Born behind bars

Padma Venkatraman, 1969-

Book - 2021

In Chennai, india, after spending his whole life in jail with his mother, who is serving time for a crime she did not commit, nine-year-old Kabir is suddenly released and has to figure out how to survive on his own in the outside world.

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Subjects
Genres
Children's stories
Social problem fiction
Published
New York : Nancy Paulsen Books [2021]
Language
English
Main Author
Padma Venkatraman, 1969- (author)
Physical Description
265 pages ; 23 cm
Audience
Ages 10 up.
ISBN
9780593112472
Contents unavailable.
Review by Booklist Review

Nine-year-old Kabir has only known a life limited by Indian prison walls. His mother, incarcerated for a crime she didn't commit, gave birth in confinement and has raised him with the help of other inmates--his "Aunties"--and an encouraging teacher. Kabir longs for life beyond that narrow, grim world, but when he suddenly finds himself cast out by the new prison warden, he has no idea how to navigate the noisy, bustling city around him. After nearly being sold into servitude by an unscrupulous guardian, Kabir goes on the run. Rani, a more experienced homeless child, generously takes him under her (and her parrot's) wing. Remaining hopeful through it all, an indefatigable Kabir decides to seek out his father's relatives, despite scant details to go on. Rani is willing to humor him, and the pair sets off to find his kin and figure out a way to free Kabir's mother. Through Kabir's observant eyes, Venkatraman (The Bridge Home, 2019) thoughtfully and gently explores a troubled justice system, interstate conflicts over increasingly common water shortages, and a frustrating caste system. It's a difficult world, but there are plenty of kindnesses and minor miracles to soften the rough edges. An optimistic and earnest tale of the power of hope and the gift of family in all forms.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Nine-year-old Kabir Khan has known nothing but the Chennai prison where he was born. But when a new warden arrives, he's forced to leave it--and the mother he believes innocent of the crime for which she was imprisoned. With the help of a Kurava teen named Rani and her talking parrot, Kabir narrowly escapes a man who plans to sell him into slavery. Focused on proving his Hindu mother innocent and finding his father--a Muslim man who went to work in Dubai to finance his mother's defense--Kabir and Rani travel to Bengaluru, encountering danger, disappointment, and hope along the way. As the two navigate a water shortage and the journey, Rani teaches Kabir about the caste system and how to make it on the streets, while Kabir shares his own knowledge through singing and storytelling. Twining themes of perseverance, friendship, and prejudice ("Funny to think rich people... build fancy cages to live in. Probably because they're afraid of poor people like us"), Venkatraman (The Bridge Home) renders the gripping circumstances surrounding Kabir and Rani's journey with a keen attention to character and plot, making for an immersive reading experience. Ages 10--up. (Sept.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 5--8--Kabir was born in a Chennai jail. He's never met his dad, and his mom is doing time for a crime she didn't commit. Then a new warden arrives, and Kabir is told that he is too old to live in the jail. Sent to live with his uncle--a man who turns out to be a fraud who intends to sell the boy--Kabir escapes and finds himself living on the streets. He meets Rani, a street kid with a parrot. Rani teaches him the rules of the streets. But Kabir still wants to find his dad and rescue his mom from her unfair imprisonment. Will he succeed? Narrating her own book, Venkatraman brings to life her beautifully written tale with endearing characters. Her narrative and writing styles work well together to bring listeners into Kabir's world. The plot is well developed and charming. Themes of hope and idealism will tug at listeners' heartstrings. VERDICT A must-listen for middle grade listeners who enjoy realistic fiction. Recommended for any library collection.--Jessica Moody

