Beastie Boys

Spike Jonze

Book - 2020

This is the first book of photography to be published by the Academy Award-winning film director and photographer Spike Jonze. Spike Jonze and the Beastie Boys met for the first time in Los Angeles in 1991, when Jonze went out to photograph the band for the cover of Dirt magazine. A connection formed between the three MCs and the young photographer, which has lasted throughout their careers. Almost thirty years later-- published to coincide with the release on Apple+ of a new documentary, 'Beastie Boys Story'-- this book collects more than two hundred of Spike Jonze's personal photographs of his time spent with the group.

Saved in:

2nd Floor Show me where

781.649092/Beastie
1 / 1 copies available
Location Call Number   Status
2nd Floor 781.649092/Beastie Checked In
Subjects
Published
New York : Rizzoli 2020.
Language
English
Main Author
Spike Jonze (photographer)
Item Description
Includes brief essays by Mike Diamond ('Mike D') and Spike Jonze.
Physical Description
1 volume (unpaged) : chiefly illustrations (some color) ; 30 cm
ISBN
9780847868384
Contents unavailable.
Review by Kirkus Book Review

Lavish, elegiac document of the filmmaker's relationship with the Beastie Boys. For three decades, Jonze, known for numerous music videos and acclaimed films like Being John Malkovich and Adaptation, was a core contributor to the aesthetic of the Beastie Boys, who lost founding member Adam "Ad-Rock" Yauch in 2012. As Mike "Mike D" Diamond explains in a wistful introduction, Jonze's then-adolescent goofiness concealed intense technical curiosity and ambition: "Spike just made things happen because he said, 'That's what we're doing.' And then he didn't blink….Spike was there, not only capturing it, but being a full member and facilitator of our creative chaos. And, at the same time, he was also always interested in asking, 'What are you feeling?' " The book contains little text aside from the author's handwritten notations, alternately documentarian and enigmatic ("Mike, Call Carl Sagan Back"), and an afterword in which Jonze connects his own growth to their influence. "I was inspired by all of them in many different ways," he writes. "As artists, definitely, but maybe even more so as friends, as the kind of people who treat each other and everyone in their life with respect and honesty." Even without exposition, an intimate cultural narrative develops. Earlier photos picture the band scuffling in New York following the commercial failure of Paul's Boutique, their sophomore album that is now considered transformative. In Los Angeles, they found their footing, epitomized by Jonze's mock-1970s "Sabotage" video and their collaborative magazine, Grand Royal. Photos from this time exude intimacy and friendship (and ridiculous fashion sense) alongside backstage antics and sweaty stage-action shots. Intense collective creativity resonates throughout. Later in their career, they enjoyed dressing up as elderly men or shaggy pseudo-intellectuals, foreshadowing a bittersweet retirement that stands in contrast to their enduring love of pranks, art, and one another. An appealing record of a bohemian synthesis of rock, hip-hop, and celebrity. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.