Everything and less The novel in the age of Amazon

Mark McGurl, 1966-

Book - 2021

"In Everything and Less, acclaimed critic Mark McGurl discovers a dynamic scene of literary experimentation in an unlikely location: in the realms of self-publishing created by Amazon. Reclaiming several works of self-published fiction from the abyss of critical disregard, McGurl offers a Copernican revolution in the world of letters: rather than giving central importance to the critically lionized highbrows-Colson Whitehead, Don DeLillo, Elena Ferrante, and Amitav Ghosh, among others-he discovers that their fiction orbits countless unknown authors forging a career through untraditional means"--

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Subjects
Published
London ; Brooklyn, NY : Verso 2021.
Language
English
Main Author
Mark McGurl, 1966- (author)
Physical Description
xix, 314 pages : illustrations ; 25 cm
Bibliography
Includes bibliographical references (pages [269]-297) and index.
ISBN
9781839763854
  • Preface: Bezos as Novelist
  • Introduction: Retail Therapy
  • 1. Fiction as a Service
  • 2. What Is Multinational Literature? Amazon All Over the World
  • 3. Generic Love, or, The Realism of Romance
  • 4. Unspeakable Conventionality: The Perversity of the Kindle
  • 5. World-Scaling: Literary Fiction in the Genre System
  • 6. Surplus Fiction: The Undeath of the Novel
  • Afterword: Box In.
Review by Publisher's Weekly Review

By turns provocative and tedious, literary critic McGurl's sweeping literary history examines the relationships between writing, reading, publishing, and Amazon. Drawing on theory, sociology, and economics, McGurl (The Program Era) studies Amazon's impact on novels and genres, wondering "what's going on inside the books that business brings to market" and asking "what the novel is now." McGurl defines familiar terms such as author, reader, and fiction in ways that illustrate Amazon's approach to literature: the author, for example, "should consider himself as a kind of entrepreneur and service provider," while Amazon sees the reader as a "customer with needs, above all a need for reliable sources of comfort, or utility." And whereas genre used to be "a way of piecing through the different things that stories can do for us and instructing writers to construct them accordingly," it is now "a version, within the literary field, of the phenomena of market segmentation and product differentiation." While McGurl's dense academic study often relies on sprawling, jargon-filled sentences, he nevertheless raises significant questions about the state of publishing. For those in the industry, this is worth a look. (Oct.)

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