or from the bump-bump-bump of the gravelly road. As she parks, I try to remember the last time I seen my granddaddy. It was years ago, probably when I was bout seven, back when I used to wear my thick hair in two ponytails parted right down the middle with Blue Magic hair grease making it shine and Pink lotion laying down my edges. It was Nia's favorite style, so it was my favorite style. Then Nia started wearing her hair in two different ponytails, one on top and one on the bottom like a unicorn. Back then, Granddaddy came to visit us once in Detroit, when there was a funeral for somebody on Momma's side of the family. I chew my thumb and try to remember the dead person in that casket. The dead arm laying on the dead chest that I could only see when standing on tiptoes. That picture fades now into the image of dead Daddy, but this was long before that. Back when I still thought dead people in caskets ain't belong to nobody. They were always just dead people, not nobody's kid or friend or daddy. "Okay, okay, I'm up." Nia stretches and opens her eyes wide. But I'm still stuck remembering the itchy lace dress I wore to that funeral, the dress that Momma loved, and eating the last piece of sweet potato pie before Nia could. I peek out my finger-smudged window at the little house squatting at the end of a long driveway. The biggest thing I remember from that other funeral was meeting my granddaddy. He wasn't bad, but he never smiled, and he never talked that whole day long. I decided he couldn't speak, like maybe he lost his voice in an accident. I imagined all the possibilities, til he finally grumbled hello in a voice low and deep as thunder. "Come on, girls, let's get out!" Momma is cheerful, but Nia moans. Granddaddy's house will make the third place we've lived in the six months since Daddy died. The more we move around, the more I forget stuff. Like the pattern of my wallpaper in the old house on the dead-end street. I'm starting to forget what it feels like to have a home at all. I swallow and fight back tears as I climb out the car, slow. Momma don't like it when I cry so much. And Nia teases me, calling me Crybaby KB when I do. The K is for Kenyatta and the B for my middle name, Bernice, which was the name of my daddy's grandma. Nia started calling me KB when I was a baby. I have other nicknames like Kenya and TaTa that I like better, but KB is the one that stuck. Gravel crunches under my shoes and something rustles in the bush ahead. I search for the noise as we march up to the tree-shadowed house like soldiers, but don't see nothin'. Just before we reach the wooden porch, wrapped around the house and sloping in the dirt, Granddaddy comes outside to meet us. His skin is dark as a moonless night with hair brushed in black and gray patterns, and a heavy limp that dips and jumps and dips again. "Why he so bent over and wobbly?" I whisper to Momma. She swipes me on the bottom and flashes me The Look. I been gettin' The Look from Momma all my life-not nearly as much as Nia, but enough for me to know exactly what it's s'posed to mean. "Hush your mouth," she hisses. I wonder why it's a bad question but know better than to ask. These days, asking too many questions is just as bad as crying. "I bet he need a cane to walk, cause he so old." Nia is suddenly beside me and trying not to let Momma hear her giggle. I giggle, too, happy to get an answer, and happy it's from Nia. Excerpted from What the Fireflies Knew: A Novel by Kai Harris All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.