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

Born in prison in Chennai, India, to a Hindu mother falsely accused of stealing from her employer, Kabir has known only a harsh life behind bars. Upon his ninth birthday, he is released to the outside world. He wants nothing more than to find his Appa's (father's) family in the neighboring state of Bengaluru (Bangalore). All Kabir knows of his father is that he is Muslim; Appa didn't tell anyone of his marriage to Amma; and he stopped writing to them after he left India to work in the Gulf. When Kabir befriends Rani, a Kurava (Roma) girl, they team up to find Kabir's paternal grandparents, and the pace of the plot quickens. Short chapters and paragraphs guide the story to its bittersweet conclusion for both Rani and Kabir. As in The Bridge Home (rev. 1/19), Venkatraman portrays children's experiences of poverty and other social issues; here, she explores Hindu-Muslim animosity, how the Indian caste system predetermines social status, and how biased institutions interact with (and ultimately fail) those of lower caste. This earnest, heartfelt adventure will transport many readers to a different setting while guiding them to draw parallels with contexts closer to home. An author's note addresses the Roma community in India, water shortages, and incarceration rates in relation to caste. Julie Hakim Azzam November/December 2021 p.120(c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A young boy is forced to leave the Chennai jail that is the only home he's ever known. When Kabir is deemed too old to stay and is sent out into the world all alone, separated from his wrongfully imprisoned mother, he decides to search for the family of the father he has never met to try to save his mother from her unjustly long sentence. Armed with faith, instinctive wits, and the ability to run fast, Kabir escapes danger and meets Rani, a teenage girl from the marginalized Kurava, or Roma, people who is traveling with her parrot. She teaches Kabir, who has a Hindu mother and a Muslim father, about caste dynamics and survival on the streets. She accompanies him to Bengaluru, where Kabir eventually meets his paternal grandparents. Along the way, their experiences reveal the invisibility of low-caste people in Indian society, tensions between neighboring states over water supplies, and the unexpected kindness of helpful strangers. Kabir's longing for freedom and justice underscores bittersweet twists and turns that resolve in an upbeat conclusion, celebrating his namesake, a saint who sought to unify Muslims and Hindus. Kabir engages readers by voicing his thoughts, vulnerability, and optimism: While his early physical environment was confined within prison walls, his imagination was nourished by stories and songs. This compelling novel develops at a brisk pace, advanced by evocative details and short chapters full of action. A gritty story filled with hope and idealism. (author's note) (Fiction. 8-12) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 Beyond a Patch of Sky Beyond the bars, framed by the high, square window, slides a small patch of sky. For months, it's been as gray as the faded paint flaking off the walls, but today it's blue and gold. Bright as a happy song. My thoughts, always eager to escape, shoot out and try to picture the whole sky--even the whole huge world. But my imagination has many missing pieces, like the jigsaw puzzle in the schoolroom. All I've learned here in nine years from my mother and my teachers is not enough to fill the gaps. Still, it doesn't stop me from imagining we're free, Amma and me, together, exploring the wide-open world that lives beyond the bars. 2 Not Family "Up! Up!" our guard yells at us. I call her Mrs. Snake because she hisses at us every morning. "Lazy donkeys!" She's the meanest of the guards, but also the most elegant, with her neatly combed hair pinned into a tight knot. Looking at her crisp khaki uniform and shiny boots always makes me feel extra scruffy. I wiggle my bare toes. At least I have slippers. Amma and the other women go barefoot. My mother's hands reach to cover my ears as the other guards join in, calling us worse names than donkeys. Doesn't Amma know I can hear them anyway? Doesn't she remember I've turned nine today? I'm no baby, but I don't shove her hands away. I like her fingertips tickling my ears, even though Amma's skin is as rough as the concrete floor. Only one thing in this room is soft: Amma's voice, saying, "Looks like the rainy season is over and the sun-god wants to wish you a happy birthday, Kabir." "Today's your birthday? Best wishes, Kabir." Aunty Cloud gives me a quick smile and returns her gaze to the floor. Aunty Cloud likes looking at the floor as much as I like watching the