They just seem a little weird How Kiss, Cheap Trick, Aerosmith, and Starz remade rock and roll

Doug Brod

Book - 2020

"A veteran music journalist explores how four legendary rock bands--KISS, Cheap Trick, Aerosmith, and Starz--laid the foundation for two diametrically opposed subgenres: hair metal in the '80s and grunge in the '90s"--

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Subjects
Genres
Music criticism and reviews
Biographies
Published
New York, NY : Hachette Books, Hachette Book Group 2020.
Language
English
Main Author
Doug Brod (author)
Edition
First edition
Physical Description
x, 309 pages, 16 unnumbered leaves of plates : illustrations ; 24 cm
Bibliography
Includes bibliographical references (pages 269-287) and index.
ISBN
9780306845192
  • Introduction
  • Chapter 1. Strutter
  • Chapter 2. Dream On
  • Chapter 3. Hotter Than Hell
  • Chapter 4. Rock This Town
  • Chapter 5. So Good to See You
  • Chapter 6. Rock and Roll All Nite
  • Chapter 7. Numbers
  • Chapter 8. Great Expectations
  • Chapter 9. Boys in Action
  • Chapter 10. ELO Kiddies
  • Chapter 11. Comin' Home
  • Chapter 12. Get It Up
  • Chapter 13. Coliseum Rock
  • Chapter 14. Up the Creek
  • Chapter 15. Walk the Night
  • Chapter 16. I Was Made for Lovin' You
  • Chapter 17. No Surprize
  • Chapter 18. Stop This Game
  • Chapter 19. Shout It Out Loud
  • Chapter 20. Waitin' on You
  • Chapter 21. Standing on the Edge
  • Chapter 22. Walk This Way
  • Chapter 23. Nothin' to Lose
  • Chapter 24. Busted
  • Chapter 25. Surrender
  • Chapter 26. Gonna Raise Hell
  • Chapter 27. Let the Music Do the Talking
  • Epilogue
  • Acknowledgments
  • Sources and Notes
  • Index
Review by Kirkus Book Review

The story of four 1970s American rock titans: KISS, Aerosmith, Cheap Trick, and, perhaps most importantly, Starz. Starz, you may ask? That's the point: The also-rans fit Brod's theme that rock fame is sometimes arbitrary, usually absurd, and almost always fleeting. In the mid-'70s, all four acts were connected in terms of management, touring, and producers. KISS led the way both musically and theatrically; Aerosmith had a Stones-y (and for a long time druggy) vibe, and Cheap Trick merged anthemic rock with subtler, Beatles-esque songwriting. As for the glammy Starz, a band that had unlikely roots in one-hit wonders Looking Glass ("Brandy [You're a Fine Girl]"), sharing management with KISS and stages with Aerosmith led at best to the nether regions of the sales and airplay charts and a role as tax write-off for KISS' minders. When album-oriented radio stations emerged in the late-'70s, the band was "shut out of the broader airplay equation." But even the bigger acts had Starz-like issues, struggling to stay relevant amid disco, hair metal, and grunge. Brod, former editor-in-chief of Spin, interviewed deeply, writes with a fan's enthusiasm about all four bands, and braids their experiences to keep the book from reading like four separate bios. He's also attuned to the Spinal Tap--ish nature of the acts, from backstage meltdowns to ironic calamities; Starz frontman Richie Ranno launched a successful business dealing KISS memorabilia until he was big-footed, yet again, by KISS. (Gene Simmons, infamously laser-focused on the bottom line, is a comically Mephistophelean figure throughout the book.) More information about the infrastructure of the music industry would better contextualize the story, and Brod delves further into the bands' compromised late-period discographies than casual fans will care about. But their shifting fortunes are a reminder of their mix of talent and dumb luck: They all could have been Starz. A fun, compassionate history of arena rock's finest hour--and the less-fine hours that followed. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.