The inheritance of Lion Hall

A Swedish heiress is ensnared by the aristocracy she tried to renounce in this novel by bestselling German author Bomann. It's 1913, and Agneta, daughter of Count Thure Lejongård of Lion Hall, having legally emancipated herself from her family, is pursuing the bohemian life as a painter and art student in Stockholm. She's also, along with best friend Marit, an ardent activist for women's rights, including the vote. (The translation from the original German opts for the outmoded term suffragette.) A telegram from home puts an end to this free-wheeling lifestyle. Her father and his male heir apparent, Agneta's beloved brother, Hendrik, have died by fire while rescuing Lion Hall's herd of valuable horses from a burning stable. Her mother, Stella, at first proves vindictive when Agneta assumes, reluctantly, the title of Countess and Mistress of Lion Hall. From here, the action is agonizingly slow, not helped by the competent but stilted translation. Although the narration is in first person, Agneta always seems to be regarding herself at a distance. The leisurely exposition, though frustrating, is not surprising since this is the first book of a trilogy. Agneta investigates a puzzling debt left by her father and wins her mother's grudging and intermittent trust. Under Agneta's control, Lion Hall maintains its close ties to the royal family, once the royals are reassured arson will not reoccur on their next visit. Agneta rejects an advantageous proposal from her childhood friend Lennard Ekberg, himself heir to a grand estate. She is holding out for a love match. Her first true love, fellow artist Michael, disdained marrying into the aristocracy, but now Agneta's affections are ripe for trifling with by her estate manager, Max, landless younger son of German nobles. World War I has ignited, and we are well into spoiler territory by the time anything truly momentous happens. But happen it will. Suffice it to say that the Lejongård line continues, buffeted by misfortune and encroaching modernity. Stay tuned for Volume 2. Promises to be an intriguing saga, both in print and eventually, perhaps, on Masterpiece. Copyright (c) Kirkus Reviews, used with permission.