sky. "You think Bedi Ma'am will bring me a treat?" I ask. "Of course," Amma says. "Your teacher is fond of you." "Almost twice as old as he should be to still be living here," Grandma Knife cuts in. "Too old." Too old for what? Everyone in this cell's way older than me, and she's by far the oldest. I give Amma a questioning look, but she avoids my eyes. Grandma Knife stretches her long arms and rolls up her straw mat. "Can't believe you're, what, nine? You still look as small as a six-year-old." I slip my hand into Amma's, where it feels safe tucked inside her palm. Grandma Knife is not family. Grandma Knife isn't her real name, either, just what I call her in my head, because it fits with her sharp tongue. Amma forces me to call all the women living in our room aunty or sister or grandma, though we were just packed in together by the guards. Only Amma and I are family. At least, Amma and I are the only family I've seen with my eyes--the others I've only imagined from stories she's told me on nights when she wasn't too tired. Everyone in our cell is awake now except Mouse Girl, the newcomer. She manages to sleep through the morning racket--until Grandma Knife's big toe prods her, making her yelp. Only last night, a guard shoved Mouse Girl into our room. She stood by the door, twitching with fear, until Amma waved her over to us. "You can squeeze in here." Amma yanked our mat closer to the wall to make space where there wasn't any. "She didn't say thank you," I whispered. "Her eyes did," Amma said, but I only saw them fill with tears. "She's just a teenager," Amma said. "So young." I'm a lot younger, but I always remember to say thank you. Mouse Girl's quiet, but she appears to be quite sneaky too. She tries pushing past Aunty Cloud to be the first out the door for the bathroom. "Respect your elders!" Grandma Knife's bony fingers clamp around Mouse Girl's wrists like handcuffs. Mouse Girl stumbles back and steps on Aunty Cloud's feet. Aunty Cloud doesn't say a thing, just floats by, ghostlike. As I shuffle forward, Grandma Knife cracks her knuckles. I try to keep from peeking at her fingers, but I can't help sneaking a look. Grandma Knife's hands are strong enough to snap a rat's neck. I've seen her do it. Amma says we should be thankful for Grandma Knife's incredible fingers, and I know Grandma Knife helps keep us safe, but I can't help fearing she'll someday pounce on me. 3 Rivers "Don't push!" Mrs. Snake hisses as we join the line to use the bathroom. Mouse Girl tugs on my raggedy T-shirt to hold me back as she elbows her way ahead. My T-shirt rips even more. I glare at her, but she doesn't apologize, and now I'm sure I picked a bad nickname for her. She's a pushy one, not a frightened mouse. "Never mind," Amma says. "She probably needs to go really bad." "We all have to go really bad," I mutter. The stench of the toilets is as strong as a slap in the face, but I try concentrating on the one good thing about the toilet: It's the only place I can actually be completely alone. After I'm done, I stand at the cracked sink and use my fingers to rub tooth powder on my teeth. Then I join the crowd waiting to fill their plastic bottles and buckets with water to wash with and drink for the day. As the water trickles out of the rusty tap, I imagine I'm standing near a wide river, like in a poem my teacher read to us about rivers singing. Rivers can't sing! They don't have mouths! Malli had objected. Malli is sort of my friend, although she's only five. Her thoughts don't float out of jail as often as mine. "Hurry up, you--!" someone barks. I shrug. I can't make the pale orange stream of water trickle into my bucket any faster. I tune out the grumbling crowd of women behind me and think about how good it would feel to sink both feet, both ankles, both knees, even my entire body all the way up to my shoulders, in a river of cool, clear water. 4 A Piece of Candy "Power cut!" Grandma Knife curses as the tiny ventilation fan in our cell stops puttering. It never cools the room much, but when there's no electricity and it can't even move a tiny bit of air, I feel like a grain of rice boiling in my own sweat. "I'm going to faint," Mouse Girl says as a stream of sweat trickles down the tip of her pointy nose. "If I don't die of hunger first." My stomach grumbles loudly, but I say nothing. Complaining won't make our morning meal appear any faster. Aunty Cloud presses a handful of candies into my palm. Aunty Cloud's children visit her on Saturdays and bring her sweets--and she always brings some back to share with us. "Thank you, Aunty." I offer the candy to Grandma Knife, who displays her uneven teeth. "You know I can't, boy. They'll just make my teeth rot faster." Amma never takes any candy either. I know I should offer to