Violeta A novel

Isabel Allende

Book - 2022

"This sweeping novel from the New York Times bestselling author of A Long Petal of the Sea tells the epic story of Violeta Del Valle, a woman whose life spans one hundred years and bears witness to the greatest upheavals of the twentieth century"--

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Subjects
Genres
Historical fiction
Novels
Published
New York : Ballantine Books [2022]
Language
English
Spanish
Main Author
Isabel Allende (author)
Other Authors
Frances Riddle (translator)
Edition
First U.S. edition
Physical Description
322 pages ; 25 cm
ISBN
9780593496206
Contents unavailable.
Review by Booklist Review

Allende has crafted many unique heroines of passionate, resilient spirit in her internationally best-selling historical novels, and Violeta Del Valle is no exception. Born during the Spanish flu outbreak in an unnamed South American country (clearly based on Chile) in 1920, Violeta addresses her memoir to a beloved relative, Camilo, during the COVID-19 pandemic in 2020. She spins a captivating, cinematic tale of her century-long existence, intertwining large-scale political and social transformations with reflections on her life. The spoiled daughter in a family with five older sons, Violeta watches the Del Valles' finances tumble into ruin during the Depression. After losing their illustrious home, her family finds refuge in a remote southern farming town with many Indigenous residents and German and French immigrants. This supposed exile becomes an enriching experience for Violeta. Her love life is complex, tumultuous, and unpredictable for readers, who will eagerly follow her narrative, which Violeta recounts in a style that's remarkably forthright about her own and others' personal failings. The characterizations are intriguingly layered, and as people's lives are buffeted by dramatic changes, including a military coup that destroys her country's democracy, Violeta comes into her own strength. Allende has long been renowned as an enchanting storyteller, and this emotionally perceptive epic ranks among her best.HIGH-DEMAND BACKSTORY: Allende's treasured historical sagas are always profoundly relevant, and this tale of a woman's life bracketed by two pandemics will have special magnetism and resonance.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Chilean writer Allende (A Petal of the Sea) chronicles the lives of an upper-class South American family across various historical events of the 20th century. Violeta del Valle, 100, recounts the story of her life to her grandson, Camilo, beginning with her birth during the Spanish Flu pandemic. The del Valles--patriarch Arsenio and his invalid wife, five sons, and the youngest, daughter Violeta--survive by quarantining in their mansion in the capital city of their unnamed country, but the Great Depression soon shatters the family's economic stability. Nine-year-old Violeta finds her father's body with a self-inflicted gunshot wound, and they move to a farm. In whirlwind fashion, Allende conveys Violeta's life: her lackluster first marriage, an adventure-filled affair with British RAF pilot Julian Bravo, Bravo's underhanded dealings flying CIA operatives to South America, and the tragic story of her drug-addled daughter who dies while giving birth to Camilo. Allende frames Violeta's life story with two global pandemics, and while Violeta's reflections on Covid-19 feel a little forced, Allende seamlessly ties the rise and fall of Cold War--era military dictatorships throughout Latin America to Violeta's autobiography. It's a mixed bag, but Allende succeeds once again at making the historical feel personal. (Jan.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Allende's latest is bookended by twin pandemics: Violeta is born during the South American wave of the 1918 flu and dies as COVID-19 begins to sweep the world. Born into a privileged family that loses its fortune in the 1929 stock market crash, Violeta and her family are taken in by rural relatives of a family friend. Throughout several lovers and marriages, political upheaval, and societal changes, Violeta becomes a successful businesswoman and eventually gets involved in social justice movements. Her most significant romance is her tempestuous relationship with adventurous pilot Julian Bravo, though they never marry. Personal tragedies involving her son and daughter finally force Violeta to realize that she is not immune to the impact of social and political change and that she has a place in working toward solutions. VERDICT As this is a chronological reflection on a long life, the novel has an episodic feel, with events sweeping along at a rapid clip, though Allende still manages to pepper the tale with an abundance of memorable characters. Violeta is a character who follows her passions and lives an unconventional life but never stops evolving along with the century in which she lives. Recommended for all collections.--Christine DeZelar-Tiedman

