The nutmeg's curse Parables for a planet in crisis

Amitav Ghosh, 1956-

Book - 2021

"The Nutmeg's Curse: Parables for a Planet in Crisis frames climate change and the Anthropocene as the culmination of a history that begins with the discovery of the New World and of the sea route to the Indian Ocean. Ghosh makes the case that the political dynamics of climate change today are rooted in the centuries-old geopolitical order that was constructed by Western colonialism. This argument is set within a broader narrative about human entanglements with botanical matter-spices, tea, sugarcane, opium, and fossil fuels-and the continuities that bind human history with these earthly materials. Ghosh also writes explicitly against the backdrop of the COVID-19 pandemic, the Black Lives Matter protests, and international immigra...tion debates, among other pressing issues, framing these ongoing crises in a new way by showing how the colonialist extractive mindset is directly connected to the deep inequality we see around us today"--

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Subjects
Published
Chicago, IL : The University of Chicago Press 2021.
Language
English
Main Author
Amitav Ghosh, 1956- (author)
Physical Description
339 pages : black and white illustrations, black and white maps ; 24 cm
Bibliography
Includes bibliographical references and index.
ISBN
9780226815459
  • List of Figures
  • 1. A Lamp Falls
  • 2. "Burn Everywhere Their Dwellings"
  • 3. "The Fruits of the Nutmeg Have Died"
  • 4. Terraforming
  • 5. "We Shall All Be Gone Shortly"
  • 6. Bonds of Earth
  • 7. Monstrous Gaia
  • 8. Fossilized Forests
  • 9. Choke Points
  • 10. Father of All Things
  • 11. Vulnerabilities
  • 12. A Fog of Numbers
  • 13. War by Another Name
  • 14. "The Divine Angel of Discontent"
  • 15. Brutes
  • 16. "The Falling Sky"
  • 17. Utopias
  • 18. A Vitalist Politics
  • 19. Hidden Forces
  • Acknowledgments
  • Notes
  • Bibliography
  • Index
Review by Choice Review

In this blend of history, reflection, literary criticism, and reporting, Ghosh, an acclaimed novelist and essayist, tackles big topics: European overseas empire and violence, the remaking of Earth though terraforming and biopolitical warfare, subjugation of indigenous peoples, humanity's relationship to Earth, climate change, fossil fuels, and war. The premise is interesting, but for the most part, the book does not fully develop the connections or relationships among its topics. Instead, the discussion frequently jumps from topic to topic. This is not solely a history book, but, despite a lengthy bibliography, historical arguments frequently rest on a small number of sources or authors for topics about which there is considerable debate and an enormous historiography, such as the origins of capitalism or the origins of European witch burning. The opening section on Dutch colonialism and violence in the Banda Islands sets the scene, and the book includes reporting on migrants, but in other sections, the author jumps between historical time periods without fully developing points. Observations on renaming conquered territories, for example, overlook the persistence of indigenous names in those very same territories. Summing Up: Not recommended. --Benjamin Lieberman, Fitchburg State University

Copyright American Library Association, used with permission.
Review by Booklist Review

Distinguished writer Ghosh, whose most recent novel is Gun Island (2019), follows his nonfiction work, The Great Derangement (2016), with this stirring call for the arts to tackle the climate crisis. In this intense, energizing, and immensely intelligent work, Ghosh uses the history of the nutmeg tree as his focal point, leading readers through the murderous conduct of the Dutch traders who captured the market for the spice by committing genocide against the people and landscape from which it came. The seventeenth-century devastation--no, the desecration--of the Banda Islands was horrific. In their quest for control of the nutmeg market, the Dutch were willing to destroy everyone and everything, even to the extent of removing nutmeg trees from the ground on which they flourished. This environmental exploitation in pursuit of capitalist gain is the crux of Ghosh's thesis. The current climate change crisis, he asserts, is the direct result of centuries of colonialism, conquest, and the most rapacious of conduct by Western nations. With literary precision, he delves into the history and culture of conquest, drawing a direct line from actions committed hundreds of years ago to the planet's current predicament. A singular achievement and a title of its time, The Nutmeg's Curse reminds us why the land is crying.

From Booklist, Copyright (c) American Library Association. Used with permission.

