Yume

Sifton Tracey Anipare

Book - 2021

"A modern-day fantasy novel about demons, dreams, and a young woman teaching English in Japan. Cybelle, an expat, lives in a small city in the Kansai region of Japan. Life is difficult: her coworkers don't treat her as one of their own and, outside of work, people dislike or even fear her. On top of it all, Cybelle is struggling to conform to the rules that have helped her survive so far. Elsewhere in Kansai, Zaniel navigates the dream realm, bringing women to have romantic encounters with a demon named Akki, his "bodyguard." When another demon -- the Yokai -- appears in Akki's territory and wreaks havoc in his domain with its voracious appetite, both Zaniel and Cybelle find themselves caught in the middle of the su...pernatural creature's antics. Will Cybelle be able to keep up her do-your-best attitude when she is pulled into the world of demons and the heated battle between Akki and the Yokai?"--

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Location Call Number   Status
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Subjects
Genres
Fantasy fiction
Published
Toronto : Rare Machines [2021]
Language
English
Main Author
Sifton Tracey Anipare (author)
Physical Description
526 pages ; 22 cm
Issued also in electronic format
ISBN
9781459747371
Contents unavailable.
Review by Publisher's Weekly Review

Anipare's thrilling urban fantasy debut follows an English teacher named Cybelle living in a small city in Japan. Despite having spent the last six years working in Kansai, Cybelle still faces constant alienation from her coworkers and peers as a Black Canadian woman. Now she struggles with the decision of whether to renew her teaching contract for another year or return home. Meanwhile, the novel visits a parallel world of supernatural creatures who awaken while the human world sleeps. Here, readers are introduced to Zaniel, a mysterious human who walks between both worlds and serves the powerful demon Akki in return for his protection. When a new demon, the Yokai, challenges Akki's territory and causes chaos, Cybelle's plotline intersects with Zaniel's, drawing her into the supernatural realm and turning her world upside down. Anipare successfully blends Japanese folklore and contemporary life, and readers will be entranced to see the mundane and the mythical collide. This thought-provoking story is sure to win Anipare fans. (Oct.)

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The Wood Where Things Have No Names All things are dreams There is a quiet forest upon a mountain on a spring day. The sky is blue, the grass is a lush green, and the sun is shining. A wide dirt path winds through an assortment of trees: thousand-year-old oak, majestic redwood, thick reedy bamboo, baby spruce, short fat pine, many others with no names. There are no sounds except for the occasional breeze that does not affect the foliage. There are no living creatures, save two: a young man and woman down the road. They hold hands as they walk in silence. The woman's long hair obscures her face as she giggles into her chest. She covers her smile with a small, demure hand. A black dress jacket tailored for a man hangs over her shoulders, shielding her from the cold. Underneath, a skimpy white camisole is visible. Pyjama bottoms two inches too long, a conscious choice or perhaps a current style. Her feet are bare. Tiny white toes poke out from her pants as they scuffle through the dirt. She walks with tiny, pigeon-toed steps, making it hard to keep up with the steady, rhythmic strides of her long-legged partner. The young man wears simple but stylish black shoes, black dress pants, and a white dress shirt that could be designer, a handsome though nondescript ensemble. His face is long and narrow, framed by jet-black hair that flows neatly over his brow, but not enough to cover his ears. He wears two beaded bracelets on his gaunt, pale wrists: one is obsidian, as dark as his own hair; the other is a vivid ruby, the same colour that flows through his veins. There is something in the curve and fullness of his lips and cheeks that is captivating, and his skin, with a natural hint of peach, makes the cold sharpness of his eyes stand out. That is something else unique about him. His eyes are not brown, but an unnatural, pale, icy grey. He stares straight ahead, focused on his intended destination, cool and oblivious to his companion. His demeanour is gentle but serious as he holds the woman's hand and guides her down the road. The young woman's body shakes harder and harder with muffled titters as she sneaks shy glances at him. Surely such enigmatic beauty would catch anyone's attention; make hearts flutter with minimal effort beyond eye contact and an outstretched hand. However, it was the one next to him who had really captivated her, the one who had singled her out. Out of all the women he could have, he had pointed at her. He had chosen her. Now, her dream is about to come true. They continue down the long, winding road in silence. They disappear around the bend, reappear where the path straightens, follow its twists and turns. Suddenly, the man stops in his tracks. The woman stumbles in surprise. Her head twists this way and that as she becomes aware of her surroundings. She looks away from the man, eyes wide, and lets out a wistful cooing sound. She has just noticed this wide-open space that is their destination. In the middle of this forest, sequestered away from all civilization, stands a large cottage. Pale yellow curtains billow through its open French windows. On the porch an outdoor wicker deck chair for two swings in the silent breeze. Thick brown tiles like slabs of chocolate make up the roof, and the cedar logs glow in the sunny afternoon light. They almost look like they are melting. A long flight of wooden stairs leads to the front door, a solid cocoa-brown panel of wood a full storey off the ground. Without turning to look at her, the young man speaks, his voice low as if speaking to himself: "Akki- sama ..." His right wrist flexes in pain as his red bracelet glows with heat. He starts to proceed, but the woman is still dumbstruck by the beautiful scene before her. There is so much for her to take in. She releases his hand and falls to her knees with exaggerated sighs. He stands there for a moment, hoping for her to say something poignant or explain herself. The man clears his throat, a soft yet awkward sound. She does not notice him. She merely gazes up at the cottage with admiration: "Tash -- Tu -- ... Tash -- Tu -- ..." Over and over she whispers to herself, a garbled, unintelligible noise. The man frowns: something about various tutors? No, various Tudors. No, it is a person's name she is repeating. He suppresses an irritated noise in his throat. She can babble on her own time. He lets go of her and presses on toward the cottage without looking back. The woman gets to her feet and prances after him, begging him to wait for her. The door groans open on its own accord and the man walks in without hesitation; the woman follows. The door slams with a resounding boom that ripples through the woods. It sends trembles up the trees, then trickles down the mountain until, little by little, it fades and everything is still. Well, almost everything. Nearby, in the woods, peach trees begin to rustle and stir. A faint giggle emanates from their leaves. Something grows in the woods, swelling in size with each footfall. It has spied on the house for some time, and now it approaches. Inside the house, the woman reaches out into the darkness. She gropes for the velvety comfort of the young man's hand but only feels the panic that comes with flailing in an empty space. A dim light grows brighter in a corner somewhere above her line of sight, so gradual it locks her heart in suspense. The man is there, a few steps ahead on a narrow stairway. A small candle glows at his socked feet, its light throbbing and pulsing like a heartbeat. There does not seem to be anything else inside the cottage. No hallway, no drawing rooms, no furniture ... just a tiny recessed entryway, a single pair of straw sandals, the stairs, and her patient companion, shoes in hand. As she runs up to him, disjointed thoughts flit across her mind: What was the architect thinking when he made the front door on the second floor? Not like a Tasha Tudor cottage at all. She thinks about asking ... later, of course . Not that the architecture matters. This place is romantic and gorgeous. It is as she has always pictured a foreign cottage. Well, almost, because when she thinks about it, it is quite a strange design for a house. She giggles again and sighs with happiness when she regains the comfort of the young man's sleeve. She does not say a word to him. The wide grin on her face is enough to express her feeling without uttering a syllable. She could content herself with walking these steps for the rest of her life were it not for the one with whom she is about to reunite. He is close by; she can feel it. She leans her head on the young man's shoulder, tightens her grip around his arm, and sighs as loud as she dares. Excerpted from Yume by Sifton Tracey Anipare All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.