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

In a rueful account written for her grandson, a 100-year-old South American woman recalls her tumultuous life. Born during the Spanish flu pandemic, Violeta Del Valle spends her early years quarantined with her well-off family in the capital of an unnamed country (one that resembles Allende's native Chile). With her mother ill, she is largely raised by her warm-spirited, independent-minded Irish governess. The family fortunes gutted by the Great Depression, her father kills himself (Violeta discovers his body). While living in relative isolation in the country, she meets and marries a German veterinarian whose life is mostly about finding a way to preserve the semen of pure-bred bulls. Tired of playing the submissive wife, Violeta, in a heated scene that could be a parody of romance novels, is swept off her feet by a dashing but soon abusive Royal Air Force ace of Latin American origins who runs guns for the Mafia and performs missions for the CIA. "Held together by a perpetual cycle of hate and lust," even when he takes up with another woman, the couple--though Violeta remains legally married to the vet throughout--has a son whose sensitive nature doesn't sit well with his macho father and a daughter who will become a drug addict. While there's no lack of incidence in this chronological epic, which is punctuated by glancing references to historical events including the rise of military takeovers, Allende's reductive style deprives the book of narrative power. For all she goes through, Violeta is thinly drawn--her great business success as a home builder seems tossed in like an afterthought. And the "floods, drought, poverty, and eternal discontent" she refers to are kept offstage. A slog even Allende fans may have trouble getting through. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 I came into the world one stormy Friday in 1920, the year of the scourge. The evening of my birth the electricity went out, something that often happened during storms, so they lit candles and kerosene lamps, which were always kept on hand for these types of emergencies. María Gracia, my mother, began to feel the contractions--a sensation she knew well since she'd already birthed five sons--and she surrendered to the pain, resigned to bringing another male into the world with the help of her sisters, who had assisted her through the difficult process several times. The family doctor had been working tirelessly for weeks in one of the field hospitals and she felt it imprudent to call him for something as prosaic as childbirth. On previous occasions they had used a midwife, always the same one, but the woman had been among the first to fall victim to the flu and they didn't know of anyone else. To my mother it seemed she'd spent the entirety of her adult life either pregnant, recovering from childbirth, or convalescing after a miscarriage. Her oldest son, José Antonio, had turned seventeen, she was sure of that, because he had been born the same year as one of our worst earthquakes, which knocked half the country to the ground and left thousands of deaths in its wake. But she could never precisely recall the ages of her other sons nor how many pregnancies she'd failed to carry to term. Each miscarriage had left her incapacitated for months and after each birth she'd felt exhausted and melancholic for a long while. Before getting married she had been the most beautiful debutante in the capital--slender, with an unforgettable face, green eyes, and translucent skin--but the extremes of motherhood had distorted her body and drained her spirit. She loved her sons, in theory, but in practice she preferred to keep them at a comfortable distance. The exuberant band of boys was as disruptive as a battle in her peaceful feminine realm. She'd once admitted during confession that she felt doomed to bear only sons, like a curse from the Devil. In penitence she was ordered to recite a rosary every day for two years straight and to make a sizable donation to the church renovation fund. Her husband forbade her from returning to confession. Under my aunt Pilar's direction, Torito, the boy we employed for a wide range of chores, climbed a ladder to hang a labor sling from two steel hooks that he himself had installed in the ceiling. My mother, kneeling in her nightdress, each hand pulling at a strap, pushed for what felt like an eternity, cursing like a pirate, using words she'd never utter under normal circumstances. My aunt Pía, crouched between her legs, waited to receive the newborn baby before he could fall to the floor. She had already prepared the infusions of nettle, artemisia, and rue for after the birth. The clamor of the storm, which beat against the shutters and ripped tiles from the roof, drowned out the low moans and then the long final scream as I began to emerge, first a head, followed by a body covered in mucus and blood, slipping through my aunt's fingers and crashing down onto the wood floor. "You're so clumsy, Pía!" Pilar shouted, holding me up by one foot. "It's a girl!" she added, surprised. "It can't be, check him good," my mother mumbled, exhausted. "I'm telling you, sister, she doesn't have a willy," Pilar responded. That night, my father returned home late, after dinner and several hands of cards at the club, and went directly to his room to change his clothes and rub himself down with alcohol as a precautionary measure before greeting his family. He ordered a glass of cognac from the housekeeper on shift, who didn't think to give