The Apollo murders A novel

Chris Hadfield, 1959-

Book - 2021

1973: a final, top-secret mission to the Moon. As Russian and American crews sprint for a secret bounty hidden away on the lunar surface, old rivalries blossom and the political stakes are stretched to the breaking point back on Earth.

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Subjects
Genres
Thrillers (Fiction)
Historical fiction
Published
New York : Mulholland Books, Little, Brown and Company 2021.
Language
English
Main Author
Chris Hadfield, 1959- (author)
Edition
First edition
Physical Description
470 pages ; 25 cm
ISBN
9780316264532
Contents unavailable.
Review by Booklist Review

Real-life astronaut Hadfield's first novel is surprisingly ambitious. We might have expected him to draw on his expertise to tell a story involving astronauts and space travel, but to set the story during the Cold War (1973, to be precise)? Interesting. To use Apollo 18, one of several canceled NASA missions to the moon, as its backdrop? Intriguing. To incorporate real people (flight director Gene Kranz, CIA director James Schlesinger) into the story? Clever. To incorporate a murder mystery and a race between nations to find a rare treasure on the moon? Gutsy. Rich in the kind of scientific and technical details that made Andy Weir's The Martian (2014) and Kim Stanley Robinson's Aurora (2015) such treats, the book also features very well drawn characters, natural-sounding dialogue, and a story that leads the reader to expect a spectacular conclusion (and delivers it). Perfect for fans of sf/mystery combos.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Bestseller Hadfield (An Astronaut's Guide to Life on Earth) makes his fiction debut with a spectacular alternate history thriller. In 1973, the Apollo 18 moon mission, which was canceled in real-life, becomes a military reconnaissance operation aimed at gaining intel about a new Soviet space station, Almaz. Because Almaz, in effect "a huge, manned camera," threatens U.S. national security, the Apollo 18 team is charged with trying to sabotage the station, but one Apollo astronaut's death in a plane crash puts that goal at risk. The tragedy triggers an investigation into its cause and whether the astronaut's aircraft was deliberately tampered with. Houston flight controller Kaz Zemeckis works desperately to keep things on track, unaware that someone involved on the American end is a Russian mole. Hadfield keeps readers in suspense about the identity of the Soviet agent and how the cold war confrontation in space will play out. His mastery of the details enables him to generate high levels of tension from just a description of a welding error, which cascades into something significant. This is an intelligent and surprising nail-biter that Tom Clancy fans will relish. Agent: Rick Broadhead, Rick Broadhead & Associates. (Oct.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

DEBUT Five years after the accident that cost him an eye, career pilot and astronaut hopeful Kaz Zemeckis is no longer cleared for flight missions and his dreams of orbit are cancelled. Kaz continues his work from the ground, adding experience in the intelligence field. It is 1973 and the United States continues the space race against the rest of the world--Apollo 18 is months away from a launch to the moon. Soon the scientific mission is upended by intelligence about Soviet activity on the moon and a secret Soviet space espionage station. Apollo 18's astronauts now have a secret agenda: find the Soviet space station and document and sabotage what they can. Kaz is called in to assist the mission from the ground, but when one of the astronauts dies in a training incident, he realizes the spies aren't only in outer space. VERDICT Hadfield draws on his expertise as an astronaut to add authenticity and realism to his debut thriller. Fans of Clive Cussler and Andy Weir will enjoy this genre-bender combining military fiction, the detective novel, and techno-thriller.--Jennifer Funk, McKendree Univ. Lib., Lebanon, IL

