Across the tracks Remembering Greenwood, Black Wall Street, and the Tulsa Race Massacre

Across the Tracks presents the largely buried story of Greenwood, Oklahoma, and the Tulsa massacre of 1921. For those who first heard about this history in HBO's Watchmen, this volume showcases fully just how much was destroyed. Greenwood, also known as Black Wall Street, originated as a neighborhood due to segregationist laws that prevented equal opportunity for Black people. However, those who lived in and built up the neighborhood turned this into an opportunity to start businesses, open theaters, and create services that catered to their Black neighbors. The pages are full of happy people going about their business in a way reminiscent of Norman Rockwell's wholesome paintings. Foreknowledge of the events--or the book's subtitle--lends tension and dread to every scene as the time line creeps up to the violence that killed 300 and left thousands homeless. Also included is an essay covering the history of the Tulsa area and the stake in it held by Black people and Indigenous nations. Focus on rebuilding efforts ends this brief but informative book on a hopeful note.

Ball and Robinson commemorate a grim anniversary in this salient account: 100 years since a white lynch mob killed at least 300 African Americans and destroyed 1,200 homes as they torched the Greenwood neighborhood of Tulsa, Okla., a thriving community Booker T. Washington dubbed Black Wall Street. Robinson's bright artwork showcases the vibrancy of Greenwood, the pages spilling over with portraits of African American dentists, barbers, doctors, bus drivers, seamstresses, butchers, and chefs. "Now more than ever before it feels necessary to shine a light on the people that once lived in Greenwood," Ball writes, calling to attention the timely publication. After the horrific events of the massacre, Ball ends the history on a note of perseverance, with residents determined to rebuild. With fewer than 50 pages of story line, it offers a glimpse into the past, but the straightforward narrative is notably devoid of, for example, quotes from survivors or their descendants. An essay by scholars Reynaldo Anderson and Colette Yellow rounds things out and provides crucial context. Educational and accessible, this feels well crafted for any American history class, or as a primer for general readers unfamiliar with this dark chapter of American history. (May)