Review by Booklist Review
Ferguson, the well-known former British royal, memoirist, and children's author, has crafted a debut historical novel of thought-provoking escapism. She bases her rebellious protagonist, Lady Margaret Montagu Douglas Scott, on her great-great-aunt and incorporates autobiographical elements into this adventure of an aristocrat coming into her own. In 1865, flame-haired Margaret, the duke of Buccleuch's second daughter, ignites a scandal after fleeing her betrothal party. Torn between duty and personal desires, she shares confidences with other women weighing these issues, including her best friend, Princess Louise, and is forced to make difficult choices that leave her steeped in self-reflection. Margaret also learns to use her privilege for good. In contrast with the Victorian nobility's mannered comportment, Margaret moves through life with disarming candor. The pages turn swiftly, and as Margaret travels from London to Scotland, Ireland, and New York City, readers will bask in the lushly detailed descriptions of fashion and architecture. The writings Ferguson intersperses throughout the narrative--gossipy society columns, letters, and more--heighten this captivating novel's theme of a woman gaining confidence and learning to direct her own story.
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Kirkus Book Review
A headstrong heroine--the daughter of a duke--fights her way through Victorian mores to self-realization. Ferguson, the Duchess of York, author of many children's books, weight-loss guides, and memoirs, collaborates here with Marguerite Kaye, a Scottish writer of historical romances, to create a vivid, juicy, and well-researched novel set in Victorian England and New York City. When we first meet Lady Margaret Montagu Douglas Scott, it is 1865 and she is an 18-year-old with a 19-inch waist being led like a lamb to the slaughter to the London ballroom where everyone who's anyone has gathered to hear her father, the Duke of Buccleuch (a world-class asshole, not to put too fine a point on it), announce her engagement to the cold, repellent Earl of Killin. "Our estates have lots of sheep. He has woollen mills. In more ways than one, it will be a marriage made in heaven," says her father. Lady Margaret begs to differ--and rather than enter the hall, she bolts, though she has never before ventured beyond the garden gate of the manor. A friend of her father's tries to stop her to no avail as she rushes without a plan into the wilds of the urban landscape, strikingly evoked with particular attention to the olfactory. She meets her first poor person--a Crimean war veteran who has lost his legs--resulting in an awakening that will shape the rest of her life. We follow her into her late 20s, through exile in Ireland, across the Atlantic, and back, the narrative supplemented by newspaper articles and letters from her friends and family. Like her fictional contemporary Jo March, Margaret has great hair, a gift for writing, a feminist spirit, and a drive to help others; in a clever touch, she buys a stack of signed copies of Little Women for her friends back home. Several of the titled characters are based on Ferguson's ancestors, and her understanding of peerage protocol seems more than just research-based. Fans of Downton Abbey will revel in everything they love about a big, fat 19th-century yarn. Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