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A vast Cold War space thriller from astronaut Hadfield. Incorporating real-life characters and events, spanning decades and distances both terrestrial and translunar, this NASA-heavy thriller has everything, including perhaps a bit too many meticulously reported technical procedures. The story opens with not one but two aircraft episodes--a bird strike wrecks an F-4 Phantom and a Cessna 170B is taken out for a rhapsodic spin--then follows the developing career of Kaz Zemeckis, who, until the bird strike cost him an eye, had been a military astronaut with good prospects of going to the moon. Repurposed as a crew liaison for NASA, Zemeckis is involved in both the training for and the mission of Apollo 18. Hadfield's use of real people brings historical authenticity to the novel, and there are many tidbits of NASA lore that only an insider could provide, but the devotion to technical facts has some drawbacks. There are more moving parts to this novel than there are in a Saturn V, and Hadfield is careful to give each part a complete description: provenance, purpose, design, and in-use characteristics are all faithfully recorded. This makes the first part of the novel so technically focused that it seems the action will never get off the launchpad, though doubtless there are readers who will revel in these details. In the event, Apollo 18 is a complex mission. Initially charged with collecting geological samples and sabotaging the new Russian moon rover, the three astronauts are then told to sabotage the Russians' new spy satellite, which is thought to be unmanned but is not. The crisis created by this bungled attempt at space vandalism establishes the main narrative thread, with Zemeckis back at Mission Control in Houston struggling to keep the mission going. There is a murder and other deaths as well as injuries, vomiting, and space brawls, all reported in close detail. Though the climax is somewhat over-the-top, the basic bones of a good thriller are here even if the beginning is a slow burn. Space nerds will geek out, and everyone else eventually gets a pretty good ride. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

