The swallows' flight

Hilary McKay

Book - 2021

The lives of two sets of best friends, Kate and Ruby in England and Erik and Hans in Germany, as well as a stray dog in London are brought together in unexpected ways during World War II.

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Subjects
Published
New York : Margaret K. McElderry Books [2021]
Language
English
Main Author
Hilary McKay (author)
Item Description
"Originally published in Great Britain in 2021 by Pan Macmillan."
Physical Description
271 pages : genealogical tables ; 22 cm
Audience
Ages 8-12.
Grades 4-6.
780L
ISBN
9781665900911
9781665900928
Contents unavailable.
Review by Booklist Review

The story begins in Germany in 1931, when 10-year-old classmates Erik and Hans become best friends while caring for 3 fledgling swallows. Over the years that follow, the boys reluctantly join the Hitler Youth but spend their spare time hanging around an airfield, where they learn to fly. In 1938, they become Luftwaffe pilots. Meanwhile in England, Kate and Ruby, two girls with the same godmother (Clarry), become pen pals first and, as they grow up, close friends. Staying at a cottage in the country in 1940, the girls hear German planes flying overhead. And when one crashes, they rescue the pilot from the wreckage and another fallen airman nearby. A stand-alone companion to McKay's 2018 novel, Love to Everyone (re-titled The Skylark's War for its paperback release), which follows Clarry, her relatives, and her friends through her first two decades and culminates after WWI, this absorbing narrative focuses on the next generation of well-drawn characters. While the interwoven story lines may be challenging, when they converge, the impact is profound and heartening.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Set in the transitional time between the two world wars, covering 1927--1947, this poignant novel follows four young people on the precipice of adulthood amid the challenges of looming conflict. In Berlin, animal-loving Erik and supportive Hans relish their affectionate friendship while anxiously observing Hitler's rise and burgeoning anti-Jewish sentiment; shy Ruby, born with facial birthmarks, finds comfort in the routines of hanging around at her mother's Plymouth newsagent's shop while her antagonistic older brother Will is away in the army; fragile Kate, the youngest of six in Oxford, records everything in her diary and enjoys a long-distance friendship with Ruby; and an unloved London scrapyard dog searches for a kind home. Elevated by rich characterizations of a cued-white ensemble cast against an acutely observed historical setting, McKay's (The Time of Green Magic) amiable and witty third-person narration offsets a story that touches on moments of darkness appropriate to the time period, including casual animal cruelty as well as several characters grappling with Kristallnacht and its implications. A thrilling final act authentically intertwines the narrative threads in this warm, gratifying follow-up to 2018's The Skylarks' War. Back matter features a historical note and family trees. Ages 8--12. Agent: Molly Ker Hawn, the Bent Agency. (Oct.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Horn Book Review

McKay plunges us back into the doings of the Penrose family (Love to Everyone, rev. 11/18), this time exploring the lives of the generation born between the world wars. The story spans almost twenty years as we move between Kate in Oxford, Ruby in Plymouth (Clarry's goddaughters, both), and two German boys in Berlin -- best friends Erik and Hans -- as they deal with siblings and families, grapple with their own fears and desires, and meet the challenges of drastically changing times as World War II descends. McKay has a positive genius for the tight dovetail of character, incident, and plot: as these lives become entwined, that genius is everywhere at work -- from the novel's first sentence ("One summer, when he was ten years old, Erik became famous for buying dead flies") to Ruby's distress about her facial birthmarks, to the story's moving, satisfying conclusion. Precise, evocative detail ("Every leaf was heavy with dew, and the flowers hung like wet laundry") gives this a persistent, vivid freshness, but even more fresh and compelling is McKay's compassionate, sometimes humorous, take on human character and her understanding of youthful feelings. Deirdre F. Baker November/December 2021 p.107(c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

