Shadows of eternity A novel

In two-time Nebula Award winner Benford's Shadows of Eternity, earthlings have established a SETI library on the moon in two centuries hence to interpret messages from alien societies, and beginner Librarian Ruth is encountering their hostility (35,000-copy first printing). Begun with the LJ Best SF/Fantasy The Grey Bastards, the "Lot Lands" trilogy now wraps with The Free Bastards and inevitable war. In A Brief History of Living Forever, an edgy, politically informed follow-up to Kalfař's multi-finalist debut, Spacemen in Bohemia, a young woman in surveillance-heavy 2029 America must convince the Czech brother she's never met to help her find the remains of their mother, buried in a mass grave for immigrants (35,000-copy first printing). Set in 1345 China, debuter Parker-Chan's big-buzzing She Who Became the Sun follows a peasant girl who adopts her brother's identity after his death to enter a monastery as a young male novice (125,000-copy first printing). Activist/author Roy turns to speculative fiction with Freedom Race, with a new slave trade from Africa instituted after a second Civil War and a young woman named Ji-ji Lottermule the key to challenging the power of the Homestead Territories of the Disunited States (125,000-copy first printing). In Van Loan's The Justice in Revenge, second in a series begun with the LJ-starred The Sin in the Steel, young toughie Buc has won a seat on the board of Kanados Trading Company and plans to destroy the gods that have caused so much suffering (75,000-copy first printing).

To save humanity from extinction and obscurity, Rachel Cohen, a trainee at the moon-based SETI Library, interprets alien messages sent across galaxies and eons. The SETI Librarians are the gatekeepers and curators of data alien cultures have set adrift in space, often millions of years ago, in hopes other intelligent life would find them. Some of these messages are Artificials--sentient AIs who must be convinced to share their vast knowledge. Rachel is particularly good at the task, which requires full-body immersion in pods that allow the Artificials to share their data using all available human sensory inputs. Working on her first Message, Rachel is raped by the AI in exchange for important information, which doesn't seem to bother anyone but her, and that only slightly. After this great success, she moves on to other Messages, and her body and mind are once again used against her will. Eventually she finds herself ambassador to an alien race, but this time the aliens have come in person--and they're asking for Rachel. If she plays her part, humanity may unlock the key to interstellar travel. The engaging premise is obscured for the first half of the book by pandering and outdated stereotypes. It reads like the author decided to throw in some concepts like feminism and gender fluidity without ever speaking to actual women or queer people, who don't use the words yeastyand moistnearly as often as he seems to think they do. With women constantly thinking about their menstrual cycles and nongendered people referred to as "it," the early part of this disjointed book is one yeasty, moist, hot mess. The second half gets considerably better after the aliens arrive and Rachel gets to make more of her own decisions, but she is still often along for the ride rather than influencing events. If she took more agency, perhaps Benford could be forgiven for the first half of the book, but the way he uses rape as a plot point, dissects the physical and intellectual prowess of Rachel's Jewish ancestors, and consistently dehumanizes or vilifies anyone who doesn't conform to gender stereotypes doesn't leave much room for later graciousness. Benford may have been trying to twist this SETI tale into a story that includes themes of gender and consent, but he didn't do it justice. The underlying premise is fascinating but not worth the initial eye-rolling slog. Copyright (c) Kirkus Reviews, used with permission.