share with Mouse Girl because it's the right thing to do. Amma keeps telling me to be good. But I'm angry with Mouse Girl for tearing my shirt and being so whiny. Once, I asked Amma why she was always lecturing me about being good, and she told me it was because she didn't want me to end up in jail. That made me laugh. "We're already in jail," I reminded her. "I can't help that you were born in jail, Kabir," she told me. "But once you grow up, you can make sure not to do any bad things that might get you sent back here." "But, Amma, what's the point of being good if the police might lock you up anyway? Especially if you're poor, like us?" I'd asked. "If you're good, God will be happy," Amma said. "God hears and sees everything that happens." "So God is like a spy? He'll tell the guards if you're not good?" "No!" Amma said. "God is the greatest being of all!" "Never mind about God, boy!" Grandma Knife told me. "Be good for your own sake. If you're good and make friends with good people, you'll have a better chance of a good life once you get out of here." "And if you live a good life," Amma said, "Muslims, like your father, believe you'll go to heaven." Heaven, she had explained, was up above the clouds, a place where people of pretty much every religion agree God lives. "Or else you'll end up in hell," Grandma Knife added, "which is supposedly hotter than anywhere on Earth." It's hard to imagine a place that's hotter than our jail cell in summer when the fan cuts off and the smell of sweat and sewage clogs my nostrils worse than usual. I decide I'd better be good because I don't want to end up in hell. And because I don't want to risk getting sent back here after we leave. And, most of all, because I know it'll make Amma happy. I'm hungry enough to stuff all the candy into my mouth at once, but I open my hand to Mouse Girl. "Want some?" She grabs almost everything. Greedy piggy, I want to say but don't. Instead, I pop the remaining candy into my mouth. Amma beams me a smile sweeter than the candy melting on my tongue. I'm glad I was good, because her smile will stay inside me long after the candy is gone. 5 Flies Mouse Girl elbows her way ahead of us again as we line up for the first of our two daily meals. "Don't grumble, Kabir," Amma says. "Poor thing isn't used to being in jail yet." I don't know why my mother continues to make excuses for her--she'd never let me get away with such bad behavior. "Guess what we have today? Stale rice and water that's pretending to be spicy rasam," Grandma Knife says. "What a surprise!" "Actually, there is a surprise today," I say. "Look. My rice is topped with a dead fly." "Aiyo! Take my plate," Amma says. But Grandma Knife interrupts, "No, no, I'll swap. I've been missing meat." Grandma Knife grabs my plate and shoves hers into my hands. "On second thought, probably too late to change my vegetarian habit." Her long fingers scoop out the fly and flick it away. "Though it might have been a tasty change." "Thank you, Grandma," I say. She might be a bit scary sometimes, but she's always looking out for us and making us laugh too. Amma knows I like her to tell us stories while we eat to take our minds off the horrible food. I don't understand a lot of what she describes because I've never left here, and I've only seen other places in books or on TV: bazaars where vendors sit behind hills of spices; temples filled with the most beautiful smells. My mood lifts just imagining it all. "How about Lord Krishna's story today?" I ask. I love hearing about the blue-skinned Hindu god who was born behind bars, like me. Amma tells how, on the night of Lord Krishna's birth, the guards fell asleep, and the prison doors magically swung open. Quickly, his mother, whose demon brother had imprisoned her and her husband, ripped a piece of her sari and swaddled the baby in it. His father spirited Krishna away, not stopping until he arrived at a river swollen in flood. As he wondered what to do, the water parted to let him walk through. He left the baby on the doorstep of a home on the other bank and returned to his waiting wife, and the prison doors clanged shut, locking them in once more. The demon never found the baby, though he searched for years and years. As Krishna grew into a man, so did his strength and his wisdom, and one day he fought the demon and returned to rescue his parents. I'd like to do that too. Amma always says being born in jail doesn't mean I can't do great things. Someday I will break out of this place, and then I will set my mother free. It'll be tricky to figure out how, though, because our doors are always locked, our window always barred, our guards always awake. Excerpted from Born Behind Bars by Padma Venkatraman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.