This follow-up to 2018's Love to Everyone reunites readers with cherished characters, and the circle of beloved friends and family grows. Spanning 1927 to 1947, this novel follows a well-drawn ensemble cast through the interwar years and the turbulence of World War II before leaving them battered but resolute. The Great War casts a shadow over young people's lives--a father or uncle lost or seriously wounded; a mother or aunt haunted by memories of nursing the soldiers. Best friends Erik and Hans live in Berlin, dreaming of working at the zoo tending to animals (Erik) and running a pastry stall (Hans). They are disturbed by Hitler but, facing forces beyond their control, eventually become Luftwaffe pilots. In Plymouth, Violet's daughter, Ruby, is self-conscious about prominent birthmarks on her face that draw unwelcome attention. Kate, daughter of Peter and Vanessa, is the youngest of the Penrose brood in Oxford. Her health is delicate, and she fades into the background, honing her observational skills. Clarry is godmother to Ruby and Kate, and Rupert comes and goes, dispensing treats--the benevolent English counterpart to Hans' glamorous Uncle Karl. These four young people and their families--plus one abandoned scrapyard dog--find their orbits intersecting due to the vagaries of war on the way to a poignant and utterly satisfying conclusion. Third-person chapters filled (but never to the point of distraction) with historical texture rotate among the charming characters' distinct voices and perspectives. Characters read as White. Stirring and unforgettable. (family trees) (Historical fiction. 9-14) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One: Erik and Hans ONE Erik and Hans Berlin, 1931 One summer, when he swas ten years old, Erik became famous for buying dead flies. "Really!" said Hans, who was in the same class at school and had just moved into the apartment below. "You're always becoming famous for something embarrassing!" "I know," admitted Erik, because it did seem a bit that way. The falling off the bridge on the school expedition to the river; his hospital for dolls--he'd fixed one small girl's doll and the news had got round, "Erik can mend dolls!" and suddenly he'd found himself with a bedroom full of prim china faces not necessarily attached to their bodies. And now he was buying dead flies. The reason Erik needed flies was a family of little birds. Their nest had fallen; the fragile shell of dry mud had crumbled and split from the wall and two fledglings had been lost, but three had survived. Erik's kleine Schwalben , his little swallows. He'd tried finding enough flies for them alone, but without having wings himself, it seemed impossible. He'd taken a teaspoon to every rosebush within walking distance, scraping off greenfly. Both the baker and the butcher had asked him very forcefully to get out and mind his manners when he'd offered, as politely as he could, to remove the wildlife buzzing in their windows. He'd haunted the rubbish bins at the back of the apartment building. Even so, he couldn't manage to keep up with the little birds' hunger, and so he'd recruited his classmates. They naturally said they were not going to spend their spare time collecting flies for nothing, and demanded to be paid. Erik had paid first in fruit drops, from the box he'd had for his birthday, and next with an assortment of rather chipped marbles, and after that with cigarette cards: scenes of old Berlin, Flags of the World, and his precious Exotic Birds and Animals. He had a few French cards too, mostly pictures of famous film-star girls. "Girls!" said Hans, scornfully, when he came with his flies to trade. Hans had a sister named Lisa. She was one year younger than Hans, but she was taller than he was, and she bossed him about. Lisa had a hundred friends, or so it seemed to Hans. "I've enough girls at home." "Well then, choose a flag," suggested Erik, "or an armadillo or a camel or something." Hans said he didn't care about flags, and that the camel and the armadillo had unfriendly faces. In the end he chose a girl after all, one with great waves of hair, and a very small top hat tilted over one eye, not at all like his sister or any of her friends. In return he gave Erik an envelope full of bluebottles, mosquitoes, and other small flies. The mosquitoes were squashed and so no use, but the rest were all right. Erik, for about the tenth time that day, explained why squashed were no good, with all the juice wasted. "You do know everybody is talking about you, don't you?" said Hans. "Are they?" "Saying you are crazy!" "Oh, well, yes." "What other cards do you have to trade?" "I don't really, Hans," said Erik. He did have an album of fairy-tale cards, collected for him by his mother, long before. He couldn't trade those, because she was still fond of them. Now and then, on winter evenings, she would turn the pages and murmur, "Yes, I remember," when she came to the seven swans, or the tin soldier, or whatever. Erik also hoped that he might keep his five Dogs of the World: the German shepherd, the husky, the St. Bernard with the little barrel on its collar, the English sheepdog with the smiling face, and the small French poodle. He had owned them for as long as he could remember, given them names and dreamed them stories. They were old friends, and yet... He'd known these swallows since they were eggs: every summer a nest was built above his bedroom window; already the parent birds were building there again. And now Erik had these three. He kept them in his bedroom, in a box by the open window, snuggled together in his winter hat, which would never be the same again. Hans came