The mountain islands of Maluku often erupt with devastating force, bringing ruin and destruction upon the people who live in their vicinity. Yet there is also something magical about these eruptions, something akin to the pain of childbirth. For the eruptions of Maluku's volcanoes bring to the surface alchemical mixtures of materials which interact with the winds and weather of the region in such a way as to create forests that teem with wonders and rarities. In the case of the Banda Islands the gift of Gunung Api is a botanical species that has flourished on this tiny archipelago like nowhere else: the tree that produces both nutmeg and mace. The trees and their offspring were of very different temperaments. The trees were home-loving and did not venture out of their native Maluku until the eighteenth century. Nutmegs and mace, on the other hand, were tireless travelers: how much so is easy to chart, simply because, before the eighteenth century, every single nutmeg and every shred of mace originated in, or around, the Bandas. So it follows that any mention of nutmeg or mace, in any text, anywhere, before the 1700s automatically establishes a link with the Bandas. In Chinese texts those mentions date back to the first century before the Common Era; in Latin texts the nutmeg appears a century later. But nutmegs had probably reached Europe and China long before writers thought to mention them in texts. This was certainly the case in India, where a carbonized nutmeg has been found in an archaeological site that dates back to 400-300 BCE. The first reliably dated textual mention (which is actually of mace) followed two or three centuries later... As they made their way across the known world, nutmegs, mace, and other spices brought into being trading networks that stretched all the way across the Indian Ocean, reaching deep into Africa and Eurasia. The nodes and routes of these networks, and the people who were active in them, varied greatly over time, as kingdoms rose and fell, but for more than a millennium the voyages of the nutmeg remained remarkably consistent, growing steadily in both volume and value. Apart from their culinary uses, nutmegs, cloves, pepper, and other spices were valued also for their medicinal properties. In the sixteenth century, the value of the nutmeg soared when doctors in Elizabethan England decided that the spice could be used to cure the plague, epidemics of which were then sweeping through Eurasia. In the late Middle Ages, nutmegs became so valuable in Europe that a handful could buy a house or a ship. So astronomical was the cost of spices in this era that it is impossible to account for their value in terms of utility alone. They were, in effect, fetishes, primordial forms of the commodity; they were valued because they had become envy-inducing symbols of luxury and wealth, conforming perfectly to Adam Smith's insight that wealth is something that is "desired, not for the material satisfactions that it brings but because it is desired by others." Before the sixteenth century nutmegs reached Europe by changing hands many times, at many points of transit. The latter stages of their journey took them through Egypt, or the Levant, to Venice, which ran a tightly controlled monopoly on the European spice trade in the centuries leading up to the voyages of Christopher Columbus and Vasco de Gama. Columbus himself hailed from Venice's archrival, Genoa, where the Serene Republic's monopoly on the Eastern trade had long been bitterly resented; it was in order to break the Venetian hold on the trade that the early European navigators set off on the journeys that led to the Americas and the Indian Ocean. Among their goals, one of the most important was to find the islands that were home to the nutmeg. The stakes were immense, for the navigators and for the monarchs who financed them: the spice race, it has been said, was the space race of its time... Taking a nutmeg out of its fruit is like unearthing a tiny planet. Like a planet, the nutmeg is encased within a series of expanding spheres. There is, first of all, the fruit's matte-brown skin, a kind of exosphere. Then there is the pale, perfumed flesh, growing denser toward the core, like a planet's outer atmosphere. And when all the flesh has been stripped away you have in your hand a ball wrapped in what could be a stratosphere of fiery, crimson clouds: it is this fragrant outer sleeve that is known as mace. Stripping off the mace reveals yet another casing, a glossy, ridged, chocolate-colored carapace, which holds the nut inside like a protective troposphere. Only when this shell is cracked open do you have the nut in your palm, its surface clouded by matte-brown continents floating on patches of ivory... Like a planet, a nutmeg too can never be seen in its entirety at one time. As with the moon, or any spherical (or quasi-spherical) object, a nutmeg has two hemispheres; when one is in the light, the other must be in darkness--for one to be seen by the human eye, the other must be hidden... What possible bearing could the story of something as cheap and insignificant as the nutmeg have on the twenty-first century? ...The modern era, it is often asserted, has freed humanity from the Earth, and propelled it into a new age of progress in which human-made goods take precedence over natural products. The trouble is that none of the above is true. We are today even more dependent on botanical matter than we were three hundred years (or five hundred, or even five millennia) ago, and not just for our food. Most contemporary humans are completely dependent on energy that comes from long-buried carbon--and what are coal, oil, and natural gas except fossilized forms of botanical matter? As for the circulation of goods, in that too fossil fuels vastly outweigh any category of human-made goods. In the words of two energy economists: "Energy is the most important commodity in the world today. And by almost any metric, the energy industry is impossibly large. Yearly energy sales at over 10 trillion dollars dwarf expenditures on any other single commodity; trade and transport of energy is immense with over 3 trillion dollars in international transactions driving product deliveries through 2 million kilometers of pipelines and 500 million deadweight tons of merchant shipping; 8 of the 10 largest global corporations are energy companies; and a third of the global shipping fleet is occupied shipping oil. Given these figures it may not be surprising that world energy consumption takes the energy equivalent of over 2800 barrels of oil per second to quench." If we were to add up the sum total of all goods that were moving along the sea and land routes of the Middle Ages, we would probably find that manufactured articles, like porcelain and textiles, accounted for a greater proportion of trade then than they do now. If we put aside the myth-making of modernity, in which humans are triumphantly free of material dependence on the planet, and acknowledge the reality of our ever-increasing servitude to the products of the Earth, then the story of the Bandanese no longer seems so distant from our present predicament. To the contrary, the continuities between the two are so pressing and powerful that it could even be said that the fate of the Banda Islands might be read as a template for the present, if only we knew how to tell that story.     Excerpted from The Nutmeg's Curse: Parables for a Planet in Crisis by Amitav Ghosh All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.