PROLOGUE Chesapeake Bay, 1968 I lost my left eye on a beautiful autumn morning with not a cloud in the sky. I was flying an F-4 Phantom, a big, heavy jet fighter nicknamed the Double Ugly, with the nose section newly modified to hold reconnaissance cameras. The nose cone was now bulbous, which meant the air flowed differently around it, so I was taking it on a test flight over the Chesapeake Bay to recalibrate the speed sensing system. I loved flying the Phantom. Pushing forward on the throttles created an instantaneous powerful thrust into my back, and pulling back steadily on the control stick arced the jet's nose up into the eternal blue. I felt like I was piloting some great winged dinosaur, laughing with effortless grace and freedom in three dimensions. But today I was staying down close to the water to measure exactly how fast I was going. By comparing what my cockpit dials showed with the readouts from the technicians recording my pass from the shoreline, we could update the airplane's instruments to tell the truth of the new nose shape. I pushed the small knob under my left thumb and said into my oxygen mask, "Setting up for the final pass, 550 knots." The lead engineer's voice crackled right back through my helmet's earpieces. "Roger, Kaz, we're ready." I twisted my head hard to spot the line-up markers, big orange reflective triangles on posts sticking up out of the water. I rolled the Phantom to the left, pulled to turn and align with the proper ground track, and pushed the throttles forward, just short of afterburner, to set speed at 550 knots. Nine miles a minute, or almost 1,000 feet with every tick of my watch's second hand. The shoreline trees on my right were a blur as I eased the jet lower over the bay. I needed to cross in front of the measuring cameras at exactly 50 feet above the water. A very quick glance showed my speed at 540 and my altitude at 75, so I added a titch of power and eased the stick forward a hair before leveling off. As the first marker raced up and flicked past under my nose I pushed the button, and said, "Ready." "Roger" came back. As I was about to mark the crossing of the second tower, I saw the seagull. Just a white-gray speck, but dead ahead. My first instinct was to push forward on the stick so I would miss it, but at 50 feet above the water, that would be a bad idea. My fist and arm muscles clenched, freezing the stick. The seagull saw what was about to happen and, calling on millions of years of evolved avian instinct, dove to avoid danger, but it was too late. I was moving far faster than any bird. We hit. The technicians in the measuring tower were so tightly focused on their sighting equipment they didn't notice. They briefly wondered why I hadn't called "Ready" a second time and then "Mark" as I crossed the third tower, but they sat back from their instruments as the lead engineer calmly transmitted, "That's the last data point, Kaz. Nice flying. See you at the debrief." In the cockpit, the explosion was stupendous. The gull hit just ahead and left of me, shattering the acrylic plastic canopy like a grenade. The 550-mile-an-hour wind, full of seagull guts and plexiglas shards, hit my chest and face full force, slamming me back against the ejection seat, then blowing me around in my harness like a ragdoll. I couldn't see a thing, blindly easing back on the stick to get up and away from the water. My head was ringing from what felt like a hard punch in my left eye. I blinked fast to try to clear my vision, but I still couldn't see. As the jet climbed, I pulled the throttles back to midrange to slow down, and leaned forward against my straps to get my face out of the pummeling wind, reaching up with one hand to clear the guck out of my eyes. I wiped hard, left and right, clearing my right eye enough for me to glimpse the horizon. The Phantom was rolling slowly to the right, and still climbing. I moved the control stick to level off, wiped my eyes again, and glanced down at my glove. The light brown leather was soaked in fresh, red blood. I bet that's not all from the seagull. I yanked off the glove to feel around my face, fighting the buffeting wind. My right eye seemed normal, but my numb left cheek felt torn, and I couldn't see anything out of my left eye, which was now hurting like hell. My thick green rubber oxygen mask was still in place over my nose and mouth, held there by the heavy jawline clips on my helmet. But my dark green visor was gone, lost somehow in the impact and the wind. I reached back and pivoted my helmet forward, wiggling and recentering it. I needed to talk to somebody, and fast. "Mayday, Mayday, Mayday!" I yelled, mashing down the comm button with a thumb slippery with blood. "This is Phantom 665. I've had a birdstrike. Canopy's broken." I couldn't see well enough to change the radio frequency, and hoped the crew in the observation tower was still listening. The roar in the cockpit was so loud I couldn't hear any response. Alternately wiping the blood that kept filling my right eye socket and jamming the heel of my hand hard into my left, I found I could see enough to fly. I looked at the Chesapeake shoreline below me to get my bearings. The mouth of the Potomac was a distinctive shape under my left wing, and I used it to turn towards base, up the Maryland shore to the familiar safety of the runways at Patuxent River Naval Air Station. The bird had hit the left side of the Phantom, so I knew some of the debris from the collision might have been sucked into that engine, damaging it. I strained to see the instruments--at least I couldn't see any yellow caution lights. One engine's enough anyway, I thought, and started to set up for landing. When I leaned hard to the left, the slipstream blew across my face, keeping the blood from running into my good eye. I shouted again into my mask: "Mayday, Mayday, Mayday, Phantom 665's lining up for an emergency straight-in full stop, runway 31." Hoping someone was listening, and that other jets were getting out of my way. As Pax River neared I pulled my hand away from my left eye and yanked the throttles to idle, to slow enough to drop the landing gear. The airspeed indicator was blurry too, but when I guessed the needle was below 250 knots I grabbed the big red gear knob and slammed it down. The Phantom made the normal clunking and shuddering vibrations as the wheels lowered and locked into place. I reached hard left and slapped the flaps and slats down. The wind in the cockpit was still my own personal tornado. I kept leaning left, took one last swipe at my right eye to clear the blood, set the throttles about two-thirds back, jammed my palm back into my bleeding left eye socket, and lined up. The F-4 has small bright lights by the windscreen that glow red when you're at the right angle for landing, and it also sounds a reassuring steady tone to say you're on-speed. I blessed the McDonnell Aircraft engineers for their thoughtfulness as I clumsily set up on final. My depth perception was all messed up, so I aimed about a third of the way down the runway and judged the rate of descent as best I could. The ground on either side of the runway came rushing up and slam! I was down, yanking the throttle to idle and pulling up on the handle to release the drag chute, squinting like hell to try to keep the Phantom somewhere near the middle of the runway. I pulled the stick all the way back into my lap to help air-drag the 17-ton jet to a stop, pushing hard on the wheel brakes, trying to bring the far end of the runway into focus. It looked like it was coming up too fast, so I stood on the brakes, yanking against the leverage of the stick. And suddenly it was over. The jet lurched to a stop, the engines were at idle, and I saw yellow fire trucks pulling onto the runway, racing towards me. Someone must have heard my radio calls. As the trucks pulled up I swapped hands on my injured eye, reached down to the throttles, raised the finger lifts and shut off both engines. I leaned back against the ejection seat and closed my good eye. As the adrenaline left my body, excruciating pain took over, a searing fire centered in my left eye socket. The rest of me was numb, nauseous, soaking wet, totally limp. The fire chief's ladder rattled against the side of the Phantom. And then I heard his voice next to me. "Holy Christ," he said. Excerpted from The Apollo Murders by Chris Hadfield All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.