to watch his latest delivery of flies disappear. "More than an hour's work gone in seconds," he remarked. "However do these ridiculous birds manage in the wild?" "Easy," said Erik. "They can fly. What I really need is a butterfly net and a very small plane." "What you need is my uncle Karl," said Hans. "Why?" "He can fly. And he's nuts, like you. I'll tell him about you, next time I see him. Have you given them names?" Erik laughed and shook his head, so Hans named them on the spot: Cirrus, Nimbus, and Cumulus. "Cumulus is the fat one," he said. "He's my favorite. I shall go and catch his supper right now." After that, Hans stopped charging for his flies, and he was a great help to Erik because the little birds were constantly hungry. They were growing so fast that every few hours they seemed to change. Real colors replacing the down. Their pinfeathers coming through on their wings. All three of them stronger every day, stretching out a wing, jostling for the next beak-full of food. "How did you learn to care for them?" asked Hans, and Erik explained that two years before, it had happened just the same, a nest had fallen and he had scooped up a nestling and fed it on baby food. Bread and milk. And it had died. He wouldn't make that mistake again, though, he said. Flies, that was what his swallows needed, from four in the morning until darkness at night, flies by the dozen, flies by the hundred, not caught in airy swoops around the rooftops like the parent swallows did, but delivered by a train of helpers with matchboxes, cocoa tins, or sometimes just clenched fists. Up and down the building stairs, driving the occupants mad. "Wash your hands!" his mother ordered the children, with every new delivery, and sent them to the kitchen sink and made sure they did it properly. The soap wore out and people got so tired of washing they stood under the windows and yelled instead, "Erik! I brought more flies!" "How much longer?" asked his mother, and Erik said perhaps a week or a little more. "A week or a little more!" she groaned, and suggested egg yolk, minced sausage, and canary seed soaked in water. Erik shook his head. He dared not risk it. "Well, well," said his mother. "I suppose you must do what you can." Erik did, although it wasn't easy. To part with the German shepherd, who he'd named Otto, after his father, who had died before he was born. With dear brave Brandy, the St. Bernard, hero of so many imaginary snowbound adventures. Comet, the blue-eyed, curly-tailed, moonlight-colored husky. Tessa, the smiling sheepdog. "Take care of her," said Erik, as he handed Tessa to her new owner, and there was an aching beneath his ribs that was beginning to feel familiar even though he still had Belle, the little French poodle. "She's pretty," said Lisa, who had come to see what all the fuss was about. "One day I will have a dog like that, with a pom-pom tail and a pink ribbon in her hair." Lisa, although nearly always indignant or angry, was also pretty in a furious kind of way, and Erik gave her Belle, even though Hans disapproved. "She got exactly what she wanted then," he grumbled, when Lisa, clutching Belle, had run away downstairs again. "Good," said Erik. On the fourteenth day after Erik found them, his three swallows flew from his open window, straight from his hand into a bird-filled apricot evening sky, joining dozens of others circling the roofs and eaves and skyways of the city. Never, ever had Erik known such illuminated joy, such a lift of bliss that it felt as if he could have flown with them. "Well," said Hans, who had come to say goodbye to Cumulus and the others. "That's three more birds in the sky." "Yes," agreed Erik, hanging out of the window to watch. "Imagine being a swallow. Racing about like that!" "You'd have to eat flies, though," pointed out Hans. "What do you think they taste like?" "Pretzels and lobsters," said Erik, so matter-of-factly that Hans started shouting and flinging his arms about and exclaiming, "Erik? You didn't! Hey, tell me you didn't! You can't have! Are you crazy? Are you joking?" Then he stopped jumping about and came up close to look into Erik's face. "You are joking," he said. "Aren't you?" "Yes." Hans pushed his shoulder affectionately. Erik pushed him back. They both, at the same moment, realized how much they liked each other. Hans remembered how Erik had leaned over the bridge and leaned over the bridge and leaned over the bridge, and said, "Oh, dear," and vanished with hardly a splash. Erik remembered how quickly Hans had pulled off his jacket to wrap him up when they fished him out again. "Nutter," said Hans, catching Erik in a casual headlock. "Nutter yourself," said Erik, wriggling out backward and dumping Hans flat on the floor. "I wouldn't be surprised if they did taste like pretzels and lobsters," said Hans, thinking about it, stretched out on his back. "Perhaps you're not so crazy after all. Perhaps one day you will be head keeper at the Berlin Zoo." "Perhaps," said Erik hopefully, once more gazing out of the window. "Do you know, Hans, those little birds will go to Africa." "Oh, here you go again!" said Hans. "Africa! I was wrong, you really are a nut.... Hey! Erik!" Erik's brown curly head was suddenly nodding. He wobbled where he stood, leaning against the comfortable wooden window frame. Only four hours' sleep every night for two weeks and three insatiable babies all day, and now night was coming in over the rooftops. Hans leaped and grabbed him just before he toppled out of the open window. "Thank you, Hans," said Erik. Excerpted from The Swallows' Flight by Hilary McKay All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.