him the news because she wasn't accustomed to speaking to the boss, and then he went to say hello to his wife. The rusty smell of blood warned him of what had occurred before he'd even crossed the threshold. He found his wife in bed, flushed, her hair damp with sweat, wearing a clean nightdress, resting. They'd already removed the straps from the ceiling and the buckets of soiled rags. "Why didn't anyone tell me!" he exclaimed after kissing his wife on the forehead. "How could we have? The driver was with you and none of us were going out on foot in that storm, assuming your henchmen would even let us," Pilar responded coldly. "It's a girl, Arsenio. You finally have a daughter," Pía interrupted, showing him the bundle she held in her arms. "Thank God!" my father muttered, but his smile faded as he saw the creature peeking out from the folds of the blanket. "She has a lump on her forehead!" "Don't worry. Some babies are born that way. It goes down after a few days. It's a sign of intelligence," Pilar improvised. "What are you going to name her?" Pía asked. "Violeta," my mother said firmly, without giving her husband a chance to chime in. It was the name of our illustrious great-grandmother who had embroidered the shield of the first flag after independence, in the 1800s. ... The pandemic had not taken my family by surprise. As soon as word spread about the dying people in the streets near the port and the alarming number of blue corpses in the morgue, my father, Arsenio Del Valle, calculated that the plague would not take more than a few days to reach the capital, but he did not lose his calm. He had prepared for this eventuality with the efficiency he applied to his business. He was the only one of his brothers on track to recover the prestige and wealth that my grandfather had inherited but lost over the years because he'd had too many children and because he was an honest man. Of my grandfather's fifteen children, eleven survived, a considerable number that proved the heartiness of the Del Valle bloodline, as my father liked to brag. But such a large family took a lot of effort and money to maintain, and the fortune had dwindled. Before the national press ever called the illness by its name, my father already knew that it was the Spanish flu. He kept up to date on the news of the world through foreign newspapers, which arrived with considerable delay to the Union Club but provided better information than the local papers, and via a radio he had built himself, by following the instructions in a manual, to keep in touch with other enthusiasts. And so, punctuated by the static and shrieks of the shortwave, he learned of the havoc wreaked by the pandemic in other places. He had followed the advance of the virus from the beginning, and he knew how it had blown through Europe and the United States like a deadly breeze. He deduced that if civilized countries had experienced such tragic consequences we should expect worse in ours, where resources were more limited. The Spanish influenza, "the flu" for short, reached us after almost two years' delay. According to the scientific community, we'd be spared infection entirely due to our geographic isolation, the natural barrier afforded by the mountains to one side and the ocean to the other, as well as our remoteness. Popular opinion, however, attributed our salvation to Father Juan Quiroga, in whose honor precautionary processions were held. Quiroga is the only saint worth worshipping, because no one can outdo him when it comes to domestic miracles, even if the Vatican has failed to canonize him. Nevertheless, in 1920 the virus arrived in all its majestic glory with more force than anyone could have imagined, toppling the notions of scientists and theologians alike. The onset of illness brought first a terrible chill from beyond the grave, which nothing could quell, followed by fevered shivering, a pounding headache, a blazing fire behind the eyes and in the throat, and deliriums, with terrifying hallucinations of death clurking steps away. The person's skin turned a purplish blue color that soon darkened until the feet and hands were black; a cough impeded breathing as a bloody foam flooded the lungs, the victim moaned and writhed in agony, and the end arrived by asphyxiation. The most fortunate ones were dead in just a few hours. My father suspected, on good grounds, that the flu had reaped a greater death toll among the soldiers in Europe, huddled in the trenches with no way to mitigate the spread, than the bullets and mustard gas had. It ravaged the United States and Mexico with equal ferocity and then turned toward South America. The newspapers said that in other countries the bodies were piled up like cordwood along the streets because there was not enough time or cemetery space to bury them all, that a third of humanity was infected, and that there were more than fifty million victims. The reports were as contradictory as the terrifying rumors that circulated. It had been eighteen months since the armistice had been signed, putting an end to the four horrific years of the Great War in Europe. But the full scope of the pandemic, which military censorship had covered up, was only just starting to be understood. No nation had wanted to report the true number of deaths. Only Spain, who had remained neutral in the conflict, shared news of the illness, which is why it ended up being called the Spanish influenza. Excerpted from Violeta [English Edition]: A Novel by Isabel Allende All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.